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Van Vechten, Carl

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Da: Ursus Rare Books (New York, NY, U.S.A.)

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Descrizione libro: 1925. VAN VECHTEN, Carl. A Collection of 429 Original Photographs. 132 x 85mm. Various places and dates. The William Earl Collection of Photographs by Carl Van Vechten. A collection of 429 original photographs by Carl Van Vechten of which 391 are portraits and 38 are of of miscellaneous subjects, including a few unidentified portraits, with Van Vechten's blind stamp in the margins. As was often the case with Van Vechten's photographs, the majority were printed on postcard stock. The collection comes from the dancer William Earl, a friend of Van Vechten's, and the majority of the photographs are annotated on the verso by Van Vechten, and some are also inscribed by him to Earl. Carl Van Vechten was an important figure in the cultural life of America during the first half of the twentieth century. He first made his mark as a music critic for the New York Times, but was also a prolific novelist and literary critic. In the early 1930s Miguel Covarrubias introduced Van Vechten to the 35 mm Leica camera, and he began photographing his large circle of friends and acquaintances. His earlier career as a writer and his wife's experience as an actress provided him with access to both fledgling artists and established cultural figures of the time. Van Vechten's portraits are frequently busts or half-length poses in front of bold backdrops. Dancers were usually photographed on stage. Van Vechten did his own darkroom work, but frequently used an assistant to help set up lights for portrait sittings. According to Davis "his work constitutes the single most integrated vision of American arts and letters produced in his era". Among the subjects who he photographed represented in this collection are: Alvin Ailey, Judith Anderson, Pearl Bailey, Harry Belafonte, Baroness Blixen (Isak Dinesen), Marlon Brando, Dave Brubeck, Truman Capote, Carol Channing, Marc Chagall, Diahann Carroll, William Faulkner, Ben Gazzara, Dizzy Gillespie, Reri Grist, Julie Harris, Melissa Hayden, Al Hirschfield, Geoffrey Holder, Lena Horne, Kim Hunter, Burl Ives, Eartha Kitt, Hugh Laing, Joe Louis, Alicia Markova, Robert Morse, Eugene O'Neill, Laurence Olivier, Leontyne Price, Vincent Price, Ned Rorem, Bobby Short, Simone Signoret, Gertrude Stein, Paul Taylor, Alice B. Toklas, Ethel Waters and George Zoritch. As a major champion of African-American culture and patron of many of the leading figures of the Harlem Renaissance, it is not surprising that many of his subjects were African-American, and this collection has a fair representation of African American subjects. Van Vechten was also a lover of dance, and this collection contains many photographs of some of the leading dancers of the twentieth century including significant groups of Alicia Markova(68), Melissa Hayden(20), and Hugh Laing(76). Keith F.Davis. The Passionate Observer. Photographs of Carl Van Vechten. Plates 38 and 55. Also variants of plates 45,46 and 102. Codice libro della libreria 129009

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CHAGALL, Marc.

Editore: Monte Carlo Andre Sauret (1962)

Usato Rilegato Prima edizione copia autogr.

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Da: Shapero Rare Books (London, United Kingdom)

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Descrizione libro: Monte Carlo Andre Sauret, 1962. First edition. Folio ( 36 x 27 cm), limited to 270 numbered copies. With an original double page (46.1 x 30 cm) crayon and watercolor drawing to the verso of the justification page, signed and dated "Marc Chagall 1973" (lower right) and dedicated "pour ami Gustav Zumsteg" (lower left). Comprising title page, text in French by Jean Leymarie, justification, table of contents and the complete set of seven lithographs (including three in colors), on Arches paper, signed in pencil by the artist and the publisher on the justification page, unbound as issued. Contained in a Bristol-lined Arches wove cover. The box covered with grey-green cloth, printed in gold on the front, faint offprint on text pages, an excellent example. Autograph presentation copy from Chagall to his friend Gustav Zumsteg, with an original watercolour. Zumsteg, who died in 2013 at the age of almost 90, studied and worked as a young man in Paris, where he met and befriended Picasso, Matisse and Chagall. He started as an apprentice at the silk maker Abraham, a supplier of fabrics for fashion houses such as Yves Saint Laurent, and later bought the company. Gustav Zumsteg was one of the most important patrons of Zurich's modern-art museum Kunsthaus and assembled an important collection of modern works of Art including paintings as well as illustrated books, often dedicacted to him, such as the present work. Codice libro della libreria 90659

