Ear Training, Revised: A Technique for Listening

Benward Sightsinging Complete, Bruce; Kolosick Ear Training, J. Timothy

ISBN 10: 0073401366 ISBN 13: 9780073401362

Casa editrice: McGraw Hill, 2009

Riassunto

Combining a proven technique with an effective and easy-to-use supplements package, Ear Training: A Technique for Listening is the ideal text for college aural skills courses. Its logical progression in the coverage of skills enables students to build gradually to full proficiency, while ensuring that material they learn early in the course remains fresh. Its flexibility makes it equally effective in a lab-based course, in a instructor-guided setting, or in a course that combines the two. For the eighth edition, the online site developed in conjunction with Ear Training: A Technique for Listening has been totally revised to provide a reliable and user-friendly environment for drill, practice, and testing of the skills developed in the text. Activities such as melodic dictation, interval detection, chord quality identification, and rhythmic error detection mirror similar exercises in the text and serve to reinforce a broad range of aural skills.

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L'autore:

Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.

Contenuti:

Preface
Unit 1
Melody 1A Melodic Dictation: Scalewise (Conjunct Diatonic) Melodies
Melody 1B Mode Identification: Major and Harmonic Minor Scales
Melody 1C Scale Degree Identification: Single Notes
Melody 1D Intervals: m2, M2, m3, M3
Melody 1E Models and Embellishments: Short Melodic Structures
Harmony 1A Chord Function Identification: I and V Triads
Harmony 1B Chords in Music Literature: I and V Triads
Harmony 1C Harmonic Rhythm
Harmony 1D Triad Position Identification: Major and Minor Triads
Harmony 1E Chord Quality Identification: Major and Minor Triads
Harmony 1F Triad Factors in the Soprano
Rhythm 1A Rhythmic Dictation: Rhythm Including Half- Beat Values
Unit 2
Melody 2A Melodic Dictation: Melodies Using m2, M2, m3, M3
Melody 2B Mode Identification: Major and Three Forms of the Minor Scale
Melody 2C Scale Degree Identification: Two Notes
Melody 2D New Intervals: P5 and P4 vMelody 2E Models and Embellishments: Descending Thirds in Two Voices
Harmony 2A Chord Function Identification: I, IV, and V Triads
Harmony 2B Chords in Music Literature: I, IV, and V Triads
Harmony 2C Nonharmonic Tones: Introduction
Harmony 2D Triad Position Identification: Major and Minor Triads
Harmony 2E Chord Quality Identification: Major, Minor and Diminished Triads
Harmony 2F Triad Factors in the Soprano and Bass
Rhythm 2A Rhythmic Dictation: Duple and Triple
Subdivisions of the Beat
Unit 3
Melody 3A Melodic Dictation: Melodies Using m2, M2, m3, M3, P4, P5
Melody 3B Error Detection: Scalewise Melodies with Errors
Melody 3C Scale Degree Identification: Three Notes
Melody 3D Interval Review: m2, M2, m3, M3, P4, P5
Melody 3E Models and Embellishments: Simple Melodic Structures
Harmony 3A Chord Function Identification: I, ii, and V Triads
Harmony 3B Chords in Music Literature: I, ii, and V Triads
Harmony 3C Cadence Identification: Cadence Types
Harmony 3D Harmonic Dictation: I(i), IV(iv), and V Triads in Four-Part Phrases
Harmony 3E Chord Quality Identification: Writing Major,
Minor, Diminished, and Augmented Triads
Rhythm 3A Rhythmic Dictation: Rhythmic Figures Including Half-Beat Values
Rhythm 3B Error Detection: Dotted Rhythm Values Unit 4
Melody 4A Melodic Dictation: Scalewise Melodies and Arpeggiations of I and V
Melody 4B Error Detection: Errors in Melodies Outlining the I, IV, and V Triads
Melody 4C Scale Degree Identification: Three Notes Melody 4D New Intervals: m6, M6
Melody 4E Models and Embellishments: 5-6 Patterns in Two Voices
Harmony 4A Chord Function Identification: I, ii, IV, and V Triads
Harmony 4B Chords in Music Literature: I, ii, IV, and V Triads
