French symbolist artist Odilon Redon (1840–1916) seemed to thrive at the intersection of literature and art. Known as “the painter-writer,” he drew on the works of Poe, Baudelaire, Flaubert, and Mallarmé for his subject matter. And yet he concluded that visual art has nothing to do with literature. Examining this apparent contradiction, The Brush and the Pen transforms the way we understand Redon’s career and brings to life the interaction between writers and artists in fin-de-sičcle Paris.
Dario Gamboni tracks Redon’s evolution from collaboration with the writers of symbolism and decadence to a defense of the autonomy of the visual arts. He argues that Redon’s conversion was the symptom of a mounting crisis in the relationship between artists and writers, provoked at the turn of the century by the growing power of art criticism that foreshadowed the modernist separation of the arts into intractable fields. In addition to being a distinguished study of this provocative artist, The Brush and the Pen offers a critical reappraisal of the interaction of art, writing, criticism, and government institutions in late nineteenth-century France.Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Dario Gamboni is professor of the history of art (modern and contemporary) at the University of Geneva. He is the author of many books in French and English and has published articles in a wide range of journals, including Art Bulletin and Cabinet. Mary Whittall was a professional translator living in England. Among her translations are Roland Recht’s Believing and Seeing: The Art of Gothic Cathedrals, also published by the University of Chicago Press.
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Descrizione libro Hardback. Condizione: New. New copy - Usually dispatched within 4 working days. French symbolist artist Odilon Redon (1840-1916) seemed to thrive at the intersection of literature and art. Known as "the painter-writer", he drew on the works of Poe, Baudelaire, Flaubert, and Mallarme for his subject matter. This title tracks Redon's evolution from collaboration with the writers of symbolism. Codice articolo B9780226280554
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Descrizione libro Condizione: New. French symbolist artist Odilon Redon (1840-1916) seemed to thrive at the intersection of literature and art. Known as "the painter-writer", he drew on the works of Poe, Baudelaire, Flaubert, and Mallarme for his subject matter. This title tracks Redon's evolution from collaboration with the writers of symbolism. Translator(s): Whittall, Mary. Num Pages: 416 pages, 94 halftones. BIC Classification: ACV; DSBF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 38. Weight in Grams: 717. . 2012. First edition. Hardcover. . . . . Books ship from the US and Ireland. Codice articolo V9780226280554
Descrizione libro Condizione: New. French symbolist artist Odilon Redon (1840-1916) seemed to thrive at the intersection of literature and art. Known as "the painter-writer", he drew on the works of Poe, Baudelaire, Flaubert, and Mallarme for his subject matter. This title tracks Redon's evolution from collaboration with the writers of symbolism. Translator(s): Whittall, Mary. Num Pages: 416 pages, 94 halftones. BIC Classification: ACV; DSBF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 38. Weight in Grams: 717. . 2012. First edition. Hardcover. . . . . Codice articolo V9780226280554