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AKSELROD, Meer

Editore: 1927

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Descrizione libro: 1927. Condizione libro: Fine. October in Belorussia - Original Painting capturing the Pogroms and the urgency of Jewish migrationAKSELROD, Meer. October in Belorussia. 1927. Original watercolor, gouache and pencil on paper. Image measures 12 inches x 19 inches; framed 24 inches x 30 inches. Initialed on the front by the artist and signed on the verso with an additional pencil sketch of a nude. Excellent condition. Elegantly framed. ONE OF THE MOST DISTINGUISHED MODERN RUSSIAN JEWISH ARTISTS, Meer Akselrod (1902-1970) was born in Molodechno, a small "shtetl" in Belorussia not far from Vitebsk, the native town of Marc Chagall. Like Chagall the images of his Jewish village upbringing have served as inspiration for much of his work. The years immediately following the Russian Revolution were a golden age for the arts in that nation. Painting, literature, music and theatre were all supported and encouraged. Meer Akselrod (known as Mark to his friends) benefited greatly from this artistic spring. Unfortunately by the 1930’s the avant-garde was no longer favored and artists were forced to conform to the dictates of Socialist Reform or leave the country as did Chagall and Kandinsky. Akselrod went underground instead and began to paint more realistic imagery. His Jewish content made him always a figure of controversy with the communist regime. ILLUMINATING HIS NATIVE SHTETL. At the time of this painting the artist was in his mid-twenties and it is one of a series that he completed over the course of several years that illuminated his native "shtetl". Belorussia had long been a target of murderous pogroms as the Jews there, always subject to economic polarization, ethnic inequality and religious intolerance, were understandably receptive to revolutionary ideas. The early "October" massacres of the 20th century (1903-05) were never to be forgotten. This painting portrays a crowded street scene of frantic villagers pushing carts, carrying children and large sacks of belongings and food. There is a fervent sense of movement. They are rushing to leave, to escape. In the background is what appears to be a soldier on horseback rounding up an indistinct group of villagers. A horrible sense of irony accompanies this image from the hindsight of the 21st century for in 1943 over 16,000 Jews were killed in Belorussia.The illustrated biographical book Meer Akselrod by Elena Akselrod: Jerusalem, 1993. contains this reference on page 32: " as a student in the faculty of the graphic arts, Akselrod chose gouache and tempera as the media for his diploma work. Akselrod’s diploma work was studies for large-scale murals on the theme October in Belorussia. These many-figured compositions were to depict the capture of factories and estates, political meetings and so forth. In 1935 Akselrod was commissioned to do murals for Government House in Minsk. Using his gouaches of 1927 as a starting point, the artist did a series of new studies. This work was never completed, though Akselrod did paint the canvas, The Capture of the Estate." Plate 36 reproduced in this book, White Poles in Minsk [1927] is from this same series.PROVENANCE: An inscription, signed R.[Rivka] Rubina, (the artist’s wife and an important Yiddish author in Russia) is placed near the nude sketch on the verso of the painting. It states that this piece was given as a gift to Ella Minukhin. After Minukhin’s death it reverted to Elena Akselrod, his daughter, from whom this work was purchased. Codice libro della libreria 54

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CHAGALL, Marc; Bible; MARC CHAGALL

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Da: Ursus Rare Books (New York, NY, U.S.A.)

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Descrizione libro: 1979. PRESENTATION COPY WITH ORIGINAL CHAGALL DRAWING CHAGALL, Marc. Psaumes de David. [2], 66, [8] pp. Illustrated with 30-full page etchings with aquatint by Chagall. 4to., 280 x 215 mm, bound in publisher's full vellum, gilt lettered spine, and matching vellum slipcase. Geneva: Gerald Cramer, 1979. One of the last statements Chagall issued in book format that used Biblical subject matter for his illustrations. The 30 etched sheets are filled with images from the Psalms and printed on a yellow/ochre background. This special copy has a full-page drawing by Chagall in pencil, red and blue crayon and inscribed: "Paul de Vehel / 1981." the facing half-title with the presentation: "pour 1.A et Cecile / Victor / a bok / Souvenir / Marc Chagall." The text and typography were done by Fequet-Baudier; the etchings were printed by Lacourière et Frélaut. One of an edition of 175 copies on Arches wove paper. The colophon is signed by Chagall. A fine copy. Cramer, Marc Chagall, The Illustrated Books, 108. Codice libro della libreria 122007

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Chagall, Marc, Russian-French painter (1887-1985).

Editore: N. p., [1970s]. (1970)

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Descrizione libro: N. p., [1970s]., 1970. 8vo. 6 ff., folded as lettercards. An ensemble of six fine lettercards, once given as a present to civil law notary Robert Cool, whose family usually spent their holidays in St-Paul de Vence, where they became acquainted with Chagall. - Somewhat spotty. Codice libro della libreria 34048

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Chagall, Marc.

Editore: St. Gallen: Erker. (1978)

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Da: Wittenborn Art Books (San Francisco, CA, U.S.A.)

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Descrizione libro: St. Gallen: Erker., 1978. Condizione libro: Good. Color lithograph. (Mourlot no. 321 from 1968.) One of 150 hand numbered impressions on Rives. 23.4 x 17.7 cm.; double page size 39.5 x 29 cm. Lithographed text by Cassou on a facing page. Part of portfolio, our ID# 07-0191. Inquire about availability of individual prints. Codice libro della libreria 07-0748

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Blum, Kurt:

Editore: Bern, (1978)

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Da: Daniel Thierstein (Bern, Switzerland)