Harmony 4C Nonharmonic Tones: Two-Voice Examples Harmony 4D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases
Harmony 4E Chord Quality Identification: Major, Minor, Diminished, and Augmented Triads
Rhythm 4A Rhythmic Dictation: Half-Beat Values in Syncopation
Rhythm 4B Error Detection: Half-Beat Values in Syncopation Unit 5
Melody 5A Melodic Dictation: Melodies Outlining the I, IV, V (and vii06) Triads
Melody 5B Error Detection: Excerpts from Music Literature
Melody 5C Melodic Figure Identification: Sequence and Rhythmic Repetition
Melody 5D New Interval: The Tritone
Melody 5E Models and Embellishments: Descending 6ths in Two Voices
Harmony 5A Chord Function Identification: I(i), ii (ii0), IV(iv), and V Triads and Inversions
Harmony 5B Chords in Music Literature: I(i), ii(ii0), IV(iv) and V Triads
Harmony 5C Harmonic Rhythm and Nonharmonic Tones Harmony 5D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases
Harmony 5E Error Detection: Single Triads in Four Parts
Rhythm 5A Rhythmic Dictation: Introduction to Quarter- Beat Values
Rhythm 5B Error Detection: Quarter-Beat Values
Unit 6
Melody 6A Melodic Dictation: Intervals of a 7th
Melody 6B Error Detection: Schubert Melodies
Melody 6C Melodic Figure Identification: Sequence, False Sequence, and Rhythmic Repetition
Melody 6D New Intervals: m7 and M7
Melody 6E Models and Embellishments: 7-3 Pattern in Two Voices
Harmony 6A Chord Function Identification: I, ii, IV, V, and vi Triads
Harmony 6B Chords in Music Literature: Emphasis on ii, IV, and vi
Harmony 6C Nonharmonic Tones: Four-Voice Examples
Harmony 6D Harmonic Dictation: The I(i), ii(ii0), IV (iv) and V Triads in Chorale Phrases
Harmony 6E Error Detection: Triads in Fourt Parts
Rhythm 6A Rhythmic Dictation: Quarter-Beat Values
Rhythm 6B Error Detection: Triplet Figures
Unit 7
Melody 7A Melodic Dictation: Two-Phrase Melodies
Melody 7B Error Detection: Handel Melodies
Melody 7C Melodic Figure Identification: Melodic Devices
Rhythm 7D Intervals: All Diatonic Intervals
Melody 7E Models and Embellishments: Cadence Formulas in Two Voices
Harmony 7A Chord Function Identification: I(i), ii (ii0), iii(III,III+) IV(iv), V, and vi(VI) Triads
Harmony 7B Chords in Music Literature: Emphasis on iii and vi
Harmony 7C Harmonic Rhythm and Harmonic Analysis: I, ii, IV, V, and vi Triads
Harmony 7D Harmonic Dictation: I(i), ii(ii0), IV(iv), V, and vi(VI) Triads in Chorale Phrases
Harmony 7E Error Detection: Triads in Four Parts
Rhythm 7A Rhythmic Dictation: Quarter-Beat Values
Rhythm 7B Rhythmic Dictation: Beat Units Divided into Triplets
Unit 8
Melody 8A Melodic Dictation: Melodies with Larger Leaps
Melody 8B Error Detection: Franck Melodies
Melody 8C Harmonic Rhythm, Harmonic Analysis, Sequences, Phrase Relationships, and Cadences
Melody 8D Intervals: All Diatonic Intervals
Melody 8E Models and Embellishments: 5-6 Patterns in Three Voices
Harmony 8A Chord Function Identification: Diatonic Triads (Major Mode)
Harmony 8B Chords in Music Literature: All Triads
Harmony 8C Nonharmonic Tones: Bach Chorales (1)
Harmony 8D Harmonic Dictation: I(i), ii, IV(iv), V, vi (VI), and Vii0 Triads in Chorale Phrases
Harmony 8E Error Detection: Triads in Four Parts
Rhythm 8A Rhythmic Dictation: Quarter-Beat Values
Rhythm 8B Error Detection: Quarter-Beat Values
Unit 9
Melody 9A Melodic Dictation: Short Melodies from Music Literature
Melody 9B Error Detection: Bach Melodies
Melody 9C Melodic Dictation: Two-Part Dictation
Melody 9D Intervals: Harmonic Intervals of the m3, Tritone, P5, m6, M6, m7
Melody 9E Models and Embellishments: Descending First Inversion Triads
Harmony 9A Chord Function Identification: Six-Four Chords
Harmony 9B Chords in Music Literature: Six-Four Chords
Harmony 9C Harmonic Rhythm and Harmonic Analysis of Folk Melodies
Harmony 9D Harmonic Dictation: All Diatonic Trads in Chorale Phrases

