Art and Objecthood: Essays and Reviews

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9780226263199: Art and Objecthood: Essays and Reviews

Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote.

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Fried, Michael
Editore: University Of Chicago Press, U.S.A. (1998)
ISBN 10: 0226263193 ISBN 13: 9780226263199
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Descrizione libro University Of Chicago Press, U.S.A., 1998. Soft cover. Condizione libro: New. Codice libro della libreria 0060811

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Descrizione libro The University of Chicago Press, United States, 1998. Paperback. Condizione libro: New. New edition. 226 x 150 mm. Language: English . Brand New Book. Michael Fried s often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for Three American Painters, the text of his book Morris Louis, and Art and Objecthood. Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg s account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote. Codice libro della libreria AAH9780226263199

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Fried, Michael
Editore: The University of Chicago Press, United States (1998)
ISBN 10: 0226263193 ISBN 13: 9780226263199
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Descrizione libro The University of Chicago Press, United States, 1998. Paperback. Condizione libro: New. New edition. 226 x 150 mm. Language: English . Brand New Book. Michael Fried s often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for Three American Painters, the text of his book Morris Louis, and Art and Objecthood. Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg s account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote. Codice libro della libreria AAH9780226263199

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Descrizione libro Univ of Chicago. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2097763

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Descrizione libro The University of Chicago Press. Paperback. Condizione libro: new. BRAND NEW, Art and Objecthood: Essays and Reviews (New edition), Michael Fried, Michael Fried, Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are uncompromising writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. Ranging from brief reviews to extended essays, and including major critiques of Jackson Pollock, Morris Louis, Kenneth Noland, Jules Olitski, Frank Stella, and Anthony Caro, these writings establish a set of basic terms for understanding key issues in high modernism: the viability of Clement Greenberg's account of the infralogic of modernism, the status of figuration after Pollock, the centrality of the problem of shape, the nature of pictorial and sculptural abstraction, and the relationship between work and beholder. In a number of essays Fried contrasts the modernist enterprise with minimalist or literalist art, and, taking a position that remains provocative to this day, he argues that minimalism is essentially a genre of theatre, hence artistically self-defeating. For this volume Fried has also provided an extensive introductory essay in which he discusses how he became an art critic, clarifies his intentions in his art criticism, and draws crucial distinctions between his art criticism and the art history he also wrote. Codice libro della libreria B9780226263199

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Descrizione libro University Of Chicago Press, 1998. Condizione libro: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: List of Illustrations Preface and Acknowledgments An Introduction to My Art Criticism Pt. 1: 1966-77 Shape as Form: Frank Stella's Irregular Polygons (1966) Morris Louis (1966-67) Jules Olitski (1966-67) Art and Objecthood (1967) New Work by Anthony Caro (1967) Ronald Davis: Surface and Illusion (1967) Two Sculptures by Anthony Caro (1968) Recent Work by Kenneth Noland (1969) Caro's Abstractness (1970) Problems of Polychromy: New Sculptures by Michael Bolus (1971) Larry Poons's New Paintings (1972) Anthony Caro's Table Sculptures, 1966-77 (1977) Pt. 2: 1965 Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella (1965) Pt. 3: 1962-64 Anthony Caro (1963) Frank Stella (1963) New York Letter: Oldenburg, Chamberlain (October 25, 1962) New York Letter: Louis, Chamberlain and Stella, Indiana (November 25, 1962) New York Letter: Warhol (December 25, 1962) New York Letter: Johns (February 25, 1963) New York Letter: Hofmann (April 25, 1963) New York Letter: Noland, Thiebaud (May 25, 1963) New York Letter: Hofmann, Davis (December 5, 1963) New York Letter: Kelly, Poons (December-January 1963-64) New York Letter: Judd (February 15, 1964) New York Letter: De Kooning Drawings (April 25, 1964) New York Letter: Olitski, Jenkins, Thiebaud, Twombly (May 1964) New York Letter: Brach, Chamberlain, Irwin (Summer 1964) Writings by Michael Fried, 1959-77, Exclusive of Poetry Index of Names in "An Introduction to My Art Criticism". Codice libro della libreria ABE_book_new_0226263193

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Descrizione libro University of Chicago Press, 1998. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WG-9780226263199

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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0226263193

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