Risultati (1 - 30) di 13177

Chagall - LA FONTAINE Jean de

Editore: Paris, Tériade Editeur (Presses de l'Imprimerie National de France), 1952, (1952)

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Descrizione libro: Paris, Tériade Editeur (Presses de l'Imprimerie National de France), 1952, 1952. Condizione libro: molto buono. 2 volumi in-folio (mm.390x305), a fogli sciolti sotto copertine editoriali illustrate da due incisioni dell'artista, in astucci di cartone. Illustrati da 100 acquaforti originali di Chagall in tavole fuori testo. Tiratura complessiva di 210 esemplari su carta forte ''vélin de Rives'', tutti portanti la firma autografa dell'artista sul foglio di giustificazione. Il presente è l'esemplare n. X (su XV) fuori commercio, riservati ai collaboratori. Questa edizione delle Favole fu voluta dall'editore Ambroise Vollard, il quale chiese a Chagall di esserne l'illustratore. Egli aderì e incise i 102 rami dal 1927 al 1930, i quali vennero conservati e impressi in tiratura originale e, in seguito, inseriti nella presente edizione Tériade del 1952. E' certamente una delle più significative serie d'incisioni del XX secolo, tra i capolavori dell'artista. Vollard scelse l'artista russo come illustratore di un poema classico francese per la sua fantasia, per la sua vicinanza natale alla cultura orientale, al guardare gli animali come personaggi con le qualità ed i vizi degli uomini. Esemplare in perfetta conservazione. Sorlier, chagall e Vollard, pp.75-126. Rauch, n.147. Chapon, Le peintre et le livre, pp. 219 e seguenti. Codice libro della libreria 0000000007260

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Chagall - GOGOL Nicolas

Editore: Paris, Tériade Editeur, Presses de l'Imprimerie Nationale de France,1948, (1948)

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Descrizione libro: Paris, Tériade Editeur, Presses de l'Imprimerie Nationale de France,1948, 1948. Condizione libro: molto buono. 2 vol. in-fol., fogli sciolti sotto copertina edit., astuccio originale di cart. grigio. Splendidamente impresso su "vélin d'arches filigrané Les Ames Mortes", testo composto a mano con caratteri "romain du roi" corpo 20 inc. da Granjean nel XVII sec. Edizione unica di 368 esemplari (il presente n.130) tutti con la firma autografa a penna di Chagall nella giustificazione dell'editore. Il romanzo di Gogol è illustrato da 108 magnifiche acquaforti originali, firmate dall'artista sulla lastra, delle quali quelle a piena pagina furono create nel 1927 su richiesta di A.Vollard, e 11 a mezza pagina, sono poste in testa ai capitoli, eseguite nel 1948 per l'edizione. Negli anni Venti Chagall scoprì l'incisione e si dedicò alla nuova tecnica con più passione e intensità che alla pittura. Tra il 1948 e il 1956 Tériade diede forma a una delle imprese più impressionanti dell'editoria moderna, pubblicando il monumentale trittico chagalliano, commissionato e lasciato incompiuto da Vollard, che conta più di trecento acqueforti. Chagall segue fedelmente il testo di Gogol e ricrea anche nei minimi dettagli l'ambiente e l'atmosfera della Russia aristocratica, popolare e naïve, a lui così familiare, intima e colma d'amore. Le sue 108 acquaforti hanno creato un capolavoro artistico d'immagini, inserite perfettamente nel capolavoro letterario. Uno dei livres d'artiste più riusciti e pregiati del XX secolo. "The etchings for the Dead Souls were executed between 1923 and 1927 and printed in 1927; the sheets were stored in Ambroise Vollard's warehouse until he could publish them, but unfortunately his own death in an automobile accident and Chagall's flight from German-occupied France kept them hidden until Teriade and Chagall published them in 1950". Ottimo esemplare di un grande capolavoro, perfetto. SORLIER, Chagall e Vollard, pp.2174. RAUCH n.146. Codice libro della libreria 0000000002306

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Van Vechten, Carl

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Descrizione libro: 1925. VAN VECHTEN, Carl. A Collection of 429 Original Photographs. 132 x 85mm. Various places and dates. The William Earl Collection of Photographs by Carl Van Vechten. A collection of 429 original photographs by Carl Van Vechten of which 391 are portraits and 38 are of of miscellaneous subjects, including a few unidentified portraits, with Van Vechten's blind stamp in the margins. As was often the case with Van Vechten's photographs, the majority were printed on postcard stock. The collection comes from the dancer William Earl, a friend of Van Vechten's, and the majority of the photographs are annotated on the verso by Van Vechten, and some are also inscribed by him to Earl. Carl Van Vechten was an important figure in the cultural life of America during the first half of the twentieth century. He first made his mark as a music critic for the New York Times, but was also a prolific novelist and literary critic. In the early 1930s Miguel Covarrubias introduced Van Vechten to the 35 mm Leica camera, and he began photographing his large circle of friends and acquaintances. His earlier career as a writer and his wife's experience as an actress provided him with access to both fledgling artists and established cultural figures of the time. Van Vechten's portraits are frequently busts or half-length poses in front of bold backdrops. Dancers were usually photographed on stage. Van Vechten did his own darkroom work, but frequently used an assistant to help set up lights for portrait sittings. According to Davis "his work constitutes the single most integrated vision of American arts and letters produced in his era". Among the subjects who he photographed represented in this collection are: Alvin Ailey, Judith Anderson, Pearl Bailey, Harry Belafonte, Baroness Blixen (Isak Dinesen), Marlon Brando, Dave Brubeck, Truman Capote, Carol Channing, Marc Chagall, Diahann Carroll, William Faulkner, Ben Gazzara, Dizzy Gillespie, Reri Grist, Julie Harris, Melissa Hayden, Al Hirschfield, Geoffrey Holder, Lena Horne, Kim Hunter, Burl Ives, Eartha Kitt, Hugh Laing, Joe Louis, Alicia Markova, Robert Morse, Eugene O'Neill, Laurence Olivier, Leontyne Price, Vincent Price, Ned Rorem, Bobby Short, Simone Signoret, Gertrude Stein, Paul Taylor, Alice B. Toklas, Ethel Waters and George Zoritch. As a major champion of African-American culture and patron of many of the leading figures of the Harlem Renaissance, it is not surprising that many of his subjects were African-American, and this collection has a fair representation of African American subjects. Van Vechten was also a lover of dance, and this collection contains many photographs of some of the leading dancers of the twentieth century including significant groups of Alicia Markova(68), Melissa Hayden(20), and Hugh Laing(76). Keith F.Davis. The Passionate Observer. Photographs of Carl Van Vechten. Plates 38 and 55. Also variants of plates 45,46 and 102. Codice libro della libreria 129009

