The CD-ROM offers excerpts of interviews with many of the performers who made jazz history, as well as other valuable information designed to create active, informed and discerning listeners.
The textbook helps to place important musical trends in a larger cultural and historical context, helping the reader to relate jazz history to other familiar events. It does not overwhelm with long lists of musicians, but focuses on the primary innovators who moved the music in new directions.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
PREFACE
PART I Understanding Jazz
Chapter 1 The Nature of Jazz
That Four Letter Word
Defining Jazz
Jazz Styles Timeline
Chapter Summary
Chapter 2 The Elements of Jazz
Rhythm
Meter and Tempo
Rhythmic Devices Important to Jazz
Swing as an Aspect of Jazz Rhythm
Melody
Blues
Harmony
Texture
Form
Improvisation
Something Borrowed - The European Tradition
Something New, Something Blue - The Jazz Tradition
Chapter Summary
Study Questions
Chapter 3 Listening to Jazz
Performance Practice
Instruments of Jazz
The Drum Set and Swing
A Jazz Veteran Discusses the Rhythm Section
Orchestration and Instrumentation
The Arrangement
Instrumental Techniques
Special Effects – The Sounds of Jazz
Understanding Improvisation
Understanding the Performance
Describing the Performance
The Jam Session
What Happens in a Jam Session?
Video Blues
Chapter Summary
Study Questions
Chapter 4 The Roots of Jazz
Out of Africa: The Significance of African Music to Jazz
Musical Aesthetic
Rhythm in African Music
Melody in African Music
African Music as a Means of Communication
Improvisation in African Music
Form in African Music
Early American Vocal Music
Getting the Blues
W.C. Handy -“Father of the Blues” (1873-1958)
Ragtime
Brass Bands
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
PART II Classic Jazz
Chapter 5 Jazz Takes Root
New Orleans-The Birthplace of Jazz
Dixieland Jazz Band Instrumentation
Early Artists and Their Recordings
Original Dixieland Jazz Band
Kid Ory (1890-1973)
Joe “King” Oliver (1885-1938)
Jelly Roll Morton (1890-1941)
Louis Armstrong (1901-1971)
Sidney Bechet (1897-1959)
The Pianists
James P. Johnson (1891-1955)
The Reception of Early Jazz
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
Chapter 6 The Jazz Age: From Chicago to New York
South Side of Chicago
And On the Other Side of Town
The Chicago Sound
New Orleans Rhythm Kings (N.O.R.K.)
A Few Among Many
Bix Beiderbecke (1903-1931) and Frankie Trumbauer (1901-1956)
Paul Whiteman ( 1890-1967) and Symphonic Jazz
Boogie-Woogie, Eight to the Bar
Chicago Jazz in Retrospect
The Decline of the Chicago Era
New York and the Harlem Renaissance
Marketing Jazz
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
Chapter 7 The Swing Era: Jazz at Its Peak
The Depths of the Depression
The Country Recovers
The Anatomy of Swing Era Jazz Band
Instrumentation
Repertoire and Arrangement
Swing in the East
Fletcher Henderson (1897-1952)
Coleman Hawkins-“The Father of Jazz Tenor Saxophone” (1904-1969)
Elegant Ellington (1899-1974): Music Was His Mistress
Benny Goodman-The “King of Swing” (1909-1986)
Popular White Swing Bands
Artie Shaw
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
Chapter 8 Mid-West Swing and A Few More Among Many
Mid-West and Southwest Swing
Territory Bands
Mary Lou Williams (1910-1981)
Kansas City
William “Count” Basie (1904-1984)
Lester Young (1909-1959)
The Success of Big Bands
A Few More Among Many: The Swing Era Singers and Pianists
Billie Holiday (1915-1959)
Ella Fitzgerald (1918-1996): The First Lady of Song
Art Tatum (1909-1956)
Traditional Jazz Revival
Conclusion
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
