Gustave Flaubert's Madame Bovary is one of the most influential - and scandalous - novels of the nineteenth century. This Penguin Classics edition is translated with an introduction by Geoffrey Wall, with a preface by Michele Roberts.
Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent reader of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment and the consequences are devastating. Flaubert's erotically charged and psychologically acute portrayal of Emma Bovary caused a moral outcry on its publication in 1857. It was deemed so lifelike that many women claimed they were the model for his heroine; but Flaubert insisted: 'Madame Bovary, c'est moi.'
Gustave Flaubert (1821-1880) was born in Rouen. After illness interrupted a career in law, he retired to live with his widowed mother and devote himself to writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction. Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert achieved limited success in his own lifetime - but his fame and reputation grew steadily after his death.
If you enjoyed Madame Bovary you might also like Stendhal's The Red and the Black, also available in Penguin Classics.
'Its beauty is enchanting and terrible'
A.S. Byatt, author of Possession
'An extraordinarily innovative work: its style was at once ironic and lyrical, detached and passionate, ambiguous and precise'
Kate Summerscale
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"Madame Bovary is like the railroad stations erected in its epoch: graceful, even floral, but cast of iron." -- John Updike
Gustave Flaubert was born in Rouen in 1821, the son of a prominent physician. A solitary child, he was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa, and a stormy liaison with the poetess Louise Colet, his life was dedicated to the practice of his art. The form of his work was marked by intense aesthetic scrupulousness and passionate pursuit of le mot juste; its content alternately reflected scorn for French bourgeois society and a romantic taste for exotic historical subject matter. The success of Madame Bovary (1857) was ensured by government prosecution for “immorality”; Salammbô (1862) and The Sentimental Education (1869) received a cool public reception; not until the publication of Three Tales (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His circle of friends included Turgenev and the Goncourt brothers, while the young Guy de Maupassant underwent an arduous literary apprenticeship under his direction. Increasing personal isolation and financial insecurity troubled his last years. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death in 1880.
Geoffrey Wall is author of the critically acclaimed Flaubert: A Life and translated Madame Bovary for Penguin Classics.
Michèle Roberts is the author of ten highly praised novels.
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