“Raymond, I want you!” Just when Raymond is in the middle of a comic book, his mother calls him. Not once but five times. “It's not fair!” Raymond thinks. Then he thinks: “What if I had my own MEANWHILE...?” Comic books always use MEANWHILE... to change the scene. So Raymond tries writing it on the wall behind his bed.
To his astonishment, Raymond discovers that he can MEANWHILE...from one perilous adventure to another'from pirates on the high seas, to Martians in outer space, to a posse and a mountain lion out West. Then, at the worst possible moment, Raymond's MEANWHILE... fails him, leaving him in a spot that spells certain doom! Unless . . .
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Jules Feiffer has won a number of prizes for his cartoons, plays, and screenplays, including the Pulitzer Prize for editorial cartooning. His books for children include The Man in the Ceiling, A Barrel of Laughs, A Vale of Tears, I Lost My Bear, Bark, George, and Meanwhile... He lives in New York City. In His Own Words...
"I have been writing and drawing comic strips all illy life, first as a six-year-old, when I'd try to draw like my heroes: Alex Raymond, who did Flash Gordon, E. C. Segar, who did Popeye, Milton Caniff, who did Terry and the Pirates. The newspaper strip back in the I 1940s was a glorious thing to behold. Sunday pages were full-sized and Colored broadsheets that created a universe that could swallow a boy whole.
"I was desperate to be a cartoonist. One of my heroes was Will Eisner, who did a weekly comic book supplement to the Sunday comics. One day I walked into his office and showed him my samples. He said they were lousy, but lie hired me anyway. And I began my apprenticeship.
"Later I was drafted Out of Eisner's office into tile Korean War. Militarism, regimentation, and mindless authority combined to squeeze the boy cartoonist Out Of me and bring out the rebel. There was no format at the time to fit [he work I raged and screamed to do, so I had to invent one. Cartoon satire that commented on the Lin military the Bomb, the Cold War, the hypocrisy of grownLIPS, the mating habits of urban Young men and women, these were my subjects. After four years of trying to break into print and getting nowhere, the Village Voice, the first alternative newspaper, offered to publish me. Only one catch: They couldn't Pay me. What (lid I care?
"My weekly satirical strip, Sick Sick Sick, later renamed Feiffer started appearing in late 1956. Two years later, Sick Sick Sick came out in book form and became a bestseller. The following years saw a string of cartoon collections, syndication, stage and screen adaptations of the cartoon. One, Munro, won an Academy Award.
"This was heady stuff, taking me miles beyond my boyhood dreams. The only thing that got in the way of my enjoying it was the real world. The Cuban missile crisis, the assassination of President Kennedy, the Vietnam War, the Civil Rights revolution. The country was coining unglued and my weekly cartoons didn't seem to be an adequate way of handling it. So I started writing plays: Little Murders, The White House Murder Case, Carnal Knowledge, Grownups. All the themes of my comic strips expanded theatrically and later, cinematically to give me the time and space I needed to explain the times to myself and to my audience.
"I grew older. I had a family, and late in life, a very young family. I started thinking, as old guys will, about what I wanted these children to read, to learn. I read them E.B. White and Beverly Cleary and Roald Dahl, and, one day, I thought, I ley, I can do this."
"Writing for young readers connects me profess sionally to) a part of myself that I didn't know how to let out until I was sixty: that kid who lived a life of innocence, mixed with confusion and consternation, disappointment and dopey humor. And who drew comic strips and needed friends--and found them--in cartoons and children's books that told him what the grown-ups in his life had left out. That's what reading (lid for me when I was a kid. Now, I try to return the favor."
"I have been writing and drawing comic strips all illy life, first as a six-year-old, when I'd try to draw like my heroes: Alex Raymond, who did Flash Gordon, E. C. Segar, who did Popeye, Milton Caniff, who did Terry and the Pirates. The newspaper strip back in the I 1940s was a glorious thing to behold. Sunday pages were full-sized and Colored broadsheets that created a universe that could swallow a boy whole.
"I was desperate to be a cartoonist. One of my heroes was Will Eisner, who did a weekly comic book supplement to the Sunday comics. One day I walked into his office and showed him my samples. He said they were lousy, but lie hired me anyway. And I began my apprenticeship.
