Neither Black Nor White Yet Both: Thematic Explorations of Interracial Literature

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9780195052824: Neither Black Nor White Yet Both: Thematic Explorations of Interracial Literature

Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? When did the myth that one can tell a person's race by the moon on their fingernails originate? How did blackness get associated with "the curse of Ham" when the Biblical text makes no reference to skin color at all?
Werner Sollors examines these questions and others in Neither Black Nor White Yet Both, a new and exhaustively researched exploration of "interracial literature." In the past, interracial texts have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between." Intermarriage prohibitions have been legislated throughout the modern period and were still in the law books in the 1980s. Stories of black-white sexual and family relations have thus run against powerful social taboos. Yet much interracial literature has been written, and this book suggests its pervasiveness and offers new comparative and historical contexts for understanding it.
Looking at authors from Heliodorus, John Stedman, Buffon, Thomas Jefferson, Heinrich von Kleist, Victor Hugo, Aleksandr Sergeevic Puskin, and Hans Christian Andersen, to Lydia Marie Child, Harriet Beecher Stowe, William Wells Brown, Mark Twain, Charles Chesnutt, Kate Chopin, Cirilo Villaverde, Aluisio Azevedo, and Pauline Hopkins, and on to modern writers such as Langston Hughes, Jessie Fauset, Boris Vian, and William Faulkner, Sollors ranges across time, space, and cultures, analyzing scientific and legal works as well as poetry, fiction, and the visual arts, to explore the many themes and motifs interwoven throughout interracial literature. From the etymological origins of the term "race" to the cultural sources of the "Tragic Mulatto," Sollors examines the recurrent images and ideas in this literature of love, family, and other relations between blacks, whites, and those of "mixed race."
Sollors' interdisciplinary explorations of literary themes yield many insights into the history and politics of "race," and illuminate a new understanding of the relations between cultures through the focus on interracial exchanges. Neither Black Nor White Yet Both is vital reading for anyone who seeks to understand what has been written and said about "race," and where interracial relations can go from here.

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Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? Werner Sollors examines these questions and others in Neither Black Nor White Yet Both, a new and fully researched investigation of literary works that, in the past, have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between". From the etymological origins of the term "race" to the cultural sources of the "Tragic Mulatto", and from the calculus of color to the retellings of an original plot, Sollors examines the theming of what we know about race. The book analyzes recurrent motifs in scientific and legal works as well as in fiction, drama, and poetry, considering such authors as Heliodorus, John Stedman, Buffon, Thomas Jefferson, Heinrich von Kleist, Victor Hugo, Aleksandr Sergeevic Puskin, Hans Christian Andersen, Lydia Marie Child, Harriet Beecher Stowe, William Wells Brown, Mark Twain, Charles Chesnutt, Kate Chopin, Cirilo Villaverde, Aluisio Azevedo, Pauline Hopkins, Langston Hughes, Jessie Fauset, William Faulkner, and Boris Vian. The discussions are accompanied by many illustrations, inviting comparisons between literature and the visual arts.

About the Author:


Werner Sollors is the Henry B. and Anne M. Cabot Professor of English Literature and of Afro American Studies, and Director of the History of American Civilization Program, at Harvard University. Previous works include Amiri Baraka/LeRoi Jones: The Quest for a "Populist Modernism" and Beyond Ethnicity: Consent and Descent in American Culture.

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Descrizione libro Oxford University Press Inc, United States, 1997. Hardback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****.Why can a white woman give birth to a black baby, while a black woman can never give birth to a white baby in the United States? What makes racial passing so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making miscegenation appear as if it were incest? When did the myth that one can tell a person s race by the moon on their fingernails originate? How did blackness get associated with the curse of Ham when the Biblical text makes no reference to skin colour at all? Werner Sollors examines these questions and others in Neither Black Nor White Yet Both, a new and exhaustively researched exploration of interracial literature . In the past, interracial texts have been read more for a black-white contrast of either-or than for an interracial realm of neither, nor, both, and in-between . Intermarriage prohibitions have been legislated throughout the modern period and were still in the law books in the 1980s. Stories of black-white sexual and family relations have thus run against powerful social taboos. Yet much interracial literature has been written, and this book suggests its pervasiveness and offers new comparative and historical contexts for understanding it. Looking at authors from Heliodorus, John Stedman, Buffon, Thomas Jefferson, Heinrich von Kleist, Victor Hugo, Aleksandr Sergeevic Puskin, and Hans Christian Andersen, to Lydia Marie Child, Harriet Beecher Stowe, William Wells Brown, Mark Twain, Charles Chesnutt, Kate Chopin, Cirilo Villaverde, Aluisio Azevedo, and Pauline Hopkins, and on to modern writers such as Langston Hughes, Jessie Fauset, Boris Vian, and William Faulkner, Sollors ranges across time, space, and cultures, analysing scientific and legal works as well as poetry, fiction, and the visual arts, to explore the many themes and motifs interwoven throughout interracial literature. From the etymological origins of the term race to the cultural sources of the Tragic Mulatto, Sollors examines the recurrent images and ideas in this literature of love, family, and other relations between blacks, whites, and those of mixed race. Sollors s interdisciplinary explorations of literary themes yield many insights into the history and politics of race, and illuminate a new understanding of the relations between cultures through the focus on interracial exchanges. Neither Black Nor White Yet Both is vital reading for anyone who seeks to understand what has been written and said about race, and where interracial relations can go from here. Codice libro della libreria APC9780195052824

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Werner Sollors
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Descrizione libro Oxford University Press Inc, United States, 1997. Hardback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****. Why can a white woman give birth to a black baby, while a black woman can never give birth to a white baby in the United States? What makes racial passing so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making miscegenation appear as if it were incest? When did the myth that one can tell a person s race by the moon on their fingernails originate? How did blackness get associated with the curse of Ham when the Biblical text makes no reference to skin colour at all? Werner Sollors examines these questions and others in Neither Black Nor White Yet Both, a new and exhaustively researched exploration of interracial literature . In the past, interracial texts have been read more for a black-white contrast of either-or than for an interracial realm of neither, nor, both, and in-between . Intermarriage prohibitions have been legislated throughout the modern period and were still in the law books in the 1980s. Stories of black-white sexual and family relations have thus run against powerful social taboos. Yet much interracial literature has been written, and this book suggests its pervasiveness and offers new comparative and historical contexts for understanding it. Looking at authors from Heliodorus, John Stedman, Buffon, Thomas Jefferson, Heinrich von Kleist, Victor Hugo, Aleksandr Sergeevic Puskin, and Hans Christian Andersen, to Lydia Marie Child, Harriet Beecher Stowe, William Wells Brown, Mark Twain, Charles Chesnutt, Kate Chopin, Cirilo Villaverde, Aluisio Azevedo, and Pauline Hopkins, and on to modern writers such as Langston Hughes, Jessie Fauset, Boris Vian, and William Faulkner, Sollors ranges across time, space, and cultures, analysing scientific and legal works as well as poetry, fiction, and the visual arts, to explore the many themes and motifs interwoven throughout interracial literature. From the etymological origins of the term race to the cultural sources of the Tragic Mulatto, Sollors examines the recurrent images and ideas in this literature of love, family, and other relations between blacks, whites, and those of mixed race. Sollors s interdisciplinary explorations of literary themes yield many insights into the history and politics of race, and illuminate a new understanding of the relations between cultures through the focus on interracial exchanges. Neither Black Nor White Yet Both is vital reading for anyone who seeks to understand what has been written and said about race, and where interracial relations can go from here. Codice libro della libreria APC9780195052824

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