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9780198723325: Guilty But Insane: Mind and Law in Golden Age Detective Fiction (Oxford Textual Perspectives)
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Guilty But Insane takes an historical approach to golden age detective fiction by Margery Allingham, Christianna Brand, Agatha Christie, Dorothy L. Sayers, and Gladys Mitchell. It examines how writers and readers of detective fiction during the 1920s to 1940s understood guilt, responsibility, and the workings of the mind as they related to the commission, the investigation, and the punishment of crime. Under the lens of psychology, the detective novel is revealed as a site for the negotiation of competing interpretations of sanity and insanity. An unexplored depth and subtlety is revealed in detective novels that address major controversies in legal and psychiatric theory and practice, while significant resonances with specific concerns of modernist fiction come into focus for the first time. During the interwar years, proponents of competing psychological schools challenged legal concepts of responsibility and free will. In response, golden age writers began to reflect on the genre's promise to accomplish true and just solutions in a social order in which the relationship between law and justice was being problematized on several fronts. By making connections between high modernism and popular culture, and by tracing the impact of psychological discourses across a range of different cultural outputs, this book makes a persuasive case for reading detective fiction historically. It aims to demonstrate the richness of these texts and their value for scholarship, not only as historical documents or residues of discourse, but as literary texts which challenge, subvert, toy with and test the prevailing values and prejudices of interwar Britain.

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Recensione:
Samantha Walton's Guilty But Insane offers a fascinating reworking of the ['golden age'] era, utilising the lens of psychology to investigate issues of punishment and legality. (Fiona Peters, Times Higher Education Books of 2015)

the attention she [Walton] brings to lesser-known writers such as the "unjustly neglected" Gladys Mitchell, enables a richer and more accurate understanding of a body of literature that, as she convincingly demonstrates, has too often been casually homogenized and dismissed. (Rohan Maitzen , The Times Literary Supplement)

Walton successfully relates all of these societal and literary developments into a coherent whole, and brings a new perspective to the ongoing reinterpretation and reevaluation of golden age crime fiction. (Brittain Bright, The Review of English Studies)
L'autore:
Samantha Walton is a Lecturer in English Literature at Bath Spa University. Previously, she taught at the University of Edinburgh, where she also completed her doctorate. In 2013 she was a Postdoctoral Research Fellow at the Institute of Advanced Studies in the Humanities at the University of Edinburgh, and a Bright Ideas Fellow at the ESRC Genomics Policy and Research Forum.

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  • EditoreOxford University Press
  • Data di pubblicazione2015
  • ISBN 10 0198723326
  • ISBN 13 9780198723325
  • RilegaturaCopertina flessibile
  • Numero di pagine320

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9780198723332: Guilty But Insane: Mind and Law in Golden Age Detective Fiction

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ISBN 10:  0198723334 ISBN 13:  9780198723332
Casa editrice: OUP Oxford, 2015
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Descrizione libro Paperback. Condizione: new. Paperback. Guilty But Insane takes an historical approach to golden age detective fiction by Margery Allingham, Christianna Brand, Agatha Christie, Dorothy L. Sayers, and Gladys Mitchell. It examines how writers and readers of detective fiction during the 1920s to 1940s understood guilt, responsibility, and the workings of the mind as they related to the commission, the investigation, and the punishment of crime. Under the lens of psychology, the detective novel isrevealed as a site for the negotiation of competing interpretations of sanity and insanity. An unexplored depth and subtlety is revealed in detective novels that address major controversies in legal andpsychiatric theory and practice, while significant resonances with specific concerns of modernist fiction come into focus for the first time. During the interwar years, proponents of competing psychological schools challenged legal concepts of responsibility and free will. In response, golden age writers began to reflect on the genre's promise to accomplish true and just solutions in a social order in which the relationship between law and justice was being problematized on several fronts. Bymaking connections between high modernism and popular culture, and by tracing the impact of psychological discourses across a range of different cultural outputs, this book makes a persuasive case forreading detective fiction historically. It aims to demonstrate the richness of these texts and their value for scholarship, not only as historical documents or residues of discourse, but as literary texts which challenge, subvert, toy with and test the prevailing values and prejudices of interwar Britain. Guilty But Insane offers a timely and challenging discussion of the relationship between popular literature, science, and what it means to be human by examining how writers of detective fiction during the 1920s to 1940s understood guilt, responsibility, and the workings of the mind in relation to crime. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780198723325

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