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EUR 3,54
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Spese di spedizione:
EUR 4,92
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Da: Once Upon A Time Books, Siloam Springs, AR, U.S.A.
paperback. Condizione: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. Codice articolo mon0001104136
Quantità: 1 disponibili
Da: SecondSale, Montgomery, IL, U.S.A.
Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Codice articolo 00049460521
Quantità: 1 disponibili
Da: David's Books, Ypsilanti, MI, U.S.A.
Paperback. Condizione: Very Good. Codice articolo 1000127894
Quantità: 1 disponibili
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. 1st Edition. Used book that is in excellent condition. May show signs of wear or have minor defects. Codice articolo 12440474-6
Quantità: 1 disponibili
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.05. Codice articolo G0137617011I4N00
Quantità: 1 disponibili
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condizione: Very Good. 1st. ***FALL CLEARANCE SALE*** viii, 367 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Light edgewear to wraps. Another copy available. An interesting anthology. Sections on "Art and Religion," "Art Patronage," "Art and Politics," "Women and Art," "Issues Concerning Race and Ethnicity," "Public Art," and "Controversies Over Government Funding and Censorship." CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of feminity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or : Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object : thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of femininity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or: Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object: thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. Size: 8vo. Codice articolo 008428
Quantità: 1 disponibili
Da: A Good Read, LLC, San Antonio, TX, U.S.A.
Soft cover. Condizione: Very Good. Minimal shelf and edge wear. Appears unread. Codice articolo 039537
Quantità: 1 disponibili
Da: Earthlight Books, Walla Walla, WA, U.S.A.
Paperback. Condizione: Good. Good, paperback binding, light to moderate wear to corners and edges, light to moderate markings/underlining/highlighting to text, previous owner's signature, remainder mark, sticker/residue, and/or other minor aesthetic flaws. Satisfaction guaranteed. Earthlight Books is a family owned and operated, independent bookstore serving Walla Walla, Washington since 1973. Codice articolo SKU12140212
Quantità: 1 disponibili
Da: LEFT COAST BOOKS, Santa Barbara, CA, U.S.A.
Paperback. Condizione: Fine. 1st. viii, 367 pages, illustrations; 23 cm. Tight, clean copy. An interesting anthology. Sections on "Art and Religion," "Art Patronage," "Art and Politics," "Women and Art," "Issues Concerning Race and Ethnicity," "Public Art," and "Controversies Over Government Funding and Censorship." CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of feminity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or : Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object : thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. CONTENTS: Images of gods, by Albert Elsen; The sacred mountain in Mesopotamia, Egypt, and the Aegean, by Vincent Scully; The interpretation of the second commandment, by Avram Kampf; Northern romanticism and the resurrection of God and transcendental abstraction, by Robert Rosenblum; The mechanics of seventeenth-century patronage, by Francis Haskell; A matter of taste: the monumental and exotic in the Qianlong reign, by Harold Kahn; Katherine Dreier: art patron with a social vision, by Carole Gold Calo; The structure of the SoHo art market, by Charles H. Simpson; Art and freedom in quattrocento Italy, by Frederick Hartt; The disasters of war, by Fred S. Licht; The birth of socialist realism from the spirit of the avant-garde, by Boris Groys; Can political passion inspire great art?, by Michael Brenson; The mother and child in African sculpture, by Herbert Cole; The end of the century: conflicting fantasies of femininity, by Susan P. Casteras; Why have there been no great women artists?, by Linda Nochlin; How wide is the gender gap?, by Eleanor Heartney; Race and representation, by Guy McElroy; Inventing "the Indian", by Julie Schimmel; And/or: Hispanic art, American culture, by John Beardsley; Naming, by Lucy Lippard; The public realm, by Spiro Kostoff; The malignant object: thoughts on public sculpture, by Douglas Stalker and Clark Glymour; The commissioning of a work of public sculpture, by Judith Balfe and Margaret Wyszomirski; Vietnam Veterans Memorial, by Nicholas Capasso; The senses and censorship, by David Freedberg; The obscenity trial: how they voted to acquit, by Robin Cembalist; Is art above the laws of decency?, by Hilton Kramer; The NEA: a misunderstood patron, by Elaine King. Size: 8vo. Codice articolo 057171
Quantità: 1 disponibili
Da: Basement Seller 101, Cincinnati, OH, U.S.A.
Paperback. Condizione: As New. Codice articolo 210316018
Quantità: 1 disponibili