Before the Closet: Same-Sex Love from "Beowulf" to "Angels in America"

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Allen J. Frantzen challenges the long accepted view that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. Frantzen shows that in early medieval Europe, the Church did not tolerate same-sex acts, in fact it was an age before people recognized the existence—or the possibility—of the "closet."

With its ambitious scope and elegant style, Before the Closet sets same-sex relations in Anglo-Saxon sources in relation to the sexual themes of contemporary opera, dance, and theatre. Frantzen offers a comprehensive analysis of sources from the seventh to the twelfth century and traces Anglo-Saxon same-sex behavior through the age of Chaucer and into the Renaissance.

"Frantzen's marvelous book . . . opens up a world most readers will never have even known was there. It's a difficult topic, but Frantzen's comprehensive, readable and even wryly funny treatment makes this an unexpected pleasure."—Publishers Weekly, starred review

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Review:

Historical studies of sexuality and homosexuality are often time- and place-specific. It is a refreshing surprise that Allen J. Frantzen's Before the Closet moves deftly from the Middle Ages to the Renaissance to the present and back again, but even the book's subtitle--Same-Sex Love from Beowulf to Angels in America--does not give a clear sense of its breadth and expansiveness. Arguing that John Boswell's critically acclaimed Christianity, Social Tolerance, and Homosexuality misrepresents the easy acceptance of homosexuality in the early and medieval Catholic church, Frantzen postulates that, while same-sex activity and relationships were strictly forbidden, they existed and manifested themselves in various "shadow" forms.

Frantzen's argument for the existence of this "shadow" homosexuality relies on myriad examples from a wide range of Western culture. From 19th-century trouser roles (male operatic characters sung by women) to Mark Morris's choreography to Tony Kushner's award-winning Angels in America, Frantzen finds correspondences and analogues to far older works of Anglo-Saxon literature such as Beowulf and The Wanderer, along with medieval penitentials (books used by priests to assess the penance for a specific sin). Always enlightening and endlessly provocative, Before the Closet will challenge your preconceptions about both early English poetry and contemporary depictions of gayness. --Michael Bronski

From Publishers Weekly:

An exciting account of medieval sexuality? Surprisingly, yes. Loyola University English professor Frantzen brings the "shadows" of same-sex relations ("as closely attached to heterosexual relations as shadows are to their objects") into relief by highlighting their centrality in everything from operatic "trouser roles," in which women dress as men in ambiguous visions of female-female desire, to the dances of Mark Morris, which "offer gay people entertainment and affirmation of the highest order." Turning to his specialty, Frantzen reveals an Anglo-Saxon world much less prudish than we are accustomed to imagining. Where "queer theory" has sought to uncover gay liberation in the past, his "assimilationist" model never limits same-sex desire to genital contact. An engaging and witty guide to tales of cross-dressing saints, legal codes paying much more attention to heterosexual than homosexual misbehavior and references to "Sodom and Gomorrah" less severe than one would expect, he discovers both self-identified same-sex lovers and a culture that allowed them a certain license. Pointing out the nationalist chauvinism of the numerous historians who have labeled William the Conqueror's son gay, Frantzen also makes clear the vast difference between medieval and modern conceptions of sexual identity. Frantzen's marvelous book, concluding with a fascinating discussion of how Angels in America reverses Anglo-Saxon codes of national unification, opens up a world most readers will never have even known was there. It's a difficult topic, but Frantzen's comprehensive, readable and even wryly funny treatment makes this an unexpected pleasure.
Copyright 1998 Reed Business Information, Inc.

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Descrizione libro The University of Chicago Press, United States, 1998. Hardback. Condizione libro: New. 2nd ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This study challenges the long-held belief that the early Middle Ages tolerated and even fostered same-sex relations and that intolerance of homosexuality developed only late in the medieval period. Th e text argues that early medieval Christians did not tolerate same-sex acts and, furthermore, that men and women during this time who preferred homosexual relations pursued their desires in spite of official sanctions. This was an age before people recognized the existence - or the possibility - of the closet . This work focuses on Anglo-Saxon literature but also includes examinations of contemporary opera, dance and theatre. The text employs the figure of the shadow to illustrate the coexistence of homosexual and heterosexual relations in the Middle Ages. The figure is introduced through an analysis of a man s part sung by a woman in operas such as Gounod s Faust . The reverse figure - men taking women s parts - is traced in two dances by Mark Morris, The Hard Nut and Dido and Aeneas . Also analyzed is the white Anglo-Saxon Protestant in Tony Kushner s play, Angels in America and the poems, Beowulf and The Wanderer . Codice libro della libreria BTE9780226260914

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Descrizione libro University of Chicago Press, 1998. Hardcover. Condizione libro: Brand New. illustrated edition. 380 pages. 9.25x6.25x1.00 inches. In Stock. Codice libro della libreria 0226260917

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