What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.
This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of the nineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples from an international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant.
Very Short Introductions: Brilliant, Sharp, Inspiring
ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Andrew Kahn is a Professor of Russian Literature at the University of Oxford. His publications include books on Alexander Pushkin and Osip Mandelstam. He has edited a number of books for Oxford World's Classics series, including Lermontov, A Hero of Our Time (2013); Alexander Pushkin, The Queen of Spades and Other Stories (2009); and Leo Tolstoy, The Death of Ivan Ilyich and Other Stories (2015). He is also a Fellow of the British Academy.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Orion Tech, Kingwood, TX, U.S.A.
Paperback. Condizione: Fair. Codice articolo 0198754639-4-33140269
Quantità: 1 disponibili
Da: Better World Books: West, Reno, NV, U.S.A.
Condizione: Good. Used book that is in clean, average condition without any missing pages. Codice articolo 52751845-75
Quantità: 2 disponibili
Da: Lakeside Books, Benton Harbor, MI, U.S.A.
Condizione: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! Codice articolo OTF-S-9780198754633
Quantità: Più di 20 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 42627549-n
Quantità: 4 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 42627549
Quantità: 4 disponibili
Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9780198754633
Quantità: Più di 20 disponibili
Da: Lucky's Textbooks, Dallas, TX, U.S.A.
Condizione: New. Codice articolo ABLIING23Feb2215580044660
Quantità: Più di 20 disponibili
Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of the nineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples from an international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant.Very Short Introductions: Brilliant, Sharp, InspiringABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Codice articolo LU-9780198754633
Quantità: 2 disponibili
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentratedperceptions. This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of thenineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers thecontinuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples froman international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant. Very Short Introductions: Brilliant, Sharp, Inspiring ABOUT THE SERIES: TheVery Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, andenthusiasm to make interesting and challenging topics highly readable. Drawing on examples from across the globe and throughout history, Andrew Kahn explores the key characteristics of the short story. He shows how its rise was intertwined with international print culture, and discusses the essential techniques within this thriving literary genre, as well as the ways in which it is constantly innovated, even today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780198754633
Quantità: 1 disponibili
Da: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condizione: New. What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.This book charts the rise of the short story from its original appearance in magazines and newspapers, largely in the United States and Great Britain. For much of the nineteenth century, tales were written for the press, and the form's history is marked by engagement with popular fiction. From the later nineteenth century, the short story earned a reputation for its skillful use of plot design and character study distinct from the novel. After the First World War it found outlets in high-brow publications, and single-author collections, as well as anthologies, were regularly published. Exploring the form's techniques and themes, Andrew Kahn considers the continuity and variation in key structures and techniques such as the beginning, the creation of voice, the ironic turn or plot twist, and how writers manage endings. Throughout he draws on examples from an international and flourishing corpus of work, with close analysis of classic and lesser-known stories by American, Canadian, Irish, Australian, Russian, and French masters such as James Baldwin, Grace Paley, Alice Munro, Elizabeth Taylor, William Trevor, Helen Garner, Chekhov, and Guy de Maupassant.Very Short Introductions: Brilliant, Sharp, InspiringABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. Codice articolo LU-9780198754633
Quantità: 2 disponibili