Valutazione libreria: 4 stelle

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Descrizione libro: Bern, 1978. 40 x 30,5 cm. Bern, 1978. 40 x 30,5 cm. 22 photos tirages argentique dans un coffret toilé (40 x 53 cm.). 1/30 exemplaires nummérotés, signés et avec tampon du photographe. Portraits de Georges Braque - Marc Chagall - Le Corbusier - Sam Francis - Alberto Giacometti - Max Gubler - Al Held - Alfred Jensen - Willem de Kooning - Fernand Léger - Philip Martin - Georges Mathieu - Gabriele Münter - Barnett Newman - Meret Oppenheim - Pablo Picasso - Serge Poliakoff - Germaine Richier - Jean-Paul Riopelle - Dieter Roth - Mark Rothko - Marc Tobey. Kurt Blum, né le 25 août 1922 à Berne et mort le 30 décembre 2005, est un photographe et réalisateur suisse de films documentaires. Kurt Blum débute comme photographe à la Bibliothèque nationale à Berne, puis comme photographe indépendant et réalisateur de documentaires pour une clientèle d'entreprises industrielles. Dans les années 1950 et 1960 Blum réalise des documentaires sur des artistes, comme Pablo Picasso. En 1981, il ouvre une galerie de peintures et de photographie à Praz (Vully). Il a exposé son travail dans de nombreuses expositions collectives et ses photographies ont été publiées dans plusieurs livres. Ses œuvres se retrouvent dans plusieurs musées et collections, tel que le Kunstmuseum de Berne. Blum est connu pour ses portraits d'artistes célèbres Ses portraits proviennent presque exclusivement des ateliers des artistes et offrent un éclairage important sur leur travail. Il travaille dans une certaine réciprocité avec les artistes. L'environnement artistique inspire son regard et son regard influence l'art. Ses photographies ont un contenu physique mais aussi psychique. Ses images sont habillées d'un message. Il travaille dans la retenue, sa démarche est toujours « attentionnée ». (Koetzle, Photographes de A - Z). Sprache: N dans un coffret toilé (40 x 53 cm.). Codice libro della libreria 51226BB

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Chagall, Bella (1895-1944)

Editore: Book League of the Jewish Peoples Fraternal Order, IWO, New York, N.Y. (1945)

Usato Rilegato Prima edizione

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Da: Meir Turner (New York, NY, U.S.A.)

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Descrizione libro: Book League of the Jewish Peoples Fraternal Order, IWO, New York, N.Y., 1945. Hardcover. Condizione libro: Good. Condizione sovraccoperta: No Dustjacket. Chagall, Marc (1887-1985) (illustratore). 1st Edition. 145 mm x 224 mm ( 5.5 x 8.75 inches). Signed and dated inscription, in Yiddish, by Marc Chagall. Full page illustrations by Marc Chagall. According to the OCLC: 6 Libraries worldwide own it. 253, [1] pages. Added title page romanised: Brenendicke licht. tseykhenungen fun Marc Chagall. The German translation of the title WOULD be Brennende Lichter. Signed, Dated inscription. Codice libro della libreria 006994

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Marc Chagall

Editore: Les Bibliophiles de l'Union Française (1958)

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Da: Leonard Fox, Ltd. (Greenwich, CT, U.S.A.)

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Descrizione libro: Les Bibliophiles de l'Union Française, 1958. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: Near Fine. 1st Edition. CHAGALL, Marc, PAULHAN, Jean. "De Mauvais Sujets". Paris: Les Bibliophiles de l'Union Française, 1958. [17 5/16" x 13 3/16"]. 10 illustrations. (10 hors text.) Signed by Jean Paulhan and Marc Chagall, on Arches. Loose as issued. In original boards and chemise. Contained in slipcase and chemise. ex no 35/153. Marc Chagall interprets Paulhan's story in ten typically poetical and charming original color etchings with aquatint. Printed on Arches vellum, the plates and text are very clean; interior in overall excellent condition. Codice libro della libreria ABE-16496540307

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ELUARD

Editore: Editions des Trois collines (1948)

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Descrizione libro: Editions des Trois collines, 1948. Couverture rigide. Condizione libro: Très bon. 342 x 242 mm. In-folio de (2) ff.bl., 147 pp., (1) f., (3) ff.bl., avec 32 planches en couleurs comprises dans la pagination, reproduisant un tableau de chaque artiste. Relié en box noir orné sur le dos des prénom et nom de l'auteur ainsi que du titre de l'ouvrage répété neuf fois en petites capitales poussées à l'oeser alternativement vert métallisé et bleu métallisé, séparés par un point à l'oeser rouge ; doublures et gardes de papier gris, tête dorée, tranches lisses, couverture illustrée. Etui. Reliure de Pierre-Lucien Martin, 1965. EDITION ORIGINALE DES 44 POEMES DE PAUL ELUARD consacrés à Picasso, Marc Chagall, Juan Gris, Jacques Villon, Fernand Léger, Georges Braque, Giorgio de Chirico, Paul Klee, Max Ernst, Joan Miro, Yves Tanguy, André Masson, André Beaudin, Man Ray, René Magritte, Salvador Dali, Balthus, Léonor Fini, Oscar Dominguez, Félix Labisse, Fautrier, Dubuffet, Chastel, etc., ILLUSTREE DE 64 REPRODUCTIONS DONT 32 EN COULEURS, D'OEUVRES DE 32 PEINTRES. A l'occasion de la sortie de ce livre, une exposition des oeuvres qui y sont reproduites fut organisée à la Galerie du Pont Royal. UN DES 44 EXEMPLAIRES NUMEROTES (n°XX) SUR VELIN PUR CHIFFON, SEUL TIRAGE SUR GRAND PAPIER, COMPORTANT CHACUN UN MANUSCRIT AUTOGRAPHE SIGNE D'UN DES POEMES ET UNE EPREUVE DE LA GRAVURE ORIGINALE SUR CUIVRE DE RAOUL UBAC QUI A ETE REPRODUITE EN COUVERTURE. Le poème autographe du présent exemplaire est consacré à Juan Gris (1 page et demie in-folio), poème qui figure page 24 du livre. *** FIRST EDITION OF PAUL ELUARD'S 44 POÈMS dedicated to Picasso, Marc Chagall, Juan Gris, Jacques Villon, Fernand Léger, Georges Braque, Giorgio de Chirico, Paul Klee, Max Ernst, Joan Miro, Yves Tanguy, André Masson, André Beaudin, Man Ray, René Magritte, Salvador Dali, Balthus, Léonor Fini, Oscar Dominguez, Félix Labisse, Fautrier, Dubuffet, Chastel, etc., ILLUSTRATED WITH 64 REPRODUCTIONS INCLUDING 32 IN COLOURS, OF WORKS OF 32 PAINTERS. ONE OF THE 44 NUMBERED COPIES (n°XX) ON VELLUM « PUR CHIFFON » PAPER, ONLY LARGE-PAPER ISSUE, EACH COMPRISING A SIGNED AUTOGRAPH MANUSCRIPT OF ONE OF THE POEMS AND A PROOF OF THE ORIGINAL COPPER-ENGRAVING BY RAOUL UBAC WHICH HAS BEEN REPRODUCED ON THE COVER. The autograph poem of the present copy is dedicated to Juan Gris (1 page and a half folio), poem that figures page 24 of the book. ***. Codice libro della libreria 000116