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The Story of Exodus.: CHAGALL, Marc.

CHAGALL, Marc.

Editore: Paris Fernand Mourlot for Léon Amiel (1966)

Usato Brossura Prima edizione copia autogr.

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Da: Shapero Rare Books (London, Regno Unito)

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Descrizione libro: Paris Fernand Mourlot for Léon Amiel, 1966. First edition. Limited to 270 numbered copies, signed in pencil by the artist on the justification, folio (Sheets: 50.5 by 36.8 cm). The complete portfolio,comprising 24 lithographs printed in colours, 1966, with text, loose (as issued), on Arches wove paper, published by Leon Amiel, Paris, and printed by Fernand Mourlot, contained in the original beige cloth-covered portfolio with gilt stamped title and paper wrappers. A fine example. The complete portfolio, comprising 24 lithographs printed in colours, signed in pencil on the justification page and numbered 71 from the total edition of 270. Marc Chagall (1887-1985), was born in Vitebsk, Belarus, but spent his most prolific artistic years in France. He received his first artistic instruction under Penn, a local painter, and then spent three years between 1907 and 1910 in St. Petersburg, where he entered the Imperial School for the Protection of the Fine Arts, and later studied under Bakst. A turning point in his life was going to Paris in 1910, where he experienced modernism's "golden age" and met Apollinaire, Delaunay, Leger, Modigliani and Lhote. Chagall was a pioneer of Modernism, somewhat influenced by Cubism and Fauvism, but with his own unique blend of symbolism and fantasy. He went to Russia at the outbreak of World War I, but returned to Paris in the 1930's, and remained there except for the war years which he spent in the United States. Chagall became especially fond of lithography for the freedom it allowed him to experiment with colour; he would use up to 25 plates per print to achieve his famous rich palette. He created his lithographs at the famous Atelier Mourlot in Paris, working with the studio's master printer Charles Sorlier. During this time he completed his renowned lithographic masterpieces such as The Bible, The Circus, The Odyssey, Daphnis and Chloe. Raised in a small town in Belarus, Chagall's Jewish heritage proved to be one of the major influences in his art. His works are full of imagery drawn from Jewish Shtetl life, Jewish faith and childhood memories. In 1931, art dealer Ambroise Vollard suggested to Chagall that he undertake a series of lithographs representing the Bible. The same year, in order to experience the Holy Land and in search for inspiration, the artist visited Palestine for two month. The Story of Exodus series, part of the larger series of 105 etchings created over 25 years, depict the Exodus of the Israelites from Egypt, followed by Moses receiving the Ten Commandments on Mount Sinai and Israelites wandering in the desert. Codice libro della libreria 93100

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Illustrations for the Bible: CHAGALL, MARC

CHAGALL, MARC

Editore: Harcourt, Brace and Company, New York (1956)

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Descrizione libro: Harcourt, Brace and Company, New York, 1956. Condizione libro: Fine. Condizione sovraccoperta: Good. First Edition. First American edition, INSCRIBED BY CHAGALL AND WITH STUNNING ORIGINAL FULL-PAGE COLOR DRAWING of Moses receiving the tablets on title page. With important provenance. The astonishing original Chagall drawing, which fills nearly the entire title page (10.5x14 inches) depicts Moses receiving the Ten Commandments with an angel to his side. On the right border a dove emerges from a tree and above all is a rich, blue sky. Composed with orange, blue, and green crayons, pencil, and ink. Complete with 16 lithographs in color, 12 in black and white, plus the lithograph cover, all specially created for this book. Also illustrated with reproductions in heliogravure of the 105 etchings made by Chagall for the illustrations of the Bible. Provenance: Inscribed by Chagall: "Pour Lenette et George Nayor --> NJ 1966 Marc Chagall" and from the collection of Herman Krawitz, former assistant general manager of the Metropolitan Opera House. Krawitz was the son-in-law of the dedicatees Lenette and George Nayor. "Herman Krawitz worked for the Metropolitan Opera for nineteen years, with nine of those years as Assistant General Manager. During this time he worked closely with Marc Chagall. In 1966, Chagall painted two monumental murals for the outside of the Metropolitan Opera in New York. On display in the lobby, the murals are approximately 30 ft (9.1 m) by 36 ft (11 m) and visible to the outside plaza. The south wall holds the work entitled The Triumph of Music while the north wall contains The Sources of Music" (Llyn Towner, "Herman Krawitz 'Working with Chagall'"). Note: The inscription is dated 1966, the same year Krawitz was working with Chagall on the murals. New York: Harcourt, Brace and Company, 1956. Folio, original pictorial (lithographed) boards, original dust jacket. Book with tape residue to endpapers, otherwise book and lithographs fine; extremely scarce dust jacket (almost never seen) with chipping, edgewear, and damage to spine. A REMARKABLE, ORIGINAL CHAGALL WORK. Codice libro della libreria 1645

