Analytical Anthology of Music - Brossura

Turek, Ralph

Brossura

ISBN 10: 0070654565 ISBN 13: 9780070654563

Casa editrice: McGraw-Hill Education, 1992

Riassunto

This collection of 155 musical scores from more than 50 composers is intended for music theory (freshman/sophomore) and analysis (junior or senior) courses required of music majors. The music is organized chronologically and grouped into units representing historical periods from the Middle Ages to the Twentieth Century. The book is an excellent value for students, offering a broad range of selections that can be used from the freshman through junior or senior years of study. A unique instructor's reference manual contains teaching suggestions, discography, index of forms and genres, and answers to text questions.

Su questo libro

L'autore:

Ralph Turek holds the Doctor of Musical Arts degree in Composition from the University of Cincinnati College -- Conservatory of Music. He has held teaching posts at George Mason University, the University of Maryland, and The University of Akron, where he is Professor of Music Composition and Coordinator of Graduate Studies. He is the author of The Elements of Music: Concepts and Applications and of Analytical Anthology of Music, both published by McGraw-Hill.

In Theory for Today's Musician, the author brings to bear insights and pedagogy acquired over a long career of teaching music theory, analysis, and composition informed by a background in jazz and arranging; as well as other experience that includes program annotation and fiction writing. The result is a textbook unique in style, tone, and relevance to today’s practicing musician and music educator.

Contenuti:

Preface. Acknowledgements. A Note on the Text Translations.

UNIT ONE: THE MIDDLE AGES AND THE RENAISSANCE:

Introduction

GREGORIAN CHANT

Asperges Me

Alma Redemptoris Mater

Alleluia

Lauda Sion (Sequence)

Missa De Angelis

Kyrie

Gloria

Credo (Excerpt)

Sanctus

Agnus Dei

Anonymous: On Parole de batre (Franconian motet).

GUILLAUME DE MACHAUT (ca. 1300-1377):

Bone pastor Guillaume/Bone pastor, qui pastores/Bone pastor. (Isorhythmic motet).

GUILLAUME DUFAY (1400-1474)

"Se la face ay pale" (Tenor from three voice chanson). Missa Se la Face ay Pale (Kyrie). Franc Cueur gentil.

JOSQUIN DESPREZ (1450-1521)

Missa Mater Patris (excerpt from Agnus Dei). "Ave Maria...virgo serena."

GIOVANI PIERLUIGI DE PALESTRINA (ca. 1525-1594)

Lauda Sion (Motet). Missa Lauda Sion (Kyrie).

ROLAND DE LASSUS (1532-1594)

"Deh, lascia, anima." Beatus homo (Cantiones duarum vocum No. 2). Justi tulerunt (Cantiones duarum vocum No. 7).

CARLO GESUALDO DI VENOSA (1561-1613)

"Occhi del mio cor vita". Anonymous: Der Prinzen-tanza; Proporz (Lute dances).

JOHN DOWLAND (1562-1626). "Faction that ever dwells" (from Second Book of Songs and Ayres).

WILLIAM BYRD (1543-1623)

The Carmans Whistle from My Ladye Nevells Booke).

UNIT TWO: THE BAROQUE ERA

CLAUDIO MONTEVERDI (1567-1643)

"Dice la mia bellissima Licori" (from Madrigals Book VII)

ARCANGELO CORELLI (1653-1713)

Trio Sonata Op. 4, No. 3 (Prelude and Sarabande).

HENRY PURCELL (1659-1695)

"Thy hand, Belinda" and Dido's Lament (from Dido and Aeneas).

FRANCOIS COUPERIN (1668-1733)

Passacaile" (from Pieces de Clavecin, Sixth Order). Anonymous: Three Menuets from Notebook for Anna Magdelena Bach (BMV Anh. 115, 116, 121).

CHORALE HARMONIZATIONS (with text verse)

"Ach wie fluchtig, ach wie nichtig" "Aus tiefer not" (Harmonizations by Wather and Bach). "Christ lag in Todesbanden" (D minor and E minor harmonizations by Bach). "Durch Adams Fall ist ganz verderbt". "Freuet euch, ihr Christen" "In allen meinen Teaten" "Nun preiset alle" "Wer nur den lieben Gott lasst walten" (A minor and B minor harmonizations by Bach).

