The magnificent bronze doors of Hildesheim Cathedral, the ivory, gold, enameled, and bejeweled book covers made to contain superbly illuminated manuscripts, the startling reliquary caskets made in the shape of the part of the body supposed to be contained within them—these and other sacred objects were contained within church treasuries and cloisters in the early Middle Ages in Europe. This beautiful book traces the development of these so-called Minor Arts and the major role they played alongside the other pictorial arts and architectural sculpture of the period.
Although it is impossible to establish a strict chronology of this period, since styles evolved concurrently and with varying speed across diverse regions of Europe, Peter Lasko has established an object-based chronology that enables him to trace the developments of these styles. In addition, he describes the personalities, stylistic traits, and influence of some of the great craftsmen whose names are briefly recorded in cathedral treasury records. He surveys the sacred arts from Scandinavia to Spain and from Italy to England, examining the impact of English art on the court of Charlemagne and investigating external influences on English art both before and after the Norman Conquest. Lasko records the wide range of opinions on style and method and also explicates his own; his comprehensive survey of craftsmanship alters previous assumptions about chronologies, creates new groupings of materials, and reassesses stylistic sources.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
This book deals with the art of church treasuries and cloisters in the early middle ages in Europe - the work of goldsmiths, ivory carvers, bronze casters, enamellers and wood carvers. These so-called 'Minor Arts' played a major creative role alongside the other pictorial arts and architectural sculpture. The book traces the unbroken development of the Sacred Arts and their interrelationships throughout Europe from the Renovatio of the arts - the 'Rebirth of Antiquity' - encouraged under the Emperor Charlemagne in the late eighth century, until a renewed and fresh appreciation of the natural world - the Gothic - began to replace the powerful stylisations and the last vestiges of the classical tradition of the Romanesque in the early thirteenth century.About the Author:
Peter Lasko is professor emeritus, Courtauld Institute of Art, University of London.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Descrizione libro Penguin Books, [Harmondsworth, Eng.Baltimore], 1973. hardcover. Condizione libro: Good. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Codice libro della libreria GRP32988850
Descrizione libro Penguin Books, 1972. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. Red boards, spine title gold on black, corners sharp, binding strong, pages clean and unmarked exc for library markings. Ex-lib, from small university library. Dj is laminated and attached to boards. Codice libro della libreria 002197
Descrizione libro Penguin Books, 1972. Hardcover. Condizione libro: Very Good-. Exlibrary, usual markings. Sunned cover. ; 338 pages. Codice libro della libreria 281516
Descrizione libro Nov 30, 1972. Condizione libro: Used: Acceptable. slip case scuffed and dust jacket scruffy but book itself is clean with pages unmarked and only slight signs of ageing. Codice libro della libreria JS-1AQK-Z90M
Descrizione libro Penguin., 1972. Condizione libro: Very Good. First. Hard Cover. Book- VG, leather title label on spine, gilt decoration on front board, red boards. 10.5x7. 338pp. Colour frontis, 8 b/w illus & 4 maps by Donald Bell-Scott, 296 b/w plates. Ex-libris - Westfield College. This magnificently illustrated volume deals with the art of the goldsmith, the metalworker, and the ivory carver in the Carolingian, Ottonian, and Romanesque periods - that is Europe from c. 800 to c. 1200. Codice libro della libreria 1638816
Descrizione libro Penguin, London, 1972. 1st edition. Ex public reference library - stamps, remains of labels, etc.; binding tight; dust jacket not price-clipped. This is a heavy book; additional postage may be required for shipment outside UK & USA. Pelican History of Art series. Used - Acceptable. Ex lib hardback in VG dust jacket. Codice libro della libreria BOOKS163615I
Descrizione libro Penguin, UK, 1972. Hardcover. Condizione libro: Good. Condizione sovraccoperta: Good. 'Pelican history of art series' tidy ex reference library d/j had been plastic protected heavy book extra postage required. Codice libro della libreria 34171
Descrizione libro Penguin Books Ltd, 1972. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: Fine. Stated First Edition. NOT an ex library book. Clean interior pages. Dust jacket has no chips or tears. Slipcase has some white peeling spots on black background edges. Codice libro della libreria 121230
Descrizione libro Penguin, London, 1972. 1st edition. Binding tight; dust jacket slightly worn at edges; slipcase a little worn. Used - Very Good. VG hardback in VG dust jacket in slipcase. Codice libro della libreria BOOKS141645I
Descrizione libro Penguin Books; Pelican History of Art Ser., Harmondsworth, 1972. Hardcover. Condizione libro: Very Good. Condizione sovraccoperta: Very Good. 1st. Cloth, gilt, xxix, 338 pp., illus., biblio., index; 27 cm. Firm binding, clean inside copy. Expected browning. Dust jacket, with moderate edgewear/worn at extremities, protected in a mylar book cover. OVERSIZE! No priority/international, except by special arrangement. Romanesque art. Size: 4to - over 9¾" - 12" tall. Collectible. Codice libro della libreria 059214