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AKSELROD, Meer

Editore: 1927

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Descrizione libro: 1927. Condizione libro: Fine. October in Belorussia - Original Painting capturing the Pogroms and the urgency of Jewish migrationAKSELROD, Meer. October in Belorussia. 1927. Original watercolor, gouache and pencil on paper. Image measures 12 inches x 19 inches; framed 24 inches x 30 inches. Initialed on the front by the artist and signed on the verso with an additional pencil sketch of a nude. Excellent condition. Elegantly framed. ONE OF THE MOST DISTINGUISHED MODERN RUSSIAN JEWISH ARTISTS, Meer Akselrod (1902-1970) was born in Molodechno, a small "shtetl" in Belorussia not far from Vitebsk, the native town of Marc Chagall. Like Chagall the images of his Jewish village upbringing have served as inspiration for much of his work. The years immediately following the Russian Revolution were a golden age for the arts in that nation. Painting, literature, music and theatre were all supported and encouraged. Meer Akselrod (known as Mark to his friends) benefited greatly from this artistic spring. Unfortunately by the 1930’s the avant-garde was no longer favored and artists were forced to conform to the dictates of Socialist Reform or leave the country as did Chagall and Kandinsky. Akselrod went underground instead and began to paint more realistic imagery. His Jewish content made him always a figure of controversy with the communist regime. ILLUMINATING HIS NATIVE SHTETL. At the time of this painting the artist was in his mid-twenties and it is one of a series that he completed over the course of several years that illuminated his native "shtetl". Belorussia had long been a target of murderous pogroms as the Jews there, always subject to economic polarization, ethnic inequality and religious intolerance, were understandably receptive to revolutionary ideas. The early "October" massacres of the 20th century (1903-05) were never to be forgotten. This painting portrays a crowded street scene of frantic villagers pushing carts, carrying children and large sacks of belongings and food. There is a fervent sense of movement. They are rushing to leave, to escape. In the background is what appears to be a soldier on horseback rounding up an indistinct group of villagers. A horrible sense of irony accompanies this image from the hindsight of the 21st century for in 1943 over 16,000 Jews were killed in Belorussia.The illustrated biographical book Meer Akselrod by Elena Akselrod: Jerusalem, 1993. contains this reference on page 32: " as a student in the faculty of the graphic arts, Akselrod chose gouache and tempera as the media for his diploma work. Akselrod’s diploma work was studies for large-scale murals on the theme October in Belorussia. These many-figured compositions were to depict the capture of factories and estates, political meetings and so forth. In 1935 Akselrod was commissioned to do murals for Government House in Minsk. Using his gouaches of 1927 as a starting point, the artist did a series of new studies. This work was never completed, though Akselrod did paint the canvas, The Capture of the Estate." Plate 36 reproduced in this book, White Poles in Minsk [1927] is from this same series.PROVENANCE: An inscription, signed R.[Rivka] Rubina, (the artist’s wife and an important Yiddish author in Russia) is placed near the nude sketch on the verso of the painting. It states that this piece was given as a gift to Ella Minukhin. After Minukhin’s death it reverted to Elena Akselrod, his daughter, from whom this work was purchased. Codice libro della libreria 54

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CHAGALL, Marc.

Editore: Monte Carlo Andre Sauret (1962)

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Descrizione libro: Monte Carlo Andre Sauret, 1962. First edition. Folio ( 36 x 27 cm), limited to 270 numbered copies. With an original double page (46.1 x 30 cm) crayon and watercolor drawing to the verso of the justification page, signed and dated "Marc Chagall 1973" (lower right) and dedicated "pour ami Gustav Zumsteg" (lower left). Comprising title page, text in French by Jean Leymarie, justification, table of contents and the complete set of seven lithographs (including three in colors), on Arches paper, signed in pencil by the artist and the publisher on the justification page, unbound as issued. Contained in a Bristol-lined Arches wove cover. The box covered with grey-green cloth, printed in gold on the front, faint offprint on text pages, an excellent example. Autograph presentation copy from Chagall to his friend Gustav Zumsteg, with an original watercolour. In 1960, Marc Chagall was asked by the Hadassah Medical Center in Jerusalem to realise twelve designs in stained glass for its new synagogue. To him, this work was a "modest gift to the Jewish people". Inspired by his life-long study of the Bible, Chagall realised these designs on the theme of Moses' blessing of the Twelve Tribes of Israel. Following Judaism's injunction against depicting human images, they are composed of animals, flowers, trees and Jewish symbols. Each window, dominated by a specific colour, contains a quotation from the individual blessings. Many considered these windows as Chagall's crowning achievement, and the artist himself confessed his emotions as regards to this work: "they have completely transformed my vision, they gave me a great shock, made me reflect. I don't know how I shall paint from now on, but I believe something is taking place." Before their installation in the synagogue, the twelve windows were exhibited in the Louvre and the Modern Museum of Arts of New York, where they had the greatest success. "Peter Salz, Curator of the Museum's department of painting and sculpture exhibitions and director of the exhibition, believes that the Chagall windows are among the finest work done in stained glass since medieval times." (MoMA) On January 6, 1962, the newly decorated synagogue was dedicated in presence of the artist. This work contains Chagall's sketches and studies for the windows. The lithographs, highly colourful, show an insight into the making of these exceptional art works, along with the Biblical quotations they illustrate. Gustav Zumsteg, who died in 2013 at the age of almost 90, studied and worked as a young man in Paris, where he met and befriended Picasso, Matisse and Chagall. He started as an apprentice at the silk maker Abraham, a supplier of fabrics for fashion houses such as Yves Saint Laurent, and later bought the company. Zumsteg was one of the most important patrons of Zurich's modern-art museum Kunsthaus and assembled an important collection of modern works of art including paintings as well as illustrated books, often dedicated to him, such as the present work. Codice libro della libreria 90659

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CHAGALL, Marc; Bible; MARC CHAGALL