CHORALE HARMONIZATIONS (without text verse)

"Es ist genug si nimm, Herr". "Ermuntre dich". "Gott liebet noch" "Wachet auf, ruft uns die Stimme (harmonizations by Micolai and Bach). "O Gott, du frommer Gott". Sei gegrusset, Jesu gutig". "Wach' auf, mein Herz" "Her, ich habe missgehandelt" (harmonizations by Cruger and Bach).

CHORAL MELODIES WITH FIGURED BASS

"Ermuntre dich." "Eius ist noth! ach Herr, dies eine". "Gott lebet noch". "Meines Lebens letzte Zeit". "Sei gegrusset, Jesu gutig".

JOHANN SEBASTIAN BACH (1685-1750)

Two-Part Inventions: No. 1 in C major. No. 6 in E major. No. 9 in F minor. No 13 in A minor. Brandenburg Concerto No. 2 (Third Movement). Preludes and fugues from Dan Wohltemperierte Clavier, Book I Prelude and Fugue No. 1 in C major. Fugue No. 11 in F major. Fugue No. 16 in G minor. Fugue No. 21 in B flat major. Prelude and Fugue No. 22 in Bb minor. French Suite No. 6 (Sarabande and Menuet). Goldberg Variations (Aria, Variations 1, 12, 18, and 27). Cantata No. 78 ("Jesu der du meine Seele"). (Chorus No. 1, Tenor recitative No. 3, Tenor aria No. 4, Chorale No. 7).

GEROGE FRIDERIC HANDEL (1685-1759)

Suite No. 4 in D minor (Complete suite from Pieces pour le Clavevin). Concerto Grosso Op. 6 No. 1 (Prelude and Allegro).

UNIT THREE: THE CLASSICAL PERIOD

C.P.E. BACH (1714-1788)

Prussian Sonata No. 1 in F major (I).

FRANZ JOSEF HAYDN (1732-1809)

String Quartet Op. 20, No. 5 (I and IV). Piano Sonata H. XVI: 37 in D major (Complete). String Quartet OP. 76, No. 3 (II). Symphony No. 102 (IV).

WOLFGANG AMADEUS MOZART (1756-1791)

Piano Sonata K. 332 (I and II). Eine kleine Nachtmusik (I and III). Die Entfuhrung aus dem Serial (Act I, No. 5; Act II, No. 8). Concerto for Clarinet and Orchestra K. 622 (I).

LUDWIG VAN BEETHOVEN (1770-1827)

Piano Sonata Op. 7 (III). Piano Sonata Op. 10, No. 1 (III). Piano Sonata Op. 13, (II). Piano Sonata Op. 26, (III). Piano Sonata Op. 53 (I and Adagio). String Quartet Op. 18, No. 1 (I). Seventh Symphony (II).

UNIT FOUR: THE ROMANTIC PERIOD

FRANZ PETER SCHUBERT (1797-1828)

Originaltanze, Op. 9, Nos. 3 and 23. "Die Liebe hat gelogen". Die Schone Mullerin". "Ungeduld" "Pause". Impromptu, Op. 142 No. 2, D. 935.

ROBERT SCHUMANN (1810-1856)

Carnival, Op. 9: "Valse noble". Kinderscenen, Op. 15: "Curious Story". No. 6: "An Important Event". No. 4: "By the Fireside. Dichterliebe, Op. 48: "Wenn ich in deine Augen seh". No. 5: "Ich will mein Seele Tauchen". No. 9: "Das ist ein Floten und Geigen". 43 Klavierstucke fur die Jugend, Op. 68: No. 3: "Soldatenmarsch" (Soldier's March). No. 41: "Nordischeslied" (Nordic Song).

FREDERIC FRANCOIS CHOPIN (1810-1849)

Valse Op. 69, No. 2. Nocturne, Op. 9, No. 2. Mazurkas, Op. 17, No. 2; Op. 17, No. 4. Preludes Op. 28, Nos. 4, 9, 20 and 21.