PART III Modern Jazz
Chapter 9 The Bebop Revolution
The End of An Era
Summary
The Life-Style and Musical Characteristics
The Birth of Bebop: The First Recordings
Characteristics of the Style
Bebop Performance Practice and Instrumental Roles Redefined
A Few Among Many
The Horn Players
Dizzy Gillespie (1917-1993)
Charlie Parker (1920-1955)
J.J. Johnson (1924-2001)
Dexter Gordon (1923-1990)
Sonny Rollins (b1930)
Fats Navarro (1923-1950)
The Rhythm Section Players
Bud Powell (1924-1966)
Thelonious Sphere Monk (1917-82)
Tadd Dameron (1917-1965)
Oscar Pettiford (1922-1960)
Kenny Clarke (1914-1985)
Max Roach (b 1924)
Sarah Vaughan: The “Devine One” ((1924 – 1990)
The Decline of Bebop
Jazz in Perspective
Appendix
Chapter Summary
Appendix
Study Questions
Suggested Supplementary Listening
Chapter 10 Be Cool: Fifties and Early Sixties Cool, Intellectual and Abstract Jazz
Characteristics of Cool Jazz
West and East Coast Musicians Who Developed the Cool Sound
Miles Davis and Gil Evans: The Birth of the Cool
Gerry Mulligan (1927-1996) and Chet Baker (1929-1988)
Dave Brubeck (b1920)
Bill Evans (1929-1980)
Stan Getz (1927-1991)
A Few More Among Many
Modern Jazz Quartet
Lennie Tristano (1919-1978)
Third Stream Jazz
Who Was Popular?
Staying Cool with Jazz in the 1950s
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
PART IV Post-Modern Jazz
Chapter 11 Tradition Meets the Avant-Garde: Moderns and Early Post-Moderns Coexist
The Characteristics of Hard Bop
Art Blakey Carries the Message (1919-1990)
The Messengers
More About Funky, Soul-Jazz and the ‘50s and ‘60s
Organ Trios and the Guitar
Wes Montgomery (1923-1968)
Jimmy Smith (b1925)
Clifford Brown (1930-1956) and Max Roach (b1924)
Defining Post-Modernism
Post-Modern Jazz Comes of Age With Ornette Coleman (b1930) and His Disciples
Charles Mingus (1922-1979) -The Underdog
The End of Modern Jazz Heralded by the Beginning of the Post-Moderns
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
Chapter 12 Miles and Miles of Miles: Miles Davis and His Sidemen
The 1960s: An Age of Peace, Love and War
The Music
The Early Miles
The First Great Quintet
Modal Jazz
Miles and Gil
The Second Great Quintet
The Electronic Jazz-Rock Fusion Period
Miles Davis Summary
The Davis Sidemen Become Major Forces
John Coltrane (1926-1967)
John Coltrane Summary
Wayne Shorter (b1933)
Herbie Hancock (b 1940)
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
Chapter 13 The Electric 1970s and 1980s
Jazz and Rock: The two-way connection
Miles Beyond: Living in the Shadow of Miles Davis
Weather Report
Herbie Hancock and the Head Hunters
John McLaughlin (b1942) and the Mahavishnu Orchestra
Chick Corea (b1941) and Return to Forever
Soul and Pop Instrumental Jazz
David Sanborn (b1945)
The Brecker Brothers
Grover Washington, Jr. (1943-1999)
Chuck Mangione (b1940)
Steps Ahead
Jazz in Perspective
Chapter Summary
Study Questions
Suggested Supplementary Listening
Chapter 14 The Unplugged, Eclectic 1970s and 1980s
Long Live Acoustic Jazz
The ECM Sound
Keith Jarrett (b1945)
Return of Ex-Patriots Unleash a Return of Acoustic Jazz
Wynton Marsalis (b1961) and the Young Lions
The Freedom Fighters Take Risks
Anthony Braxton (b1945)
Cecil Taylor (b1929)
Ornette Coleman
Old Bottles, New Wines-Big Bands are Forever
Buddy Rich (1917-1987)
Woody Herman (1913-1987)
Maynard Ferguson (b1928)
Stan Kenton (1911-1979)
Thad Jones (1923-1986) and Mel Lewis (1929-1990)
Toshiko Akiyoshi (b1929)
Signs of the Times
New Technologies, Changing Business Models, Lost Artists and High Art: The Changing Jazz Landscape as the Millennium Comes to a Close
Jazz in Perspective
Chapter Summary
Study...
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