Classical and Romantic Performing Practice 1750-1900

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9780195166651: Classical and Romantic Performing Practice 1750-1900

The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.

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About the Author:


Clive Brown is Professor of Applied Musicology, University of Leeds; and Consultant, London Classical Players

Review:


"This book will revolutionize the study of music...The book weaves strong patterns from the conflicting habits of different places, people and periods. It doesn't tell you exactly what to do, but inspires a confidence that your own decisions, thus informed, will work."--BBC Music Magazine


"Brown has produced a work of the greatest scholarship and utility....Recommended--required!--for all libraries with music collections serving upper-division undergraduates and above."--Choice


"His substantial book presents many new findings and demonstrates new approaches. Brown has contributed greatly to our understanding of period technique, especially for string instruments" --Notes


"His book offers a wealth of advice and ideas, ideas which should be thought of as creative and enabling, not restrictive."--Early Music Review


"Brown's grasp of primary sources is wide-ranging and scholarly, lavishly illustrated with musical examples, often of unfamiliar repertory. He uncovers many questions and possible answers, which can hardly fail to stimulate the thinking performer."--Gramophone Early Music


"The fact that the book focuses on notation will make it permanently useful, something to consult."--The Musical Times


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Clive Brown
Editore: Oxford University Press Inc, United States (2004)
ISBN 10: 0195166655 ISBN 13: 9780195166651
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Descrizione libro Oxford University Press Inc, United States, 2004. Paperback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****. The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed. Codice libro della libreria AAV9780195166651

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Clive Brown
Editore: Oxford University Press Inc, United States (2004)
ISBN 10: 0195166655 ISBN 13: 9780195166651
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Descrizione libro Oxford University Press Inc, United States, 2004. Paperback. Condizione libro: New. Language: English . Brand New Book ***** Print on Demand *****.The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed. Codice libro della libreria AAV9780195166651

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Descrizione libro Oxford University Press Inc. Paperback. Condizione libro: new. BRAND NEW PRINT ON DEMAND., Classical and Romantic Performing Practice 1750-1900, Clive Brown, The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed. Codice libro della libreria B9780195166651

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Brown, Clive
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Descrizione libro Oxford University Press, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9780195166651_lsuk

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Descrizione libro OUP USA, 2004. PAP. Condizione libro: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria LQ-9780195166651

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Descrizione libro Oxford University Press. Condizione libro: New. Brand New. Codice libro della libreria 0195166655

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Descrizione libro 2004. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria VU-9780195166651

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Brown, Clive; Norrington, Roger [Foreword]
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Descrizione libro Oxford University Press, 2004. Paperback. Condizione libro: New. Codice libro della libreria INGM9780195166651

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Clive Brown
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ISBN 10: 0195166655 ISBN 13: 9780195166651
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Descrizione libro Oxford University Press Inc, United States, 2004. Paperback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed. Codice libro della libreria BTE9780195166651

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