Buffalo Bill in Bologna: The Americanization of the World, 1869-1922

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9780226007120: Buffalo Bill in Bologna: The Americanization of the World, 1869-1922

When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper.

Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War—tools central to hastening the reconstruction of the country—actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history.

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From the Inside Flap:

When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From the revolutions in central Europe and the Soviet Union that drew heavily on distinctly American symbols like blue jeans and rock 'n' roll to former president Bill Clinton's image juxtaposed with Elvis Presley's on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon made possible by cinema and television, but in the masterful Buffalo Bill in Bologna, Robert W. Rydell and Rob Kroes show that its roots are far deeper.

Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, as the authors show, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values overseas. They narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War-tools central to hastening the reconstruction of the country-actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing excursion through America's cultural expansion at the turn of the century.

A tour de force that recasts what has been popularly understood about this period of American and global history, Buffalo Bill in Bologna will be viewed as a major contribution to our understanding of American mass culture's rise to prominence.

About the Author:

Robert W. Rydell is professor of history at Montana State University-Bozeman. He is the author of six books, including All the World's a Fair and World of Fairs, both published by the University of Chicago Press. Rob Kroes is professor of American studies at the University of Amsterdam. He is the author of eleven books, including, most recently, If You've Seen One, You've Seen the Mall and Us and Them: Questions of Citizenship in a Globalized World.

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Rydell, Robert W., and Kroes, Rob
Editore: University of Chicago Press, Chicago, IL (2013)
ISBN 10: 022600712X ISBN 13: 9780226007120
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Descrizione libro University of Chicago Press, Chicago, IL, 2013. Trade paperback. Condizione libro: New. New. 232 p. Audience: General/trade. Codice libro della libreria 725167

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Descrizione libro The University of Chicago Press, United States, 2013. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. Buffalo Bill in Bologna reveals that the globalization of American mass culture that seems unstoppable today began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Robert W. Rydell and Rob Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies that developed after the Civil War - tools central to hastening the reconstruction of the country - actually doubled as agents of American cultural diplomacy abroad. As symbols of America s version of the good life, cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America s growing global sphere of influence. Paying special attention to the role of the World s Fairs, the exporting of Buffalo Bill s Wild West show to Europe, the release of The Birth of a Nation , and Woodrow Wilson s creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America s cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history. Codice libro della libreria AAH9780226007120

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Robert W. Rydell, Rob Kroes
Editore: The University of Chicago Press, United States (2013)
ISBN 10: 022600712X ISBN 13: 9780226007120
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Descrizione libro The University of Chicago Press, United States, 2013. Paperback. Condizione libro: New. Reprint. Language: English . Brand New Book. Buffalo Bill in Bologna reveals that the globalization of American mass culture that seems unstoppable today began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Robert W. Rydell and Rob Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies that developed after the Civil War - tools central to hastening the reconstruction of the country - actually doubled as agents of American cultural diplomacy abroad. As symbols of America s version of the good life, cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America s growing global sphere of influence. Paying special attention to the role of the World s Fairs, the exporting of Buffalo Bill s Wild West show to Europe, the release of The Birth of a Nation , and Woodrow Wilson s creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America s cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history. Codice libro della libreria AAH9780226007120

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Rydell, Robert W; Kroes, Rob.
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ISBN 10: 022600712X ISBN 13: 9780226007120
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Descrizione libro University of Chicago Press, Chicago and London, 2012. Softcover. Condizione libro: New. 232 pages. Softcover. New book. HISTORY. When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil WarÑtools central to hastening the reconstruction of the countryÑactually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history. (Key Words: History, America, Europe, Cultural Studies, Buffalo Bill). book. Codice libro della libreria 77446X1

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Descrizione libro The University of Chicago Press. Paperback. Condizione libro: new. BRAND NEW, Buffalo Bill in Bologna: The Americanization of the World, 1869-1922, Robert W. Rydell, Rob Kroes, "Buffalo Bill in Bologna" reveals that the globalization of American mass culture that seems unstoppable today began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Robert W. Rydell and Rob Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies that developed after the Civil War - tools central to hastening the reconstruction of the country - actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the World's Fairs, the exporting of Buffalo Bill's "Wild West" show to Europe, the release of "The Birth of a Nation", and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. "Buffalo Bill in Bologna" is thus a tour de force that recasts what has been popularly understood about this period of American and global history. Codice libro della libreria B9780226007120

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Descrizione libro Univ of Chicago. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2553513

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Robert W. Rydell, Rob Kroes
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Descrizione libro The University of Chicago Press, United States, 2013. Paperback. Condizione libro: New. Reprint. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Buffalo Bill in Bologna reveals that the globalization of American mass culture that seems unstoppable today began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Robert W. Rydell and Rob Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies that developed after the Civil War - tools central to hastening the reconstruction of the country - actually doubled as agents of American cultural diplomacy abroad. As symbols of America s version of the good life, cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America s growing global sphere of influence. Paying special attention to the role of the World s Fairs, the exporting of Buffalo Bill s Wild West show to Europe, the release of The Birth of a Nation , and Woodrow Wilson s creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America s cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history. Codice libro della libreria BTE9780226007120

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Descrizione libro University of Chicago Press, 2013. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WG-9780226007120

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