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Descrizione libro: 1979. PRESENTATION COPY WITH ORIGINAL CHAGALL DRAWING CHAGALL, Marc. Psaumes de David. [2], 66, [8] pp. Illustrated with 30-full page etchings with aquatint by Chagall. 4to., 280 x 215 mm, bound in publisher's full vellum, gilt lettered spine, and matching vellum slipcase. Geneva: Gerald Cramer, 1979. One of the last statements Chagall issued in book format that used Biblical subject matter for his illustrations. The 30 etched sheets are filled with images from the Psalms and printed on a yellow/ochre background. This special copy has a full-page drawing by Chagall in pencil, red and blue crayon and inscribed: "Paul de Vehel / 1981." the facing half-title with the presentation: "pour 1.A et Cecile / Victor / a bok / Souvenir / Marc Chagall." The text and typography were done by Fequet-Baudier; the etchings were printed by Lacourière et Frélaut. One of an edition of 175 copies on Arches wove paper. The colophon is signed by Chagall. A fine copy. Cramer, Marc Chagall, The Illustrated Books, 108. Codice libro della libreria 122007

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ESTAMPES. Illustrated by Chagall Matisse Picasso and: Foreword by Robert

Foreword by Robert Rey. Essays by various authors

Editore: PARIS, L'IMAGE LITTÉRAIRE - NICE-NEW YORK, RAFAEL FINELLI-FEUGÈRE, (1950)

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Descrizione libro: PARIS, L'IMAGE LITTÉRAIRE - NICE-NEW YORK, RAFAEL FINELLI-FEUGÈRE, 1950. Hardcover. Condizione libro: Fine. Limited Edition. ESTAMPES PARIS, L'IMAGE LITTÉRAIRE - NICE-NEW YORK, RAFAEL FINELLI-FEUGÈRE, 1950. Foreword by Robert Rey. Essays by various authors – Illustrated by Chagall Matisse Picasso and other artists. The complete portfolio, comprising 12 wood engravings printed in colors after works by various artists, each signed in pencil by the artist and the portfolio's artistic director, Robert Rey. Each signed print is accompanied by an essay signed by the authors in blue ink. Rare French edition, one of 100 copies numbered in Roman Numbers, complete of the original case resembling a framed painting of Van Dongen woodcut. Loose as issued, it includes: the decomposition of Raul Dufy print, in a separated folder, title page, introduction text, table of content, essays, prints, and colophon. Artists include: Georges Braque, Nature Morte aux Huitres; Maurice Brianchon, La Neige a Auteuil; Marc Chagall, La Sirene; Françoise Desnoyer, Liseuses au Bord de Mer; Raoul Dufy, Le Casino de la Jetee a Nice; Marie Laurencin, Portrait de Femme en Rouge; Henri Matisse, Nature Morte au Magnolia; Pablo Picasso, La Casserole Emaillee; Maurice Utrillo, Le Jardin de Montmagny; Kees van Dongen, Tete de Femme; Maurice de Vlaminck, Les Bles Dans le Perche; Henri de Waroquier, Dolori Sacrum. Authors include: Jean Paulhan, Jacques de Lacretelle, Rene Huyghe, Andre Chamson, Jean Louis Vaudoyer, Louis de Vilmorin, Jean Cocteau, Jean Cassou, Pierre Mac Orlan, Andre Maurois, Jerome et Jean Tharaud, Daniel-Rops. PREFACE by ROBERT REY. Total Edition 250 copies on Chiffon Van Gelden Zonen paper, of which 100 copies numbered in Roman Numbers from I to C reserved for the French edition, and 150 numbered from 1 to 150 encased in a calf portfolio case. There are a few copies reserved for the collaborators and are marked as: Exemplaire d’Artists. Condition: Very rare copy in fine condition of the Rare French Edition. Sheets dimensions: approx. 468 by 365 mm 18 1/2 by 14 5/8 inches. MORE PICTURES ON REQUEST. Codice libro della libreria B-15-070003

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Chagall, Marc.

Editore: St. Gallen: Erker. (1978)

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Quantità: 2

Da: Wittenborn Art Books (San Francisco, CA, U.S.A.)

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Descrizione libro: St. Gallen: Erker., 1978. Condizione libro: Good. Color lithograph. (Mourlot no. 321 from 1968.) One of 150 hand numbered impressions on Rives. 23.4 x 17.7 cm.; double page size 39.5 x 29 cm. Lithographed text by Cassou on a facing page. Part of portfolio, our ID# 07-0191. Inquire about availability of individual prints. Codice libro della libreria 07-0748

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CHAGALL Marc CAIN Julien

Usato Rilegato copia autogr.

Quantità: 1

Da: Bauman Rare Books (Philadelphia, PA, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: 1960. CAIN, Julien and SORLIER, Charles. The Lithographs of Chagall. Monte Carlo, New York, Boston: André Sauret; George Braziller; Boston Book Shop; Crown Publishers, 1960-86. Six volumes. Folio, original beige cloth, original dust jackets each with original lithograph; Volume I with original cardboard slipcase. $19,000.Mixed first American and French editions of all six volumes in the catalogue raisonné of Chagall's lithographs, richly illustrated with 28 original lithographs (including the dust jackets), inscribed in Volume II, "Marc Chagall, Vence. 1965," surrounded by a large drawing of a tree across the front free endpaper and part of the front pastedown."Chagall's emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris" (Dictionary of Modern Art). For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of Chagall's life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce as a complete set. All volumes published simultaneously in English and French. Volumes I and II also issued in a deluxe signed limited edition of only 100 and 150 copies. In this set, Volumes II is in French; all the other Volumes are in English. Gauss, 391. Freitag 1914. See Cramer, 43, 56, 77, 94. Owner signature in Volume II; owner blindstamp to title page in Volume III.Books fine, with light repair to one pastedown (Volume III), only very minor wear to bright dust jackets of the first four volumes. About-fine condition, most desirable inscribed with a sketch by Chagall. Signed. Codice libro della libreria 105271

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Blum, Kurt:

Editore: Bern, (1978)

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Da: Svizzera a: U.S.A.

