Performance and Identity in the Classical World - Rilegato

Duncan, Anne

Rilegato

ISBN 10: 052185282X ISBN 13: 9780521852821

Casa editrice: Cambridge University Press, 2006

Riassunto

Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire.

Su questo libro

Descrizione del libro:

Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self.

Contenuti:

Introduction: the hypocritical self; 1. Drag queens and in-betweens: Agathon and the mimetic body; 2. Demosthenes vs. Aeschines: the rhetoric of sincerity; 3. The fraud and the flatterer: images of actors in the comic state; 4. Infamous performers: comic actors and female prostitutes in Rome; 5. The actor's freedom: Roscius and the slave actor at Rome; 6. Extreme mimesis: the spectacle in the Empire.

Su questa edizione

• Editore: Cambridge University Press
• Data di pubblicazione: 2006
• ISBN 10: 052185282X
• ISBN 13: 9780521852821
• Rilegatura: Copertina rigida
• Numero di pagine: 252