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Ionesco, Eugene

Editore: Fernand Mourlot, Paris (1975)

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Descrizione libro: Fernand Mourlot, Paris, 1975. Lindner, Richard (illustratore). Elephant folio. (38)ff. One of 150 copies. Contains ten lithographs measuring 28 1/2 by 20 3/4 inches, each signed by the artist, Richard Lindner, and numbered and counter-initialed by Fernand Mourlot, the printer/publisher who produced the lithographs. In his introduction, Ionesco describes Lindner as "one of the great contemporary masters. His work lies within the realm of caricature, painting, and theater. It is interpretation of reality, but reality is not realistic." Mourlot, who worked with all the great artists of the twentieth century, writes that Lindner created ten original gouaches and watercolors for this series, supervised the transfer to the stones, corrected the colors, retouched the plates, and oversaw the printing with such a perfectionist's eye that "only Marc Chagall forced us to run the plates so many times through the presses." An extremely fine copy, loose as issued, in a printed quarter-vellum clamshell box. Codice libro della libreria 15455

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HERZL] - STRUCK, Hermann.

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Da: Shapero Rare Books (London, United Kingdom)

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Descrizione libro: 1903. Soft ground etching in black and white, 60x50 cm including frame, artist's name etched in black at bottom right of etching, with his Hebrew name underneath (Haim Aaron ben David); etching glued on a white background with Theodor Herzl's own signature in pencil at the bottom right; at the bottom left of the picture is a star of David with Hermann Struck's initials in it, to its right is his signature in pencil. Very good condition. Struck's most famous work and one of the symbols of zionism - a powerful portrait of Theodor Herzl, signed by Herzl himself. Hermann Struck (1876-1944) and Theodor Herzl (1860-1904) met several times in Egypt and Vienna before this portrait etching was created in 1903. A fervent Zionist and admirer of Herzl's, Struck made his preparatory sketches for the portrait when he visited the political activist's house in Vienna. During the sixth Zionist Congress in Basel in August 1903, the two met again and on this occasion Herzl asked Struck to allow him to sign a few of the first copies of the etching. Struck depicted Herzl's visionary side by giving us the impression that he is looking towards the future. His radiance is all the more flagrant as the dark background makes his solemn face stand out. Although Struck made two additional etchings of this portrait after Herzl's death, it is the 1903 version that has remained the most famous of his works, and the most iconic of all the portraits of Theodor Herzl. Indeed, the image came to be known as one of the emblems of Zionism and has been used on various posters, products and catalogs ever since: "Within a short period of time the etching became so well known that it emerged as a symbol of Zionism, especially after the death of the charismatic leader in 1904. It was then that the portrait won the respect of all the Zionist circles. By the time the State of Israel was founded, this portrait of Theodor Herzl was considered the epitome of Zionism itself. It decorated the walls of every Zionist event, anywhere." (Hermann Struck, Printmaking Artist. Tefen Open Museum, 2007, page 38). Hermann Struck was a German-Israeli artist who gained fame for his etchings. He published a leading work on the subject, Die Kunst des Radierens, in 1908. He was commissioned to etch portraits of many leading figures of his time, including Einstein and Herzl. Struck acquired a reputation as a teacher of graphic art, and began to teach the techniques of the art print while still in Germany. Among his many students were Max Liebermann, Lovis Corinth, Marc Chagall, Jacob Steinhardt, and Joseph Budko. He moved to Haifa in 1922. Today the city has a museum dedicated to him. Theodor Herzl, a Hungarian journalist of Jewish descent, is regarded as the founding father of political Zionism. By the time the etching was made, he was already known for having chaired the first Zionist congress in 1897. In 1896, at 35 years old, he had published Der Judenstaat, Versuch einer Modernen Lösung der Judenfrage (The Jewish State, Proposal of a modern solution for the Jewish question) in Vienna. The previous year, Herzl had witnessed the Dreyfus affair in Paris and had been appalled at the outbreak of anti-Semitism that it had generated in the "birthplace of human rights". He came to the conclusion that the creation of an independent Jewish state during the 20th century would be the best way for Jews to escape European anti-Semitism. Codice libro della libreria 91304

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Descrizione libro: 0. Die schönste moderne Ausgabe von Shakespeares Komödie "The Tempest" mit 50 Orig.-Lithographien von Marc Chagall. Eines von 250 numerierten Exemplaren, im Druckvermerk von Chagall signiert. Tadellos in der Erhaltung. -. Codice libro della libreria 11512AB