Harmony 9E Error Detection: Triads in Four Parts Rhythm 9A Rhythmic Dictation: Compound Meters with Quarter-Beat Values
Unit 10
Melody 10A Melodic Dictation: Sequences
Melody 10B Error Detection: Themes from Music Literature Lacking Accidentals
Melody 10C Two-Voice Dictation
Melody 10D Intervals: All Intervals Played Harmonically
Melody 10E Models and Embellishments: 7th Chord Patterns in Three Voices
Harmony 10A Chord Function Identification: Dominant 7th Chords
Harmony 10B Chords in Music Literature: Dominant 7th Chords (All Inversions)
Harmony 10C Nonharmonic Tones: Bach Chorales (2)
Harmony 10D Harmonic Dictation: The Dominant 7th Chord in Chorale Phrases
Harmony 10E Error Detection: Triads or Dominant 7th Chords
Rhythm 10A Rhythmic Dictation: Triple and Triplet Subdivisions
Rhythm 10B Rhythmic Dictation: Two-Voice Rhythms Unit 11
Melody 11A Melodic Dictation: Short Melodies That Modulate to Closely Related Keys
Melody 11B Error Detection: Excerpts from Music Literature
Melody 11C Phrase Relationships and Cadences
Melody 11D Intervals: All Intervals Played Harmonically
Melody 11E Models and Embellishments: Chord Progression with Melodic Embellishments
Harmony 11A Chord Function Identification: vii07 (Deminished 7th Chord)
Harmony 11B Chords in Music Literature: vii07 (Diminished 7th Chord)
Harmony 11C Aural Analysis: Aspects of Two-Phrases That Modulate
Harmony 11D Harmonic Dictation: Chorale Phrases That Modulate
Harmony 11E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th Chords
Rhythm 11A Rhythmic Dictation: The Quartolet
Rhythm 11B Error Detection: More Difficult Rhythmic Errors
Unit 12
Melody 12A Melodic Dictation: Modulations to Closely Related Keys
Melody 12B Error Detection: Two-Voice Compositions
Melody 12C Binary, Rounded Binary, and Three-Part Form
Melody 12D Interval Dictation: Two Intervals in Succession
Melody 12E Models and Embellishments: I-V-I Progression with Melodic Embellishments
Harmony 12A Chord Function Identification: Nondominant 7th Chords
Harmony 12B Chords in Music Literature: Nondominant 7th Chords
Harmony 12C Aural Analysis: Harmonic and Melodic
Relationships in Musical Periods from Haydn Sonatas Harmony 12D Harmonic Dictation: Modulations to Closely
Related Keys
Harmony 12E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th Chords
Rhythm 12A Rhythmic Dictation: Eighth-Beat Values
Rhythm 12B Error Detection: Eighth-Beat Values
Unit 13
Melody 13A Melodic Dictation: Modulation in Two-Phrase Periods
Melody 13B Error Detection: Brahms Melodies
Melody 13C Binary, Rounded, Binary, and Three-Part Form
Melody 13D Interval Dictation: Two and Three Intervals in Succession
Melody 13E Models and Embellishments: I-V-I Progression with Diatonic Melodic Embellishments
Harmony 13A Chord Function Identification: Secondary Dominants of V and ii