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Descrizione libro: Bern, 1978. 40 x 30,5 cm. Bern, 1978. 40 x 30,5 cm. 22 photos tirages argentique dans un coffret toilé (40 x 53 cm.). 1/30 exemplaires nummérotés, signés et avec tampon du photographe. Portraits de Georges Braque - Marc Chagall - Le Corbusier - Sam Francis - Alberto Giacometti - Max Gubler - Al Held - Alfred Jensen - Willem de Kooning - Fernand Léger - Philip Martin - Georges Mathieu - Gabriele Münter - Barnett Newman - Meret Oppenheim - Pablo Picasso - Serge Poliakoff - Germaine Richier - Jean-Paul Riopelle - Dieter Roth - Mark Rothko - Marc Tobey. Kurt Blum, né le 25 août 1922 à Berne et mort le 30 décembre 2005, est un photographe et réalisateur suisse de films documentaires. Kurt Blum débute comme photographe à la Bibliothèque nationale à Berne, puis comme photographe indépendant et réalisateur de documentaires pour une clientèle d'entreprises industrielles. Dans les années 1950 et 1960 Blum réalise des documentaires sur des artistes, comme Pablo Picasso. En 1981, il ouvre une galerie de peintures et de photographie à Praz (Vully). Il a exposé son travail dans de nombreuses expositions collectives et ses photographies ont été publiées dans plusieurs livres. Ses œuvres se retrouvent dans plusieurs musées et collections, tel que le Kunstmuseum de Berne. Blum est connu pour ses portraits d'artistes célèbres Ses portraits proviennent presque exclusivement des ateliers des artistes et offrent un éclairage important sur leur travail. Il travaille dans une certaine réciprocité avec les artistes. L'environnement artistique inspire son regard et son regard influence l'art. Ses photographies ont un contenu physique mais aussi psychique. Ses images sont habillées d'un message. Il travaille dans la retenue, sa démarche est toujours « attentionnée ». (Koetzle, Photographes de A - Z). Sprache: N dans un coffret toilé (40 x 53 cm.). Codice libro della libreria 51226BB

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Brenendicke Licht: Chagall, Bella (1895-1944)

Chagall, Bella (1895-1944)

Editore: Book League of the Jewish Peoples Fraternal Order, IWO, New York, N.Y. (1945)

Usato Rilegato Prima edizione

Quantità: 1

Da: Meir Turner (New York, NY, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: Book League of the Jewish Peoples Fraternal Order, IWO, New York, N.Y., 1945. Hardcover. Condizione libro: Good. Condizione sovraccoperta: No Dustjacket. Chagall, Marc (1887-1985) (illustratore). 1st Edition. 145 mm x 224 mm ( 5.5 x 8.75 inches). Signed and dated inscription, in Yiddish, by Marc Chagall. Full page illustrations by Marc Chagall. According to the OCLC: 6 Libraries worldwide own it. 253, [1] pages. Added title page romanised: Brenendicke licht. tseykhenungen fun Marc Chagall. The German translation of the title WOULD be Brennende Lichter. Signed, Dated inscription. Codice libro della libreria 006994

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Marc Chagall

Editore: Les Bibliophiles de l'Union Française (1958)

Usato Rilegato Prima edizione

Quantità: 1

Da: Leonard Fox, Ltd. (Greenwich, CT, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: Les Bibliophiles de l'Union Française, 1958. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. CHAGALL, Marc, PAULHAN, Jean. "De Mauvais Sujets". Paris: Les Bibliophiles de l'Union Française, 1958. [17 5/16" x 13 3/16"]. 10 illustrations. (10 hors text.) Signed by Jean Paulhan and Marc Chagall, on Arches. Loose as issued. In original boards and chemise. Contained in slipcase and chemise. ex no 35/153. Marc Chagall interprets Paulhan's story in ten typically poetical and charming original color etchings with aquatint. Printed on Arches vellum, the plates and text are very clean; interior in overall excellent condition. Codice libro della libreria ABE-16496540307

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Rey, Robert

Editore: Paris, Nice and New York, L’image littéraire and Rafael Finelli-Feugère, (1950). (1950)

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Descrizione libro: Paris, Nice and New York, L’image littéraire and Rafael Finelli-Feugère, (1950)., 1950. With 12 colour woodcuts on plates and an extra suite of 53 leaves with the single colour woods of the Dufy plate ("décomposition"). XII, (2), 72, (10) pp. Large folio. Loose quires as issued in French wrappers and in orig. cloth box (lacking front illus.). One of 100 numbered copies of the edition for France and the French Union of a total limited edition of 250 on pur Chiffon de Hollande van Gelder Zonen. Monumental collection of 12 colour reproductions of paintings by the most famous modern French artists: Georges Braque „Nature morte aux huitres"; Brianchon „La Neige a Auteuil"; Chagall „La Sirène"; Desnoyer „Liseuses au bord de mer"; Raoul Dufy „Le Casino de la Jetée à Nice"; Marie Laurencin „Portrait de femme rouge"; Matisse „Nature morte au Magnolia"; Picasso „La casserole émaillée"; Utrillo, „Le jardin de Montmagny"; Van Dongen „Tête de femme"; Vlaminck „Les blés dans le perche"; H. de Waroquier „Dolori sacrum". Each plate is accompanied by an essay written by the most eminent French art authorities of the 20th century, specificly: on Georges Braque by Jean Paulhan, on Brianchon by Jacques de Lacretelle, on Marc Chagall by René Huyge, on Desnoyer by André Chamson, on Raoul Dufy by Jean-Louis Vodoyer, on Marie Laurencin by Louise de Vilmorin, on Henri Matisse by Jean Cocteau, on Pablo Picasso by Jean Cassou, on Maurice Utrillo by Pierre Mac Orlan, on Van Dongen by André Maurois, on Maurice Vlaminck by Jérome et Jean Tharaud, on Henry de Waroquier by Daniel-Rops. All texts are signed by their authors. Except the Braque reproduction, all colour plates are signed by the artists, additionally all plates are hand-numbered and co-signed by the publisher Robert Rey which is the author as well of the general introduction. – Tear to front wrapper. Front plate of the cloth folder (a Chagall print) removed. Text and all plates fine. Codice libro della libreria 18386

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Chagall, Bella

Editore: Book League of the Jewish Peoples Fraternal Order, IWO, New York (1945)

Usato Rilegato Prima edizione copia autogr.

