Manet's Modernism: or, The Face of Painting in the 1860s

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9780226262178: Manet's Modernism: or, The Face of Painting in the 1860s

Manet's Modernism is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Fried provides an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art.

"Beautifully produced. . . . [Fried's] thought is always stimulating, if not provocative. This is an important book, which all students of modernism, in the broadest sense, will find rewarding."—Virginia Quarterly Review

"An astonishing piece of scholarship that will cause readers to rethink their understanding of Manet's influence, ambition, and achievement."—Gary Michael, Bloomsbury Review

"An audaciously brilliant book, long awaited and as essential reading for philosophers as for art historians."—Wayne Andersen, Common Knowledge

"Art history of the highest originality and distinction."—Arthur C. Danto, New York Times Book Review

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Review:

Our current understanding of the paintings of Manet is so heavily filtered through the lens of Impressionism that in many ways, his contributions to art history have been obscured. Called the "first modernist," his paintings marked a break with the past and paved the way for what we've come to accept as modern art in the treatment of the canvas as a flat surface. But during his time, Manet's modernist innovations were the object of ridicule. "It's flat, it isn't modeled," said Courbet of the nude in the painting Olympia. "It's like the Queen of Hearts after a bath." In Manet's Modernism, Michael Fried has set out to see Manet as his contemporaries would have seen him and to gain a more accurate reading of Manet's place in history.

Review:

... at once exciting, heroic and difficult ... It is art history of the highest originality and distinction. -- The New York Times Book Review, Arthur C. Danto

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Michael Fried
Editore: The University of Chicago Press, United States (1998)
ISBN 10: 0226262170 ISBN 13: 9780226262178
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Descrizione libro The University of Chicago Press, United States, 1998. Paperback. Condizione libro: New. 2nd ed.. Language: English . Brand New Book. Manet s Modernism , or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central anti-theatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that existing accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition of his great canvases of the 1860s. By placing Manet squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler), as well as in the context of the critical debates of his time, Fried aims to transform our sense of Manet s artistic project. Instead of emphasizing Manet s orientation to flatness and visuality, Fried focuses on aspects such as: his repeated allusions to Old Masters sources, his efforts to annul the absorptive basis of the modern French tradition, and above all his pursuit of facingness and strikingness as a means of reconstructing the relationship between painting and beholder. The book should help the understanding not only of the art of Manet and his generation, but also of the way in which the Impressionist simplification of Manet s achievement has determined subsequent interpretations of his modernism. Codice libro della libreria AAH9780226262178

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Descrizione libro University of Chicago Press, 1999. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WG-9780226262178

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Descrizione libro UNIVERSITY OF CHICAGO PRESS 1999-01-28, Chicago, [Ill.] |London, 1999. paperback. Condizione libro: New. Codice libro della libreria 9780226262178

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Descrizione libro The University of Chicago Press, United States, 1998. Paperback. Condizione libro: New. 2nd ed.. Language: English . Brand New Book. Manet s Modernism , or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central anti-theatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that existing accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition of his great canvases of the 1860s. By placing Manet squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler), as well as in the context of the critical debates of his time, Fried aims to transform our sense of Manet s artistic project. Instead of emphasizing Manet s orientation to flatness and visuality, Fried focuses on aspects such as: his repeated allusions to Old Masters sources, his efforts to annul the absorptive basis of the modern French tradition, and above all his pursuit of facingness and strikingness as a means of reconstructing the relationship between painting and beholder. The book should help the understanding not only of the art of Manet and his generation, but also of the way in which the Impressionist simplification of Manet s achievement has determined subsequent interpretations of his modernism. Codice libro della libreria AAH9780226262178

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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0226262170

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Descrizione libro 1998. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria TX-9780226262178

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Descrizione libro University of Chicago Press. Paperback. Condizione libro: New. New copy - Usually dispatched within 2 working days. Codice libro della libreria B9780226262178

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Descrizione libro Univ of Chicago Pr, 1998. Paperback. Condizione libro: Brand New. 1st edition. 676 pages. 10.50x7.00x1.25 inches. In Stock. Codice libro della libreria __0226262170

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Descrizione libro 1999. Paperback. Condizione libro: NEW. 9780226262178 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Codice libro della libreria HTANDREE0925365

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Michael Fried
Editore: The University of Chicago Press, United States (1998)
ISBN 10: 0226262170 ISBN 13: 9780226262178
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Descrizione libro The University of Chicago Press, United States, 1998. Paperback. Condizione libro: New. 2nd ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Manet s Modernism , or, The Face of Painting in the 1860s is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Building on his earlier studies of the central anti-theatrical tradition within Enlightenment and post-Enlightenment French painting, Fried argues that existing accounts of Edouard Manet as the first modernist painter are based on a simplistic reading of the situation Manet inherited and, partly as a result, fail to grasp the specificity, complexity, and ambition of his great canvases of the 1860s. By placing Manet squarely within his generation (along with Henri Fantin-Latour, Alphonse Legros, and James McNeill Whistler), as well as in the context of the critical debates of his time, Fried aims to transform our sense of Manet s artistic project. Instead of emphasizing Manet s orientation to flatness and visuality, Fried focuses on aspects such as: his repeated allusions to Old Masters sources, his efforts to annul the absorptive basis of the modern French tradition, and above all his pursuit of facingness and strikingness as a means of reconstructing the relationship between painting and beholder. The book should help the understanding not only of the art of Manet and his generation, but also of the way in which the Impressionist simplification of Manet s achievement has determined subsequent interpretations of his modernism. Codice libro della libreria BTE9780226262178

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