Harmony 13B Chords in Music Literature: Secondary Dominants of ii, IV, and V
Harmony 13C Aural Analysis: Key, Phrase, and Cadence Relationships in Musical Excerpts
Harmony 13D Harmonic Dictation: Chorale Phrases Containing 7th Chords
Harmony 13E Error Detection: Triads and 7th Chords
Rhythm 13A Rhythmic Dictation: Introduction to the Supertriplet
Rhythm 13B Error Detection: Eighth-Beat Values Unit 14
Melody 14A Melodic Dictation: Modulation in Two-Phrase Melodies
Melody 14B Error Detection: Excerpts from Music Literature
Melody 14C Mode Identification: Dorian, Phrygian, Lydian, and Mixolydian Modes
Melody 14D Interval Dictation: Three Intervals in Succession
Melody 14E Models and Embellishments: I-V-I Progression with Chromatic Melodic Embellishments
Harmony 14A Chord Function Identification: Secondary Dominants of IV(iv) and vi(VI)
Harmony 14B Chords in Music Literature: Secondary Dominants and Leading Tone Chords of iii and IV
Harmony 14C Aural Analysis: Four-Phrase Excerpt from a Beethoven Piano Sonata
Harmony 14D Harmonic Dictation: Chorale Phrases Containing Secondary Dominants
Harmony 14E Error Detection: Triads and 7th Chords
Rhythm 14A Rhythmic Dictation: Subtriplet in Simple and Compound Meter
Rhythm 14B Error Detection: Subtriplet in Simple and Compound Meter
Unit 15
Melody 15A Melodic Dictation: Nondiatonic Tones
Melody 15B Error Detection: Five Note Melodic Figures
Melody 15C Mode Identification: Dorian, Phrygian, Lydian, Mixolydian and Aeolian Modes
Melody 15D Interval Dictation: Adding Proper Accidentals to Modal Melodies
Melody 15E Models and Embellishments: Harmonic Structure with Melodic and Harmonic Embellishments
Harmony 15A Chord Function Identification: All Secondary Dominants
Harmony 15B Chords in Music Literature: All Secondary Dominants and Leading Tone Chords
Harmony 15C Aural Analysis: Phrase, Key, Cadence, and Harmonic Relationships in a Five-Phrase Excerpt from a Beethoven Piano Sonata
Harmony 15D Harmonic Dictation: Modulation in Chorale Phrases
Harmony 15E Error Detection: Triads and 7th Chords
Harmony 15F Identifying Modulations to Closely Related and Foreign Keys
Rhythm 15A Rhythmic Dictation: More Difficult Rhythms
Rhythm 15B Error Detection: More Difficult Rhythmic Errors Unit 16
Melody 16A Melodic Dictation: Nondiatonic Tones
Melody 16B Error Detection: Short Melodic Segments Based on Intervals
Melody 16C Melodic Dictation: Typical Blues Figures
Melody 16D Interval Dictation: Two-Voice Modal Compositions Melody 16E Models and Embellishments: Harmonic Structure with Melodic and Harmonic Embellishments
Harmony 16A Chord Function Identification: German and
French Augmented 6th Chords and the Neapolitan 6th Chords

Su questa edizione

• Editore: McGraw Hill
• Data di pubblicazione: 2009
• ISBN 10: 0073401366
• ISBN 13: 9780073401362
• Rilegatura: Pettine di plastica
• Numero di pagine: 288