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Chagall - Robert Marteau

Editore: Mourlot, Paris (1976)

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Descrizione libro: Mourlot, Paris, 1976. Chagall (illustratore). In folio en feuilles sous emboîtage, 121 pages. 1 lithographie originale en couleurs numérotée et signée, 5 lithographies originales, 2 linogravures originales, 14 lithographies d'après Marc Chagall. Un des 250 exemplaires numérotés, d'un tirage limité à 270. Cramer 101. Codice libro della libreria 3625

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FAULKNER, William

Editore: New York: Random House (1942)

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Quantità: 1

Da: Harper's Books (East Hampton, NY, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: New York: Random House, 1942. Deluxe Edition. Thick octavo. Number 19 of 100 numbered copies; SIGNED by the author. Faulkner's collection of short stories that masquerades as a novel, set in his "apocryphal county" of Yoknapatawpha, Mississippi. This copy belonged to Leo Cherne, a refugee activist, Nobel Peace Prize nominee, and Medal of Freedom recipient; his ex libris is affixed to the first pastedown. A friend to Marc Chagall and Robert Frost, Cherne was gifted this volume by one of these men, or perhaps by Faulkner himself, though no attribution of the provenance appears in this copy. Previous owner's ex libris on first pastedown and toning opposite, apparent water stain to bottom right corner of the limitation page, extreme edge tips of several pages bent with a few small edge nicks, light fading to spine gilt as usual, else very good in three-quarter red cloth over textured paper boards, lacking publisher's tissue jacket. Codice libro della libreria 20216

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Venturi, Lionello / Chagall, Marc

Editore: Albert Skira, Genf (1956)

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Quantità: 1

Da: Antiquariat Immanuel, Einzelhandel (Steinebach a.d. Wied, Germany)

Valutazione libreria: 5 stelle

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Descrizione libro: Albert Skira, Genf, 1956. Condizione libro: sehr gut erhaltenes Exemplar. 1.. Kleinoktav. O.-Leinen mit OU im O.-Schuber. Vorsatz mit Zeichnung lavierte Tusche (lavis d'encre sur papier, 24 x 17 cm) von Marc Chagall. Handsigniert und datiert von Marc Chagall (signed and with an original drawing by Marc Chagall): "Pour Karl Georg Hemmerich. Marc Chagall 1956 Geneve." - Es handelt sich um ein Exemplar mit einer frühen schwungvollen Zeichnung Chagalls im Vorsatz, das Chagall seinem Übersetzer als Dank gewidmet hat. Es stammt direkt aus dem Nachlass des Übersetzers, Karl Georg Hemmerich (1892 - 1979) den er seiner Tochter hinterlassen hat und ist somit von absolut sicherer und zweifelsfreier Provenienz. Auszug aus Wikipedia: "Während des Zweiten Weltkrieges hatte Hemmerich den größten Teil seines Vermögens verloren. Da er mit seiner künstlerischen Arbeit die Familie nicht mehr ernähren konnte, zwangen ihn die Umstände in einen anderen Beruf. Sein 'Sprachgenie' und seine exzellenten Kenntnisse der Kunstgeschichte ermöglichten ihm die Tätigkeit als Übersetzer von Kunstbänden beim Schweizer Skira-Verlag. Er übersetzte Ausgaben aus dem Französischen, Englischen und Italienischen ins Deutsche. Marc Chagall hat ihm ein Exemplar aus der Reihe 'Le goût de notre temps' ('Der Geschmack unserer Zeit') von Lionello Venturi mit einer Tuschzeichnung und Namenszug signiert." - Hemmerich arbeitete bis 1968, also bis zum 78. Lebensjahr, für den Skira-Verlag. Vgl.: Wolfram Lambrecht / Thomas Noll: Die graphischen Zyklen von Karl Georg Hemmerich zu E.T.A. Hoffmann. Seeburg 2008. In diesem Band ist die Zeichnung Chagalls auf Seite 62 abgebildet. Wolfram Lambrecht verwaltet den Nachlass von Karl Georg Hemmerich. - Beilage: Lionello Venturi: Chagall. Biographisch-kritische Studie. Übersetzt von Karl Georg Hemmerich. Mit zahlreichen montierten Farbabbildungen. Albert Skira Verlag, Genf 1956.; Jahr: 1956; Format: Kleinoktav; Anzahl der Seiten: 121 / 122; Auflage: 1.; Zustand: 1 (sehr gut erhaltenes Exemplar) 481 gr. 121 / 122 pages. Codice libro della libreria 31156

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Chagall, Marc, painter (1887-1985).

Editore: Berlin, Darmstadt, & Vienna, Deutsche Buch-Gemeinschaft, 1966. (1966)

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Descrizione libro: Berlin, Darmstadt, & Vienna, Deutsche Buch-Gemeinschaft, 1966., 1966. 8vo. 288 pp. Contemp. cloth with giltstamped title to spine and cover. Chagall's drawing shows the sun, a male bust in profile, and several roofs; the inscription to Monsieur Bauer "en bon souvenir" is dated Vence, 1967. - Well-preserved. Codice libro della libreria 26965

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Chagall, Marc

Editore: N.p. (1953)

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Descrizione libro: N.p., 1953. First Edition. La Jongleuse ( THE WOMAN JUGGLER ), N.p., Ca. 1960, Original Print, measuring 12.25 x 9.5 inches, fine and most suitable for framing. Of 40 numbered copies SIGNED by the artist, this is unnumbered, but labeled as artists proof, of which there were very few, perhaps as little as 3 such copies. Codice libro della libreria 10822

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BONNARD, Pierre. Longus.

