Art and Objecthood: Essays and Reviews

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9780226263199: Art and Objecthood: Essays and Reviews

Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote.

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Michael Fried
Editore: The University of Chicago Press, United States (1998)
ISBN 10: 0226263193 ISBN 13: 9780226263199
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Descrizione libro The University of Chicago Press, United States, 1998. Paperback. Condizione libro: New. New edition. 226 x 150 mm. Language: English . Brand New Book. Michael Fried s often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for Three American Painters, the text of his book Morris Louis, and Art and Objecthood. Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg s account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote. Codice libro della libreria AAU9780226263199

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Michael Fried
Editore: The University of Chicago Press, United States (1998)
ISBN 10: 0226263193 ISBN 13: 9780226263199
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Descrizione libro The University of Chicago Press, United States, 1998. Paperback. Condizione libro: New. New edition. 226 x 150 mm. Language: English . Brand New Book. Michael Fried s often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for Three American Painters, the text of his book Morris Louis, and Art and Objecthood. Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg s account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote. Codice libro della libreria AAU9780226263199

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Descrizione libro Univ of Chicago. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2097763

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Michael Fried, Michael Fried
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Descrizione libro The University of Chicago Press. Paperback. Condizione libro: new. BRAND NEW, Art and Objecthood: Essays and Reviews (New edition), Michael Fried, Michael Fried, Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote. Codice libro della libreria B9780226263199

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Fried, Michael
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ISBN 10: 0226263193 ISBN 13: 9780226263199
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Descrizione libro The University of Chicago Press, 1998. Condizione libro: New. Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views. Num Pages: 352 pages, 16 colour plates, 75 halftones. BIC Classification: ABA; AC; DNF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 155 x 25. Weight in Grams: 562. . 1998. New ed. Paperback. . . . . . Codice libro della libreria V9780226263199

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Michael Fried
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ISBN 10: 0226263193 ISBN 13: 9780226263199
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Descrizione libro The University of Chicago Press 1998-04-09, Chicago, IL, 1998. paperback. Condizione libro: New. Codice libro della libreria 9780226263199

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Descrizione libro Univ of Chicago. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2336943

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Descrizione libro The University of Chicago Press. Condizione libro: New. Contains 27 essays and reviews defining the contours of late modernism in the visual arts. Ranging from brief reviews to extended essays, the writings establish a set of basic terms for understanding key issues in high modernism. An extended introductory essay by the author clarifies his views. Num Pages: 352 pages, 16 colour plates, 75 halftones. BIC Classification: ABA; AC; DNF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 230 x 155 x 25. Weight in Grams: 562. . 1998. New ed. Paperback. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780226263199

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Descrizione libro University of Chicago Press, 1998. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WG-9780226263199

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97802262631990000000

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