The Creative Development of Johann Sebastian Bach, Volume I: 1695-1717: Music to Delight the Spirit

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9780198739265: The Creative Development of Johann Sebastian Bach, Volume I: 1695-1717: Music to Delight the Spirit

This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer's creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach's works as well as a connected study of his creative development.
As indicated by the subtitle Music to Delight the Spirit,, borrowed from Bach's own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach's music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach's early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach's mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as 'Bachian'.

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About the Author:


Richard D. P. Jones, Music Editor

Review:


"This is a staggering achievement, and I am taken aback just imagining the amount of reading that has gone into it.... Jones supplies a summary that could serve as a vade mecum for students and Bach-admirers for a long time."--Peter Williams, Musical Times


"Anybody wishing to get to grips with the music of Bach will be well advised to equip themselves with this survey as their starting point.... You will be rewarded by Jones's happy ability to formulate his insights in an effective and compelling way."--David Ledbetter, Early Music


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Richard D. P. Jones
Editore: Oxford University Press, United Kingdom (2015)
ISBN 10: 0198739265 ISBN 13: 9780198739265
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Descrizione libro Oxford University Press, United Kingdom, 2015. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer s creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach s works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit, borrowed from Bach s own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach s music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach s early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach s mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as Bachian . Codice libro della libreria AAW9780198739265

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Richard D. P. Jones
Editore: Oxford University Press, United Kingdom (2015)
ISBN 10: 0198739265 ISBN 13: 9780198739265
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Descrizione libro Oxford University Press, United Kingdom, 2015. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composer s creative development emerges, drawing together all the strands of the individual repertoires (e.g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bach s works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit, borrowed from Bach s own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bach s music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bach s early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bach s mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as Bachian . Codice libro della libreria AAW9780198739265

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Descrizione libro OUP Oxford 2015-07-02, Oxford, 2015. paperback. Condizione libro: New. Codice libro della libreria 9780198739265

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Descrizione libro Oxford University Press. Paperback. Condizione libro: New. Paperback. 352 pages. Dimensions: 9.2in. x 6.4in. x 0.7in.This book gives an account of the individual works of one of the greatest composers. The first volume of a two-volume study of the music of J. S. Bach covers the earlier part of his composing career, 1695-1717. By studying the music chronologically a coherent picture of the composers creative development emerges, drawing together all the strands of the individual repertoires (e. g. the cantatas, the organ music, the keyboard music). The volume is divided into two parts, covering the early works and the mature Weimar compositions respectively. Each part deals with four categories of composition in turn: large-scale keyboard works; preludes, fantasias, and fugues; organ chorales; and cantatas. Within each category, the discussion is prefaced by a list of the works to be considered, together with details of their original titles, catalogue numbers, and earliest sources. The study is thus usable as a handbook on Bachs works as well as a connected study of his creative development. As indicated by the subtitle Music to Delight the Spirit, , borrowed from Bachs own title-pages, Richard Jones draws attention to another important aspect of the book: not only is it a study of style and technique but a work of criticism, an analytical evaluation of Bachs music and an appreciation of its extraordinary qualities. It also takes account of the remarkable advances in Bach scholarship that have been made over the last 50 years, including the many studies that have appeared relating to various aspects of Bachs early music, such as the varied influences to which he was subjected and the problematic issues of dating and authenticity that arise. In doing so, it attempts to build up a coherent picture of his development as a creative artist, helping us to understand what distinguishes Bachs mature music from his early works and from the music of his predecessors and contemporaries. Hence we learn why it is that his later works are instantly recognizable as Bachian. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Codice libro della libreria 9780198739265

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Descrizione libro OUP Oxford, 2015. Paperback. Condizione libro: Brand New. 1st edition. 352 pages. 8.43x5.85x0.73 inches. In Stock. Codice libro della libreria __0198739265

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