Editore: Ambroise Vollard., Paris. (1902)

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Da: Sims Reed Ltd ABA ILAB (London, United Kingdom)

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Descrizione libro: Ambroise Vollard., Paris., 1902. 4to. (300 x 250 mm). pp. x, 294. Half-title with justification verso, printed title with vignette by Bonnard, 3 leaves with 'Préface du Traducteur' and Longus' text illustrated with 156 original lithographs by Bonnard (printed in monochrome, green or blue), leaf with 'Table des Matières', final leaf with achevé d'imprimer. Loose as issued in original publisher's printed wrappers with Bonnard's vignette and titles to front cover and spine in black. From the edition limited to 250 numbered copies, with this one of 200 on 'hollande à la forme, fabriqué spécialement par la maison VAN GELDER avec le filigrane 'Daphnis et Chloé''. Also included with this copy, loosely inserted, is the original prospectus for the book: two bifolia in the same format as the published book including the title, six pages of text and illustration (pp. 224 - 229) with three lithographs by Bonnard, and the final leaf verso with the details of the edition. 'The lithographs, of an unprecedented lightness of touch, have been printed with such subtlety and skill that you seem to see the original crayon, and they, like the text, have that marvellous spontaneity that will remain forever one of Bonnard's greatest gifts . '. (J. Guignard, Le Livre, 1942). The only known work of the Greek Longus, Daphnis and Chloe, has appealed to numerous artists and illustrators: Pierre Bonnard (1902), Sylvain Sauvage (1925), Aristide Maillol (1937) and Marc Chagall (1961) all produced illustrated editions. The tale - one of the least tragic of the Greek canon - tells of the love of two foundlings raised together, the eponymous hero and heroine, who each harbour an unsuspected love for the other, suffer various reverses of fortune (including Chloe's kidnap by pirates) before a happy resolution for all parties. Traduction de Messire J. Amyot, Revue et Completée par Paul-Louis Courier. Lithographies originales de P. Bonnard. Codice libro della libreria 44465

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CHAGALL (Marc)]

Editore: Simon Kra, Paris (1926)

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Da: Galerie Paul Blaizot (Boulogne Billancourt, France)

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Descrizione libro: Simon Kra, Paris, 1926. In-8, broché, couverture imprimée.Edition originale de ces sept textes, illustrée par Marc Chagall de 15 gravures originales dont un frontispice et 14 hors-texte. Tirage limité à 300 exemplaires. Un des 240 exemplaires numérotés sur vélin. Codice libro della libreria 29517

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n/a

Editore: Solomon R. Guggenheim Foundation, New York (1940)

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Descrizione libro: Solomon R. Guggenheim Foundation, New York, 1940. Original artwork. Hilla Rebay (born Baroness Hilla Rebay von Ehrenwiesen) was a notable European artist in the early 20th Century. In 1913 her work was shown alongside artists such as Archipenko, Brancusi, Chagall, Delauney, Rivera in Paris. Rebay immigrated to the United States in 1927 and is best known as the first director of the Solomon R. Guggenheim Museum as well as her role as a friend, confidant and advisor to Solomon R. Guggenheim. She was instrumental in Guggenheim's pursuit to build a collection of modern artists such as Vassily Kandisnky, Paul Klee, and Marc Chagall. In 1930 she organizes the landmark exhibition entitled the "Solomon R. Guggenheim Collection of Non-Objective Paintings," which traveled to Charleston, Philadelphia and Baltimore. When the Solomon R. Guggenheim Foundation is established in 1937, Rebay is appointed its first curator and in 1939, under the auspices of the Guggenheim Foundation, the Museum of Non-Objective Painting opens in rented quarters at 24 East Fifty-fourth Street with its first exhibition "The Art of Tomorrow." In 1943 Solomon R. Guggenheim and Hilla Rebay commission Frank Lloyd Wright to design a permanent structure for the Museum of Non-Objective Painting. After Solomon's death in 1949, a strife between Rebay and the Guggenheim family, especially Peggy Guggenheim, lead Rebay to resign as director in 1952. When the new Museum opened in October 1959 Rebay was not invited and it is said that she never set foot in the museum. Rebay retreated from public life and spent the rest of her days at her estate in Westport, Connecticut, where she died in 1967.This collection of photographs and publications are a testimony to the activities as well as the influence emanating from Hilla Rebay's tenure at the Guggenheim Foundation and Museum in a time when America made its decisive strides to catch up to the trend setting European artists and art scene to become a dominating force in the world of art. Rebay's activities, influence and foresight not only drew European cutting edge artists to engage on the American scene but at the same time invigorated American artists while continuously advising Solomon R. Guggenheim in acquiring artwork for the collection. Whether it is the opening exhibition "Art of Tomorrow" or the Memorials for Kandisnky and Moholy-Nagy, the program of the Museum garnered attention worldwide and subsequently loan exhibitions were made to museums on the continent and in 1943 the plan for new, permanent location was launched by commissioning the architect Frank Lloyd Wright. Rebay also engaged the fashion designer B. H. Wragge and the Bonwit Teller department store in a project combining non-objective art with contemporary fashion design in the window displays of the department store. The collection presented here contains 85 photographs and 7 publications. It documents important milestones for Hilla Rebay and the Solomon R. Guggenheim Foundation including major publications, photographs by Ben Greenhaus and authentic handwriting by Hilla Rebay and her staff. Photographs29 exhibition view photographs of the Solomon R. Guggenheim Foundation, Museum of Non-Objective painting. 22 photographs (8 x 10") with white border and 7 photographs (7 1/4 x 9 1/4") w/o border, gelatin silver prints. The exhibition shows works of Scarlett, Kandinsky, Rebay, Bauer, Nebel, Moholo-Nagy, Schwab, Xceron. The photographs are numbered from 1. through 29. and are to be looked at in succession as to give the onlooker a feeling of the museum, so stated on a separate piece of paper opening with: "Interiors of The Museum of Non-Objective Painting, New York, to be replaced by the New Museum, designed by Frank Lloyd Wright.". The verso of the photographs are stamped with names of the artists, titles and medium of the works exhibited and contain a typed reference as to the location in the museum. Contains a duplicate of # 10 of the photographs. This exhibition probably was curated by Hilla Rebay around 1946-1948. 12 photogra. Codice libro della libreria 38914