Quantità: 1

Da: Second Story Books, ABAA (Rockville, MD, U.S.A.)

Valutazione libreria: 4 stelle

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Descrizione libro: Book League of the Jewish Peoples Fraternal Order, IWO, New York, 1945. Small octavo in dark burgundy cloth with gold letters; VG; front and back gutter slightly open, but binding strong; boards with minimal soiling; edges and paper age-toned; text clean; pp. 167 had a small tear repaired with tape, now discolored with slight offsetting on p. 168; pp. 252; includes 36 line drawings by Mr. Chagall, and his pen inscription in Yiddish on the first front end page; the book depicts in a humorous way Mr. Chagall and his wife's childhood in Russia where they grew up in a small market town; in Hebrew; very scarce; shelved in Case # 2. Dupont. First edition; inscribed by Marc Chagall. Codice libro della libreria 9-13-1258352

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Richard Lindner: Ionesco, Eugene

Ionesco, Eugene

Editore: Fernand Mourlot, Paris (1975)

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Descrizione libro: Fernand Mourlot, Paris, 1975. Lindner, Richard (illustratore). Elephant folio. (38)ff. One of 150 copies. Contains ten lithographs measuring 28 1/2 by 20 3/4 inches, each signed by the artist, Richard Lindner, and numbered and counter-initialed by Fernand Mourlot, the printer/publisher who produced the lithographs. In his introduction, Ionesco describes Lindner as "one of the great contemporary masters. His work lies within the realm of caricature, painting, and theater. It is interpretation of reality, but reality is not realistic." Mourlot, who worked with all the great artists of the twentieth century, writes that Lindner created ten original gouaches and watercolors for this series, supervised the transfer to the stones, corrected the colors, retouched the plates, and oversaw the printing with such a perfectionist's eye that "only Marc Chagall forced us to run the plates so many times through the presses." An extremely fine copy, loose as issued, in a printed quarter-vellum clamshell box. Codice libro della libreria 15455

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Descrizione libro: 0. Die schönste moderne Ausgabe von Shakespeares Komödie "The Tempest" mit 50 Orig.-Lithographien von Marc Chagall. Eines von 250 numerierten Exemplaren, im Druckvermerk von Chagall signiert. Tadellos in der Erhaltung. - Mourlot 846-895. Codice libro della libreria 11512AB

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Derrière le Miroir numéro 66/67/68 - 11: Marcel ARLAND -

Marcel ARLAND - Lionello VENTURI

Usato Couverture souple

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Descrizione libro: Couverture souple. Condizione libro: Très bon. Maeght éditeur, Paris 1954. Format 38x28cm, en feuilles. Avec 11 lithographies originales de Marc CHAGALL. Tirage à 2500 exemplaires. Très bon état, le numéro le plus célèbre de la collection Derrière le Miroir - ENGLISH : In leaves, with 11 original lithographs. Edition of 2500 copies. Very good condition, the most important of the series Derrière le Miroir. - REFERENCE : SORLIER 96. Codice libro della libreria ABE-19202881744

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David Hofstein, Marc Chagall

Editore: Kiev: Kultur-Lige (1922)

Usato Soft cover Prima edizione

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Descrizione libro: Kiev: Kultur-Lige, 1922. Soft cover. Condizione libro: Very Good. 1st Edition. Folio 36x25 cm., illustrated wrappers, with 5 illustrations (2 on white paper). The letterpress text includes typographic designs. Troyer includes a collection of moving poems in response to the pogroms against the Jews in the Ukraine during the civil war. Chagall’s illustrations show “a man with weeping hands, the next [illustration] refers to blood dripping amid sunshine, and the last is a moving drawing of a series of houses over a headless body symbolizing the pogroms” (Apter-Gabriel, 62). Organized at the end of 1917, the Kultur Lige was at the heart of the Jewish cultural renaissance in Kiev, providing education and culture to the Jewish population. It had its own press, which published teaching material, literary and historical studies, literary journals, and children’s books. The artists involved include Lissitzky, Ryback, Chagall and Tchaikov inter alia. This copy with some wear, fading, and restoration to the spine and edges of the original green wrappers, internally very good. This is an unopened and untrimmed copy in a contemporary folding box. Worldcat finds 5 copies of this 1922 edition in North America. Rowell/Wye 373, pp. 142,143; Apter-Gabriel pp. 62, 215, 258. Codice libro della libreria 3406

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HERZL] - STRUCK, Hermann.

Usato copia autogr.

