Art Critical Terms for Art History

ISBN 13: 9780226571683

Critical Terms for Art History

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9780226571683: Critical Terms for Art History

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms for Art History" both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from "sign" to "meaning," "ritual" to "commodity." Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's "To Fix the Image in Memory," a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones--"performance," "style," "memory/monument," "body," "beauty," "ugliness," "identity," "visual culture/visual studies," and "social history of art"--as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

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Edited by Robert S. Nelson and Richard Shiff
Editore: University of Chicago press
ISBN 10: 0226571688 ISBN 13: 9780226571683
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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0226571688

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Robert S. Nelson, Richard Shiff
Editore: The University of Chicago Press, United States (2003)
ISBN 10: 0226571688 ISBN 13: 9780226571683
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Descrizione libro The University of Chicago Press, United States, 2003. Paperback. Condizione libro: New. 2nd Revised edition. 239 x 168 mm. Language: English . Brand New Book. Art has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp s Fountain. But questions about the categories of art and art history acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field s methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of loaded terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses Originality in Vija Celmins s To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one original stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art as well as new introductory material. All help expand the book s scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young. Codice libro della libreria AAZ9780226571683

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Robert S. Nelson, Richard Shiff
Editore: The University of Chicago Press, United States (2003)
ISBN 10: 0226571688 ISBN 13: 9780226571683
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Descrizione libro The University of Chicago Press, United States, 2003. Paperback. Condizione libro: New. 2nd Revised edition. 239 x 168 mm. Language: English . Brand New Book. Art has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp s Fountain. But questions about the categories of art and art history acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field s methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of loaded terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses Originality in Vija Celmins s To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one original stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art as well as new introductory material. All help expand the book s scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young. Codice libro della libreria AAZ9780226571683

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Robert S. Nelson, Richard Shiff
Editore: The University of Chicago Press 2003-04-25, Chicago, IL (2003)
ISBN 10: 0226571688 ISBN 13: 9780226571683
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Descrizione libro The University of Chicago Press 2003-04-25, Chicago, IL, 2003. paperback. Condizione libro: New. Codice libro della libreria 9780226571683

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Robert S. Nelson, Richard Shiff
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Descrizione libro The University of Chicago Press. Paperback. Condizione libro: new. BRAND NEW, Critical Terms for Art History (2nd Revised edition), Robert S. Nelson, Richard Shiff, "Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms for Art History" both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from "sign" to "meaning," "ritual" to "commodity." Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's "To Fix the Image in Memory," a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones "performance," "style," "memory/monument," "body," "beauty," "ugliness," "identity," "visual culture/visual studies," and "social history of art" as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young". Codice libro della libreria B9780226571683

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ROBERT S. NELSON
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Descrizione libro Univ of Chicago. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2099942

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Descrizione libro Univ of Chicago. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2335569

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Descrizione libro University of Chicago Press, 2003. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria GB-9780226571683

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Robert S. Nelson
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Descrizione libro Paperback. Condizione libro: New. Not Signed; Art has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of art and art history acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects d. book. Codice libro della libreria ria9780226571683_rkm

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Editore: University of Chicago Press (2003)
ISBN 10: 0226571688 ISBN 13: 9780226571683
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Descrizione libro University of Chicago Press, 2003. Condizione libro: New. 2003. 2nd Revised edition. Paperback. In addition to the 22 original essays, this edition includes 9 new ones as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making it accessible. Num Pages: 536 pages, 28 halftones. BIC Classification: ABA; AC. Category: (P) Professional & Vocational. Dimension: 238 x 167 x 30. Weight in Grams: 832. . . . . . . Codice libro della libreria V9780226571683

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