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T.S. ELIOT, Marc CHAGALL, Franz MARC, Natalia GONTCHAROVA, Constantin BRANCUSI, Robert DELAUNAY, Mina LOY, Sherwood ANDERSON, Osip ZADKINE, Max WEBER, Arthur RIMBAUD, Kenneth BURKE, Henry Mc BRIDE, William GROPPER, William Carlos WILLIAMS, Richard BOIX, Waldo FRANK, Jacques LIPCHITZ, Edward P. NAGLE, Paul ROSENFELD, E.E. CUMMINGS, Eric GILL, Gaston LACHAISE, Pablo PICASSO, Marianne MOORE, Edward MUNCH, Thomas MANN, Paul GAUGUIN, Conrad AIKEN, Egon SCIELE, Marie LAURENCIN, Charles DEMUTH, Arthur G. DOVE, Henri MATISSE, Thomas H. BENTON, William ZORACH, Jean COCTEAU, Wyndham LEWIS, Charles VILDRAC, Bertram HARTMAN, Joseph STELLA, Edward NAGLE, Guy PENE du BOIS, Louis ARAGON, Alexander ARCHIPENKO, Jacob EPSTEIN, Odilon REDON, et al.

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Da: Le Grand Verre (Villejuif, France)

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Descrizione libro: 1920. Couverture rigide. Condizione libro: Bon. New York city 1920-1929. The Dial Compagny. 19 volumes fort in-4°, cartonnés et titrés. Du volume 68 (n°1) au volume 86 (n°7 et dernier), au total 115 numéros. Photographies, bois, vignettes, reproductions en noir et en couleur de C. Sheeler, Stieglitz, Picasso, Wh. Lewis, Archipenko, Matisse, J. Epstein, Larionov, Gontcharova, J. Lipchitz, A. G. Dove, J. Marin, C. Demuth, Chagall, Kokoschka, Masereel, Laurencin, Signac, Munch, Richard Boix, J. Epstein, Brancusi, Delaunay, Severini, Gontcharova, E. Mendelsohn, J. Stella, C. Pansaers, Art nègre, Brancusi, Foujita, Pascin, Derain, et al. Contributions littéraires, critiques poèmes et essais de Mina Loy, C. Pansaers, Djuna Barnes, E. Pound, P. Soupault (sur Dada), J. Joyce, G.B. Munson, Kenneth Burke, Cocteau, G. Stein, E.E. Cummings, P. Rosenfeld, A. Kreymborg, Aragon, P. Morand, Capek, Marsden Hartley, Rimbaud, Proust, W. Frank, et al. Nombreuses textes sur le Surréalisme, le Dadaïsme, Futurisme, l'architecture moderne, la Société Anonyme, les Ballets Russes et al. A noter l'importante contribution de T.S. ELIOT "THE WASTE LAND". Collection complète de la 3ème et dernière époque de Dial qui devint à ce moment le porte-voix du modernisme aux Etats-Unis. Tampons, ex-libris "James V. Brown Library". Manque 6 illustrations contrecollée :avril 1924, janv. et sept. 1925, Avr. 1926, avr. et sept. 1927. 4 feuilles collées, quelques mouillures marginales sans gravité. Ensemble en bon état. (Avant garde periodical, modernism, modern art). Codice libro della libreria ABE-16348250302

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CHAGALL, MARC:

Editore: 1960 (1960)

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Descrizione libro: 1960, 1960. Verve Nos 37-38. Paris 1960. Rigt illustr. i s/h og med 24 orig. farvelitografier. 4to. Orig. kart. Richly illustr. in black/white and with 24 orig. lithographs in colour. Publisher's pictorial boards. Codice libro della libreria 130496

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Chagall, Marc, Julien Cain, Fernand Mourlot, and Charles Solier.