Quantità: 1

Da: Shapero Rare Books (London, Regno Unito)

Valutazione libreria: 4 stelle

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Descrizione libro: 1903. Soft ground etching in black and white, 60x50 cm including frame, artist's name etched in black at bottom right of etching, with his Hebrew name underneath (Haim Aaron ben David); etching glued on a white background with Theodor Herzl's own signature in pencil at the bottom right; at the bottom left of the picture is a star of David with Hermann Struck's initials in it, to its right is his signature in pencil. Very good condition. Struck's most famous work and one of the symbols of zionism - a powerful portrait of Theodor Herzl, signed by Herzl himself. Hermann Struck (1876-1944) and Theodor Herzl (1860-1904) met several times in Egypt and Vienna before this portrait etching was created in 1903. A fervent Zionist and admirer of Herzl's, Struck made his preparatory sketches for the portrait when he visited the political activist's house in Vienna. During the sixth Zionist Congress in Basel in August 1903, the two met again and on this occasion Herzl asked Struck to allow him to sign a few of the first copies of the etching. Struck depicted Herzl's visionary side by giving us the impression that he is looking towards the future. His radiance is all the more flagrant as the dark background makes his solemn face stand out. Although Struck made two additional etchings of this portrait after Herzl's death, it is the 1903 version that has remained the most famous of his works, and the most iconic of all the portraits of Theodor Herzl. Indeed, the image came to be known as one of the emblems of Zionism and has been used on various posters, products and catalogs ever since: "Within a short period of time the etching became so well known that it emerged as a symbol of Zionism, especially after the death of the charismatic leader in 1904. It was then that the portrait won the respect of all the Zionist circles. By the time the State of Israel was founded, this portrait of Theodor Herzl was considered the epitome of Zionism itself. It decorated the walls of every Zionist event, anywhere." (Hermann Struck, Printmaking Artist. Tefen Open Museum, 2007, page 38). Hermann Struck was a German-Israeli artist who gained fame for his etchings. He published a leading work on the subject, Die Kunst des Radierens, in 1908. He was commissioned to etch portraits of many leading figures of his time, including Einstein and Herzl. Struck acquired a reputation as a teacher of graphic art, and began to teach the techniques of the art print while still in Germany. Among his many students were Max Liebermann, Lovis Corinth, Marc Chagall, Jacob Steinhardt, and Joseph Budko. He moved to Haifa in 1922. Today the city has a museum dedicated to him. Theodor Herzl, a Hungarian journalist of Jewish descent, is regarded as the founding father of political Zionism. By the time the etching was made, he was already known for having chaired the first Zionist congress in 1897. In 1896, at 35 years old, he had published Der Judenstaat, Versuch einer Modernen Lösung der Judenfrage (The Jewish State, Proposal of a modern solution for the Jewish question) in Vienna. The previous year, Herzl had witnessed the Dreyfus affair in Paris and had been appalled at the outbreak of anti-Semitism that it had generated in the "birthplace of human rights". He came to the conclusion that the creation of an independent Jewish state during the 20th century would be the best way for Jews to escape European anti-Semitism. Codice libro della libreria 91304

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CHAGALL Marc CAIN Julien

Usato Rilegato Prima edizione copia autogr.

Quantità: 1

Da: Bauman Rare Books (Philadelphia, PA, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: 1960. First Edition. (CHAGALL, Marc) CAIN, Julien and SORLIER, Charles. The Lithographs of Chagall. Monte Carlo, New York, Boston: André Sauret; George Braziller; Boston Book and Art Shop, 1960-86. Six volumes. Folio, original beige cloth, original dust jackets (themselves original lithographs), original acetates. $11,500.First editions in English of the six-volume catalogue raisonné of Chagall's lithographs, richly illustrated with 28 original lithographs (including the dust jackets)."Chagall's emblematic irrationality shook off all outside influences: color governed his compositions, calling up chimerical processions of memory where reality and the imaginary are woven into a single legend, born in Vitebsk and dreamed in Paris" (Dictionary of Modern Art). For Chagall, the medium of lithography did not come easily. Printer Fernand Mourlot ran a lithography press where such greats as Braque, Matisse, Picasso, Miró and Chagall came to have their designs printed and to learn about this still nascent print-making process. "For many long months Chagall came and worked tirelessly, and his dissatisfaction allowed him to have only a few of his first attempts printed" (Sorlier, 45). Volumes I and II contain 24 of the original 28 lithographs published throughout the series; the dust jackets and frontispieces of Volumes III and IV account for the remaining four. (Volume V was published near the end of Chagall's life, and Volume VI was published posthumously.) All were issued separately over a period of 26 years and are very scarce as a complete set. All volumes published simultaneously in English and French. Volumes I and II also issued in a deluxe signed limited edition of only 100 and 150 copies. Gauss, 391. Freitag 1914. See Cramer, 43, 56, 77, 94. Cloth of Volume II mildly toned, occasional minor nick or rub to extremities of dust jackets and acetate. A beautiful set in about-fine condition. Codice libro della libreria 102869

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Les Ateliers de Chagall.: Chagall - Robert

Chagall - Robert Marteau

Editore: Mourlot, Paris (1976)

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Descrizione libro: Mourlot, Paris, 1976. Condizione libro: . Chagall (illustratore). In folio en feuilles sous emboîtage, 121 pages. 1 lithographie originale en couleurs numérotée et signée, 5 lithographies originales, 2 linogravures originales, 14 lithographies d'après Marc Chagall. Un des 250 exemplaires numérotés, d'un tirage limité à 270. Cramer 101. . In folio loose as isued under covers and slipcase. One original litho in colors signed and numbered,5 original lithos, 2 original linocuts, 14 lithos from Chagall. This copy, from a numbered edition of 250. Cramer 101. Codice libro della libreria 3625

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Bible - Dessins pour la Bible *: CHAGALL MARC :

CHAGALL MARC :

Editore: Verve, Paris [10.9.1956-29.7.1960] (1960)

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Quantità: 1

Da: OH 7e CIEL (Lausanne, Svizzera)

Valutazione libreria: 5 stelle

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Descrizione libro: Verve, Paris [10.9.1956-29.7.1960], 1960. Reliés 36 x 27, couvertures illustrées couleurs. Tout petit manque en pied du dos pour le premier tome de ce duo, menus accrocs et traces de manipulation aux deux. 30 lithographies originales, dont 18 en couleur couverture comprise puis 47 lithographies originales dont 25 en couleurs couverture comprise, tirées par Mourlot, outre 105 puis 96 reproductions. Copieux duo biblique à la puissante iconographie.Introductions de Meyer Shapiro et Jean Wahl au premier volume puis de Gaston Bachelard pour le second.Pas si fréquent complet.[Cramer 25 & 42] Éditions originales. L'un des 6'500 exemplaires pour le premier, tirage inconnu du second. Codice libro della libreria YG15829

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Chagall, Marc

Editore: N.p. (1953)

Usato Prima edizione copia autogr.

