On a cold winter's morning, Lorimer Black, an insurance adjustor -- young, good-looking, on the rise -- goes to keep a perfectly ordinary appointment only to find a hanged man.
His life is about to be turned upside down and in directions he never imagined. The elements at play: A beautiful actress with whom he finds himself falling in love after a quick glimpse of her in a passing taxi ... an odd, new, business associate whose hiring, firing and rehiring make little sense ... a rock musician whose loss -- in this case of his mind -- may be "adjusted" by the insurance company. What ties it all together: a web of fraud in which virtually everyone he knows is somewhat involved, a web in which he finds himself being increasingly entangled.
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Lorimer Black may suffer from a serious sleep disorder and an obsession with the labyrinths of the British class system, but Armadillo's peculiar protagonist is the star insurance adjuster of London's Fortress Sure PLC, unaffectionately known as the Fort. At the very start of William Boyd's noir-ish seventh novel, however, things take a decided swerve for the worse. On a bleak January morning one of his cases has apparently chosen to kill himself rather than talk: "Mr. Dupree was simultaneously the first dead person he had encountered in his life, his first suicide and his first hanged man and Lorimer found this congruence of firsts deceptively troubling."
Soon our hero, who himself has a lot to hide, finds himself threatened by a dodgy type whose loss he has adjusted way down and embroiled with the beautiful married actress Flavia Malinverno. "People who've lost something, they call on you to adjust it, make the loss less hard to bear? As if their lives are broken in some way and they call on you to fix it," Flavia dippily wonders. Lorimer also has his car torched and instantly goes from an object of affection to one of deep suspicion at the Fort. Then there is another case, the small matter of the rock star who may or may not be faking the Devil he says is sitting on his left shoulder.
Needless to say, Lorimer is "becoming fed up with this role of fall guy for other people's woes." Boyd adds a deep layer of psychological heft and a lighter level of humor to this thinking-person's thriller by exploring Lorimer's manifold personal and social fears. This is a man who desperately collects ancient helmets even though he knows they offer only "the illusion of protection." Another of Armadillo's many pleasures: its dose of delicious argot. Should Lorimer "oil" the apparent perpetrator of the Fedora Palace arson before he's oiled himself? Or perhaps he just needs to "put the frighteners" on him. Boyd definitely puts the frighteners on his readers more than once in this cinematically seedy and dazzling literary display. --Kerry FriedFrom the Publisher:
"Everything good fiction should be...It begins with a jolt...and then goes on to become even
--David Nicholson, Washington Post
"A satirical noir...probing, droll, and full of rewards"
--Ben Greenman, Time Out
"A real page-turner"
--The Observer, London
"Zesty & brilliantly on-target...Lorimer's adventures have enough of an alarming edge to keep a reader constantly, and delightedly, off balance"
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Descrizione libro Penguin Books, 1999. Taschenbuch. Condizione libro: Gut. Gepflegtes Gebraucht-/Antiquariatsexemplar. Zustand unter Ber¿cksichtigung des Alters gut. Tagesaktueller, sicherer und weltweiter Versand. Wir liefern grunds¿tzlich mit beiliegender Rechnung. 1091140.01 Sprache: Englisch Gewicht in Gramm: 503. Codice libro della libreria 528514