"Later I was drafted Out of Eisner's office into tile Korean War. Militarism, regimentation, and mindless authority combined to squeeze the boy cartoonist Out Of me and bring out the rebel. There was no format at the time to fit [he work I raged and screamed to do, so I had to invent one. Cartoon satire that commented on the Lin military the Bomb, the Cold War, the hypocrisy of grownLIPS, the mating habits of urban Young men and women, these were my subjects. After four years of trying to break into print and getting nowhere, the Village Voice, the first alternative newspaper, offered to publish me. Only one catch: They couldn't Pay me. What (lid I care?
"My weekly satirical strip, Sick Sick Sick, later renamed Feiffer started appearing in late 1956. Two years later, Sick Sick Sick came out in book form and became a bestseller. The following years saw a string of cartoon collections, syndication, stage and screen adaptations of the cartoon. One, Munro, won an Academy Award.
"This was heady stuff, taking me miles beyond my boyhood dreams. The only thing that got in the way of my enjoying it was the real world. The Cuban missile crisis, the assassination of President Kennedy, the Vietnam War, the Civil Rights revolution. The country was coining unglued and my weekly cartoons didn't seem to be an adequate way of handling it. So I started writing plays: Little Murders, The White House Murder Case, Carnal Knowledge, Grownups. All the themes of my comic strips expanded theatrically and later, cinematically to give me the time and space I needed to explain the times to myself and to my audience.
"I grew older. I had a family, and late in life, a very young family. I started thinking, as old guys will, about what I wanted these children to read, to learn. I read them E.B. White and Beverly Cleary and Roald Dahl, and, one day, I thought, I ley, I can do this."
"Writing for young readers connects me profess sionally to) a part of myself that I didn't know how to let out until I was sixty: that kid who lived a life of innocence, mixed with confusion and consternation, disappointment and dopey humor. And who drew comic strips and needed friends--and found them--in cartoons and children's books that told him what the grown-ups in his life had left out. That's what reading (lid for me when I was a kid. Now, I try to return the favor."
Book by Feiffer Jules
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Spese di spedizione:
GRATIS
In U.S.A.
Spese di spedizione:
EUR 2,68
In U.S.A.
Da: Goodwill of Colorado, COLORADO SPRINGS, CO, U.S.A.
Condizione: Acceptable. Feiffer, Jules (illustratore). This item is in overall acceptable condition. Covers and dust jackets are intact but may have heavy wear including creases, bends, edge wear, curled corners or minor tears as well as stickers or sticker-residue. Pages are intact but may have minor curls, bends or moderate to considerable highlighting/ writing. Binding is intact; however, spine may have heavy wear. Digital codes may not be included and have not been tested to be redeemable and/or active. A well-read copy overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!. Codice articolo 466XBX000BBY
Quantità: 2 disponibili
Da: SecondSale, Montgomery, IL, U.S.A.
Condizione: Good. Feiffer, Jules (illustratore). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice articolo 00075013610
Quantità: 1 disponibili
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Feiffer, Jules (illustratore). Used book that is in clean, average condition without any missing pages. Codice articolo 5749216-6
Quantità: 2 disponibili
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Feiffer, Jules (illustratore). Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Codice articolo GRP38689820
Quantità: 2 disponibili
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Feiffer, Jules (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.35. Codice articolo G0062059335I3N00
Quantità: 1 disponibili
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Good. No Jacket. Feiffer, Jules (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.35. Codice articolo G0062059335I3N00
Quantità: 1 disponibili
Da: ThriftBooks-Reno, Reno, NV, U.S.A.
Paperback. Condizione: Good. No Jacket. Feiffer, Jules (illustratore). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.35. Codice articolo G0062059335I3N00
Quantità: 1 disponibili
Da: Half Price Books Inc., Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Feiffer, Jules (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Codice articolo S_380375489
Quantità: 1 disponibili
Da: HPB Inc., Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. Feiffer, Jules (illustratore). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!. Codice articolo S_410931726
Quantità: 1 disponibili
Da: Seattle Goodwill, Seattle, WA, U.S.A.
Condizione: Good. Feiffer, Jules (illustratore). May have some shelf-wear due to normal use. Your purchase funds free job training and education in the greater Seattle area. Thank you for supporting Goodwills nonprofit mission!. Codice articolo 0KVOVP00257M_ns
Quantità: 1 disponibili