T. S. Eliot and the Cultural Divide - Brossura

Chinitz, David E. E.

Brossura

ISBN 10: 0226104184 ISBN 13: 9780226104188

Casa editrice: University of Chicago Press, 2005

Riassunto

For decades T. S. Eliot has been applauded and denounced as a staunch champion of high art and an implacable opponent of popular culture. But Eliot's elitism was never what it seemed.T. S. Eliot and the Cultural Divide represents this great writer as the complex figure he was, an artist attentive not only to literature but also to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley.

David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry, plays, and essays, was dynamic rather than hostile. He shows that American jazz, for example, was a major influence on Eliot's poetry during its maturation. He discusses Eliot's surprisingly persistent interest in popular culture, both in such famous works asThe Waste Land and in such lesser-known pieces as Sweeney Agonistes. And he traces Eliot's long, quixotic struggle to close the widening gap between high art and popular culture through a new type of public art: contemporary popular verse drama.

What results is a work that will persuade adherents and detractors alike to return to Eliot and find in him a writer who liked a good show, a good thriller, and a good tune, as well as a "great" poem.

Su questo libro

L'autore:

David E. Chinitz is associate professor of English at Loyola University Chicago.

Dalla seconda/terza di copertina:

The modernist poet T. S. Eliot has been applauded and denounced for decades as a staunch champion of high art and an implacable opponent of popular culture. But Eliot's elitism was never what it seemed.T. S. Eliot and the Cultural Divide refurbishes this great writer for the twenty-first century, presenting him as the complex figure he was, an artist attentive not only to literature but to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley.

David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry, plays, and essays, was ambivalent rather than hostile. He shows that American jazz, for example, was a major influence on Eliot's poetry during its maturation. He discusses Eliot's surprisingly persistent interest in popular culture both in such famous works asThe Waste Land and in such lesser-known pieces as Sweeney Agonistes. And he traces Eliot's long, quixotic struggle to close the widening gap between high art and popular culture through a new type of public art: contemporary popular verse drama.

What results is a work that will persuade adherents and detractors alike to return to Eliot and find in him a writer who liked a good show, a good thriller, and a good tune, as well as a "great" poem.

Su questa edizione

• Editore: University of Chicago Press
• Data di pubblicazione: 2005
• ISBN 10: 0226104184
• ISBN 13: 9780226104188
• Rilegatura: Copertina flessibile
• Numero di pagine: 274