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Descrizione libro: N.p., 1953. First Edition. La Jongleuse ( THE WOMAN JUGGLER ), N.p., Ca. 1960, Original Print, measuring 12.25 x 9.5 inches, fine and most suitable for framing. Of 40 numbered copies SIGNED by the artist, this is unnumbered, but labeled as artists proof, of which there were very few, perhaps as little as 3 such copies. Codice libro della libreria 10822

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ll - SHAKESPEARE William

Editore: Paris, Editions André Sauret (presses F.Mourlot), 1975, (1975)

Usato Rilegato

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Descrizione libro: Paris, Editions André Sauret (presses F.Mourlot), 1975, 1975. Condizione libro: molto buono. in-folio, pp. 235, a fogli sciolti sotto copertina editoriale in cartoncino, elegante astuccio originale in pergamena con tit. in oro al dorso e al piatto ant. Splendida edizione di 270 esempl. num. su Vélin d'Arches à la forme (n.122), con firma autografa di Chagall a lapis nel foglio di giustificazione. Illustrata da 51 litografie originali di Marc Chagall in bianco-nero: 31 a piena pagina e 20 di varie dimensioni nel testo. Magnifiche composizioni che, se da un lato ricordano la grandiosità e la potenza espressiva delle acqueforti realizzate per la Bibbia, dall'altro esaltano il senso onirico tipico del Daphnis et Cloe. Chagall ha saputo perfettamente interpretare il senso soprannaturale e sognante del dramma, dopo Amleto il più complesso degli scritti shakespeariani. Bellissimo ''livre d'artiste'' in perfetto esemplare Meyer-Cramer, 97. Codice libro della libreria 0000000001155

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Descrizione libro: Simon Kra, Paris, 1926. In-8, broché, couverture imprimée.Edition originale de ces sept textes, illustrée par Marc Chagall de 15 gravures originales dont un frontispice et 14 hors-texte. Tirage limité à 300 exemplaires. Un des 240 exemplaires numérotés sur vélin. Codice libro della libreria 29517

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Go Down, Moses and Other Stories: FAULKNER, William

FAULKNER, William

Editore: New York: Random House (1942)

Usato Rilegato copia autogr.

Quantità: 1

Da: Harper's Books, ABAA (East Hampton, NY, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: New York: Random House, 1942. Deluxe Edition. Thick octavo. Number 19 of 100 numbered copies; SIGNED by the author. Faulkner's collection of short stories that masquerades as a novel, set in his "apocryphal county" of Yoknapatawpha, Mississippi. This copy belonged to Leo Cherne, a refugee activist, Nobel Peace Prize nominee, and Medal of Freedom recipient; his ex libris is affixed to the first pastedown. A friend to Marc Chagall and Robert Frost, Cherne was gifted this volume by one of these men, or perhaps by Faulkner himself, though no attribution of the provenance appears in this copy. Previous owner's ex libris on first pastedown and toning opposite, apparent water stain to bottom right corner of the limitation page, extreme edge tips of several pages bent with a few small edge nicks, light fading to spine gilt as usual, else very good in three-quarter red cloth over textured paper boards, lacking publisher's tissue jacket. Codice libro della libreria 20216

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Albert Einstein Signed Etching.: Einstein, Albert; Hermann

Einstein, Albert; Hermann Struck

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Descrizione libro: 1920. Etch bust of Albert Einstein done by well-known artist Hermann Struck. Signed by both Struck numbered 59/100 and also signed by Einstein on the lower right side. In near fine condition with light toning to the extremities. Measures 8.5 inches by 10.5 inches. Hermann Struck was a German Jewish artist known for his etchings. In 1908, Struck published "Die Kunst des Radierens" ("The Art of Etching"), which became a seminal work on the subject. His students included Marc Chagall, Lovis Corinth, Jacob Steinhardt, Lesser Ury and Max Liebermann. Struck did commissioned portraits of Albert Einstein, Ibsen, Nietzsche, Freud, Herzl, Oscar Wilde among others. Codice libro della libreria 16080

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Le Portefeuille des Peintres Graveurs Indépendants pour: Christian Zervos
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Descrizione libro: Edition Alberto Morace, Paris, 1925. Soft cover. Condizione libro: Very Good. Limited Edition. Le Portefeuille des Peintres Graveurs Indépendants pour 1925 -II-Eaux-Fortes. Christian Zervos, Illustrators Chagall, Coubine, Galanis, Laboureur, Levy. Edition Alberto Morace, Paris 1925. Rare portfolio with 5 original etchings on Arches paper, all signed and numbered by the artists: Marc Chagall "Nu", O. Coubine "Paysage", D. Galanis "Nature Morte au pichet", J.E. Laboureur "Le 14 Juillet", Léopold Levy "Le Chemin de la Forêt". One of 75 copies in velin d'Arches from a total edition of 115 copies. Loose as issued, complete of the original hard wrapper and introductory essay by Christan Zervos. Condition: the portfolio showing signs of age, the original hard wrapper is worn, scattered stains are on the introductory essay, the etchings are clear on the images, with some minor stains on the white edges, except for Coubine work that is stained on the image. Overall Good/Very Good condition. Ref: Cramer books 4; Kornfeld 39 MORE PICTURES ON REQUEST. Signed by Illustrator(s). Codice libro della libreria B-05-110037

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