FRANZ LISZT (1811-1886)

"Il Pensieroso" from Annees de Pelerinage, Bk. II.

RICHARD WAGNER (1813-1883)

Tristan und Isolde: Prelude to the beginning of Act One and the Opening of Act One, Scene One. Liebesnocht (excerpt).

JOHANNES BRAHMS (1833-1897)

Ballade, Op. 118, No. 3. Sonata No. 1 for Clarinet and Piano, Op. 120 (II). Vier Ernste Gesange: No. 3 "O Tod,wie bitter bist Du."

HUG(1860-1903)

"Gebet" (No. 28 from Morike Songs). "Wer sich der Einsamkeit ergiebt" (No. 1 from Goethe Songs).

GABRIEL FAURE (1845-1924)

"Chanson d'Amour" Op. 27, No.1.

GUSTAV MAHLER (1860-1911)

"Nun will die Sonn' so hell aufgeh'n" from Kindertotenlieder.

UNIT FIVE: THE TWENTIETH CENTURY

CLAUDE DEBUSSY (1862-1918)

Sarabande from Pour le Piano. "Nuages" from Nocturnes. "Les sons et les parfumes tournent dans l'air du soir" (Prelude No. 4 from Preludes, Book I).

ERIC SATIE (1866-1925)

Trois Gymnopedies, No. 1

ARNOLD SCHOENBERG (1874-1951)

Sechs kleine Klavierstucke Op. 19, No. 6. "Nacht" (No. 8 from Pierrot Lunaire). "Tot" (No. 2 from Three Songs Op. 48). Variations for Orchestra Op. 31 (Introduction, Theme, and Variation Two).

CHARLES IVES (1874-1954)

"Evening" (No. 2 from 114 Songs). "Mists" (No. 57 from 114 Songs). Piano Sonata No. 2 ("Concord") (III: "The Alcotts").

MAURICE RAVEL (1875-1937)

Sonatine (II: Movement de Menuet).

BELA BARTOK (1881-1945)

Nos. 59, 91, and 128 from Mikrokosmos. "Song of the Harvest" (from Forty-four Violin Duets).

IGOR STRAVINSKY (1882-1971)

Le Sacre du Printemps: Excerpt One: "Introduction and Beginning of Dance of the Adolescents", Excerpt Two: "Spring Rounds". "Devil's Dance" (from L'Histoire du Soldat).

ANTON WEBERN (1883-1945)

Funf Satze fur Streichquartett (III). Concerto for Nine Instruments Op. 24 (I).

ALBAN BERG (1885-1935)

"Warm die Lufte" (from Four songs Op. 2, No. 3).

PAUL HINDEMITH (1895-1963)

Fugue No. 5 and Interlude from Ludus Tonalis.

HENRY COWELL (1897-1965)

The Banshee.

OLIVER MESSIAEN (b. 1908)

"Liturgie du cristal" (First Movement from Quatuor pour la fin du temps).

JOHN CAGE (b. 1912)

Sonatas and Interludes (Nos. 1 and 5).

BENJAMIN BRITTEN (1913-1976)

"Prologue" and "Dirge" from Serenade Op. 31.

MILTON BABBITT (b. 1916)

Semi-Simple Variations.

EARL BROWN (b. 1926)

Available Forms I (excerpt).

GEORGE CRUMB (b. 1929)

"Los muertos llevan alas de musgo" (from Madrigals, Book I).

KRZYSZT OF PENDERECKI (b. 1933

Threnody for the Victims of Hiroshima (excerpt).

TERRY RILEY (b. 1935): In C. DIANE THOME (b. 1942)

The Yew Tree.

Glossary.

INDEX 1: Musical Devices and Techniques.

INDEX 2: Harmonic Index.

INDEX 3: Ready Reference: Selected Harmonic Topics in Music Theory.

Su questa edizione

• Editore: McGraw-Hill Education
• Data di pubblicazione: 1992
• ISBN 10: 0070654565
• ISBN 13: 9780070654563
• Rilegatura: Rilegatura a spirale
• Numero edizione: 2
• Numero di pagine: 672