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Berry, Cicely Voice and the Actor ISBN 13: 9780020415558

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9780020415558: Voice and the Actor
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"Speaking is part of a whole: an expression of inner life." Cicely Berry has based her work on the conviction that while all is present in nature our natural instincts have been crippled from birth by many processes--by the conditioning, in fact, of a warped society. So an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the 'instinct of the moment'. As her book points out with remarkable persuasiveness 'technique' as such is a myth, for there is no such thing as a correct voice. There is no right way--there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of a whole: an expression of inner life.. After a voice session with her I have known actors speak not of the voice but of a growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable. --from Peter Brook's foreword to Voice and the Actor

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L'autore:

Peter Brooks is Chester T. Tripp Professor of Humanities at Yale University. The author of numerous articles on French and English literature as well as on narrative theory and psychoanalysis, his works include The Novel of Worldlines (1969), The Melodramatic Imagination (1976), and the widely-praised Reading for the Plot (1984), recently reissued.

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Book by Berry Cicely

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  • EditoreWiley
  • Data di pubblicazione1991
  • ISBN 10 0020415559
  • ISBN 13 9780020415558
  • RilegaturaCopertina flessibile
  • Numero di pagine160
  • Valutazione libreria

Altre edizioni note dello stesso titolo

9780025103702: Voice and the Actor

Edizione in evidenza

ISBN 10:  0025103709 ISBN 13:  9780025103702
Casa editrice: Macmillan Pub Co, 1974
Rilegato

  • 9780245520211: Voice And The Actor

    Virgin..., 1990
    Brossura

  • 9780245520129: Voice and the Actor

    George..., 1973
    Rilegato

  • 9780753512876: Voice And The Actor

    Virgin..., 2007
    Brossura

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Descrizione libro Paperback. Condizione: new. Paperback. "Speaking is part of a whole: an expression of inner life." Cicely Berry has based her work on the conviction that while all is present in nature our natural instincts have been crippled from birth by many processes--by the conditioning, in fact, of a warped society. So an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the 'instinct of the moment'. As her book points out with remarkable persuasiveness 'technique' as such is a myth, for there is no such thing as a correct voice. There is no right way--there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of a whole: an expression of inner life. After a voice session with her I have known actors speak not of the voice but of a growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable.from Peter Brook's foreword to Voice and the Actor "Speaking is part of a whole: an expression of inner life. " Cicely Berry has based her work on the conviction that while all is present in nature our natural instincts have been crippled from birth by many processes----by the conditioning, in fact, of a warped society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780020415558

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