Narcissism and Suicide in Shakespeare and his Contemporaries

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9780199541232: Narcissism and Suicide in Shakespeare and his Contemporaries

The subjects of this book are the subjects whose subjects are themselves.

Narcissus so himself himself forsook,
And died to kiss his shadow in the brook.

In accusing the introspective Adonis of narcissistic self-absorption, Shakespeare's Venus employs a geminative construction - 'himself himself' - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and self-slaughterer are indicative of early-modern attitudes to introspection. Encompassing a broad range of philosophical, theological, poetic, and dramatic texts, this study examines period descriptions of the early-modern subject characterized by the rhetoric of reciprocation and reflection. The narcissist and the self-slaughter provide models of dialogic but self-destructive identity where private interiority is articulated in terms of self-response, but where this geminative isolation is understood as self-defeating, both selfish and suicidal. The study includes work on Renaissance revisions of Ovid, classical attitudes to suicide, the rhetoric of friendship literature, discussion of early-modern optic theory, and an extended discussion of narcissism in the epyllia tradition. Sustained textual analysis offers new readings of major Shakespearean texts, allowing familiar works of literature to be seen from the unusual and anti-social perspectives of their narcissistic and suicidal protagonists.

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About the Author:


Since receiving his doctorate from Leeds University in 2003, Eric Langley has worked as a Teaching Fellow, lecturing on Shakespearean and Renaissance literature at a number of the UK's leading English departments, including York, St. Andrews, and Sheffield. Previous publications include work on Renaissance visual theory, Shakespearean poetry, and early modern erotica, and he is currently developing research on the pharmaceutical rhetoric of Renaissance texts, and the influence on Shakespeare's plays from the early-modern essay tradition.

Review:


"A thorough and engrossing exploration of early modern literary self-absorption and self-destruction...The contributions that Narcissism and Suicide offers to new readings of Shakespeare (a noteworthy challenge in itself), along with the thought-provoking interconnections between hostile conceptions of vision, desire and subjectivity that permeate the text, make this book a worthwhile addition to any scholar's library." --Comitatus: A Journal of Medieval and Renaissance Studies


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Langley, Eric
Editore: OUP UK (2016)
ISBN 10: 019954123X ISBN 13: 9780199541232
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Descrizione libro OUP UK, 2016. Paperback. Condizione libro: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Codice libro della libreria ria9780199541232_lsuk

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Descrizione libro Oxford University Press, United Kingdom, 2010. Hardback. Condizione libro: New. New.. Language: English . Brand New Book ***** Print on Demand *****. The subjects of this book are the subjects whose subjects are themselves. Narcissus so himself himself forsook, And died to kiss his shadow in the brook. In accusing the introspective Adonis of narcissistic self-absorption, Shakespeare s Venus employs a geminative construction - himself himself - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and self-slaughterer are indicative of early-modern attitudes to introspection. Encompassing a broad range of philosophical, theological, poetic, and dramatic texts, this study examines period descriptions of the early-modern subject characterised by the rhetoric of reciprocation and reflection. The narcissist and the self-slaughter provide models of dialogic but self-destructive identity where private interiority is articulated in terms of self-response, but where this geminative isolation is understood as self-defeating, both selfish and suicidal. The study includes work on Renaissance revisions of Ovid, classical attitudes to suicide, the rhetoric of friendship literature, discussion of early-modern optic theory, and an extended discussion of narcissism in the epyllia tradition. Sustained textual analysis offers new readings of major Shakespearean texts, allowing familiar works of literature to be seen from the unusual and anti-social perspectives of their narcissistic and suicidal protagonists. Codice libro della libreria APC9780199541232

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Descrizione libro Oxford University Press, United Kingdom, 2010. Hardback. Condizione libro: New. New.. Language: English . Brand New Book ***** Print on Demand *****.The subjects of this book are the subjects whose subjects are themselves. Narcissus so himself himself forsook, And died to kiss his shadow in the brook. In accusing the introspective Adonis of narcissistic self-absorption, Shakespeare s Venus employs a geminative construction - himself himself - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and self-slaughterer are indicative of early-modern attitudes to introspection. Encompassing a broad range of philosophical, theological, poetic, and dramatic texts, this study examines period descriptions of the early-modern subject characterised by the rhetoric of reciprocation and reflection. The narcissist and the self-slaughter provide models of dialogic but self-destructive identity where private interiority is articulated in terms of self-response, but where this geminative isolation is understood as self-defeating, both selfish and suicidal. The study includes work on Renaissance revisions of Ovid, classical attitudes to suicide, the rhetoric of friendship literature, discussion of early-modern optic theory, and an extended discussion of narcissism in the epyllia tradition. Sustained textual analysis offers new readings of major Shakespearean texts, allowing familiar works of literature to be seen from the unusual and anti-social perspectives of their narcissistic and suicidal protagonists. Codice libro della libreria APC9780199541232

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Descrizione libro Oxford University Press. Hardcover. Condizione libro: New. Hardcover. 288 pages. Dimensions: 8.6in. x 5.3in. x 1.1in.The subjects of this book are the subjects whose subjects are themselves. Narcissus so himself himself forsook, And died to kiss his shadow in the brook. In accusing the introspective Adonis of narcissistic self-absorption, Shakespeares Venus employs a geminative construction - himself himself - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and self-slaughterer are indicative of early-modern attitudes to introspection. Encompassing a broad range of philosophical, theological, poetic, and dramatic texts, this study examines period descriptions of the early-modern subject characterized by the rhetoric of reciprocation and reflection. The narcissist and the self-slaughter provide models of dialogic but self-destructive identity where private interiority is articulated in terms of self-response, but where this geminative isolation is understood as self-defeating, both selfish and suicidal. The study includes work on Renaissance revisions of Ovid, classical attitudes to suicide, the rhetoric of friendship literature, discussion of early-modern optic theory, and an extended discussion of narcissism in the epyllia tradition. Sustained textual analysis offers new readings of major Shakespearean texts, allowing familiar works of literature to be seen from the unusual and anti-social perspectives of their narcissistic and suicidal protagonists. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Codice libro della libreria 9780199541232

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Descrizione libro Oxford University Press, 2010. Hardcover. Condizione libro: New. book. Codice libro della libreria 019954123X

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