Conceptualizing Music: Cognitive Structure, Theory, and Analysis

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9780195140231: Conceptualizing Music: Cognitive Structure, Theory, and Analysis

This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes, categorization, cross-domain mapping, and the use of conceptual models, and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or a vocational interest in the application of work in cognitive science to humanistic principles.

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L'autore:

Lawrence Zbikowski has taught music theory and analysis at the University of Chicago since 1993, and will be a visitor at Getty- CASBS research group on Cognition, Brain, and Art during the 2001-2002 academic year.

Contenuti:

  • Introduction: Conceptualizing Music
  • Part I: Aspects of Cognitive Structure
  • 1: Categorization
  • 2: Cross-domain mapping
  • 3: Conceptual models and theories
  • Part II: Analysis and Theory
  • 4: Categorization, compositional strategy and musical syntax
  • 5: Cultural knowledge and musical ontology
  • 6: Words, music and song: the Nineteenth-Century lied
  • 7: Competing models of music: theories of musical form and hierarchy
  • Conclusion: Cognitive Structure, Theory and Analysis

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Zbikowski, Lawrence M.
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Descrizione libro Oxford University Press Inc, United States, 2002. Hardback. Condizione libro: New. New.. 236 x 160 mm. Language: English . Brand New Book ***** Print on Demand *****. This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes, categorization, cross-domain mapping, and the use of conceptual models, and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or a vocational interest in the application of work in cognitive science to humanistic principles. Codice libro della libreria APC9780195140231

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Lawrence M. Zbikowski
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Descrizione libro Oxford University Press Inc, United States, 2002. Hardback. Condizione libro: New. New.. 236 x 160 mm. Language: English . Brand New Book ***** Print on Demand *****.This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes, categorization, cross-domain mapping, and the use of conceptual models, and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or a vocational interest in the application of work in cognitive science to humanistic principles. Codice libro della libreria APC9780195140231

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Lawrence M. Zbikowski
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Descrizione libro Oxford University Press, USA. Hardcover. Condizione libro: New. Hardcover. 376 pages. Dimensions: 9.3in. x 6.3in. x 1.3in.This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Codice libro della libreria 9780195140231

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