Editore: George Barziller, André Sauret, Boston Book and Art Shop, and Crown Publishers 1960-1984, New York/Monte Carlo/Boston (1960)

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Descrizione libro: George Barziller, André Sauret, Boston Book and Art Shop, and Crown Publishers 1960-1984, New York/Monte Carlo/Boston, 1960. Uniform folios bound in light gray cloth with black titling on the covers, all with illustrated jackets in original acetate wraps, all with publisher's card slipcases. Complete with 28 original lithographs, including the dust jackets of volumes 1 - 4. Text of volume 3 in French. Volume one has two small chips out of the acetate jacket, and a very short tear in the price-clipped jacket at the base of the spine, very slight bump to one corner of the front cover, slipcase torn at one edge; volume two slipcase with one torn edge, otherwise no flaws; volume three has one corner of the front cover slightly bumped; volume four has one corner on the front cover slightly bumped and a price clipped jacket; volume five has no flaws. A beautiful set in fine to very fine condition. Codice libro della libreria 16733

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CHAGALL, MARC

Editore: Andre Sauret & George Braziller, Monte Carlo & New York or Boston (1960)

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Descrizione libro: Andre Sauret & George Braziller, Monte Carlo & New York or Boston, 1960. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. FIRST EDITIONS of all six volumes (English-language issues) of Chagall's catalogue raisonné. Complete with 28 original lithographs, including original lithograph dust jackets for volumes I-IV. Notes and catalogue by Fernand Mourlot. Monte Carlo & New York or Boston: Andre Sauret & George Braziller, 1960-63-69-74-84-86. Quarto, original cloth volumes, original dust jackets, original slipcases to volumes I, II, III, and V. All volumes in fine condition. A superb set. Codice libro della libreria 1521

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Chagall, Marc / Shakespeare, William

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Descrizione libro: Monte Carlo, Éditions André Sauret, 1975, Fol., 240 S., mit 50 Lithographien, davon 31 ganzseitig, lose Bögen mit Umschlag in Pergament-Kassette. Nr. 216 / 250 (270) Exemplaren, im Impressum von Marc Chagall signiert, auf dem Vortitel kleine Zueignung des Herausgebers in Bleistift. Mourlot 846 - 895. Codice libro della libreria 94923

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Descrizione libro: Verlag der Sturm., Berlin, 1923. Hardcover. Condizione libro: Good. First edition. Oblong 4to. Contemporary cloth-backed embossed card covers, sewn with ties. 45 mounted colour and monochrome plates, one to a page, with 2 further loose plates. From various contemporary publications. Works by Kandinsky, Delaunay, Larionoff, Gontcharova, Punin, Kokoschka, Oskar Fischer, Marcoussis, Léger, Chagall, Gris, Severini, Marc, Schreyer, Gleizes, Nell Walden, Moltzahn etc. With a presentation inscription on front end-paper 'Fräulein Jetta Cohen als Zeichen der Dankbarheit Ihr Heinz Kluver, Berlin, den 1.2.1923. Covers rubbed, tear to upper cover paper, one tie missing, shaken. Codice libro della libreria 021222

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Descrizione libro: Paris, Verve (Distr. by A.Zwemmer London), 1960. 36 : 26,8 cm. (XVIII), 96, (16) S., 24 Original-Farblithographien, 23 s/w Lithographien verso u. 1 Orig.-Farblithographie über beide Deckel und Rücken. Orig.-Pappband. Mourlot, Chagall Lithograph II, 230-277. - Gauss, Marc Chagall. Die Lithographien. La Collection Sorlier, 230-277. - This double number of Verve contains the drawings made by Chagall in 1958 and 1959 on biblical themes which in general he had not dealt with in his illustrations for the Bible reproduced in Verve 33/34. The present work comprises 96 reproductions in black and white and 24 lithographs in color, as well as a cover specially designed for this volume. Lithography in color by Mourlot Frères, Paris. - Ecken und Kapitale minimal berieben sonst tadelloses Exemplar der englischen Ausgabe. Codice libro della libreria 19273

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Descrizione libro: Paris, Verve 1960. 36 : 26,8 cm. (XVIII), 96, (16) S., 24 Original-Farblithographien, 23 s/w Lithographien verso u. 1 Orig.-Farblithographie über beide Deckel und Rücken. Orig.-Pappband. Mourlot, Chagall Lithograph II, 230-277. - Gauss, Marc Chagall. Die Lithographien. La Collection Sorlier, 230-277. - Ce double numéro de Verve comprend les dessins que Marc Chagall a exécutés en 1958 et 1959 sur les thèmes bibliques qu'il n'avait en général pas traités dans son illustration pour la Bible, gravée à l'eau-forte et qui fut reproduite dans le numéro 33/34 de Verve. Cet ouvrage comporte 96 reproductions en noir et 24 lithographies en couleurs ainsi que la couverture qui ont été spécialment réalisées pour le présent ouvrages. Lithographie en couleurs par Mourlot Frères, Paris. - Tadelloses Exemplar der französischen Originalausgabe. Codice libro della libreria 20103

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Chagall, Marc (Wahl, Jean - Text - and Meyer Schapiro - Appreciation)

Editore: Harcourt, Brace and Co. (1956)

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Quantità: 1

Da: Squid Ink Books (Tucson, AZ, U.S.A.)

Valutazione libreria: 5 stelle

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Descrizione libro: Harcourt, Brace and Co., 1956. Hardcover. Condizione libro: Near Fine. Condizione sovraccoperta: Poor. 1st Edition. First US edition, reproduces Verve 33/34 with text in English. Beautiful, Near Fine book (14 ½” tall 10 ½’ wide) in blue boards with Chagall art, that was printed by Verve in France. Book has only light edge and corner wear with contents in excellent condition. Dust jacket is in Poor condition with edge chips and loss, tears, front panel has come off and been taped back externally. Very scarce. Contains 16 color lithographs plus the Verve cover and title page and 12 lithographs in black. Special shipping will be required at extra cost. Codice libro della libreria ABE-1768215517

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