Chion, Michel Film, a Sound Art

ISBN 13: 9780231137768

Film, a Sound Art

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9780231137768: Film, a Sound Art

French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, A Sound Art showcases the vast knowledge and innovative thinking of a major theorist.

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Michel Chion
Editore: Columbia University Press (2009)
ISBN 10: 0231137761 ISBN 13: 9780231137768
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Descrizione libro Columbia University Press, 2009. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WI-9780231137768

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Michel Chion
Editore: Columbia University Press, United States (2009)
ISBN 10: 0231137761 ISBN 13: 9780231137768
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Descrizione libro Columbia University Press, United States, 2009. Hardback. Condizione libro: New. English.. 236 x 160 mm. Language: English . Brand New Book. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms deaf cinema ) did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick s The Shining to the way actors from different nations use their voices and words, Film, a Sound Art showcases the vast knowledge and innovative thinking of a major theorist. Codice libro della libreria AAH9780231137768

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Michel Chion
Editore: Columbia University Press, United States (2009)
ISBN 10: 0231137761 ISBN 13: 9780231137768
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Descrizione libro Columbia University Press, United States, 2009. Hardback. Condizione libro: New. English.. 236 x 160 mm. Language: English . Brand New Book. French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, a Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms deaf cinema ) did not end with the advent of sound technology but continues to function underneath and within later films.Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick s The Shining to the way actors from different nations use their voices and words, Film, a Sound Art showcases the vast knowledge and innovative thinking of a major theorist. Codice libro della libreria AAH9780231137768

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4.

Michel Chion, Claudia Gorbman (Translator), C. Jon Delogu (Translator)
Editore: Columbia University Press (2009)
ISBN 10: 0231137761 ISBN 13: 9780231137768
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Descrizione libro Columbia University Press, 2009. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0231137761

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Michel Chion, Claudia Gorbman, C. Jon Delogu
Editore: Columbia University Press
ISBN 10: 0231137761 ISBN 13: 9780231137768
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Descrizione libro Columbia University Press. Hardback. Condizione libro: new. BRAND NEW, Film, A Sound Art, Michel Chion, Claudia Gorbman, C. Jon Delogu, French critic and composer Michel Chion argues that watching movies is more than just a visual exercise--it enacts a process of audio-viewing. The audiovisual makes use of a wealth of tropes, devices, techniques, and effects that convert multiple sensations into image and sound, therefore rendering, instead of reproducing, the world through cinema. The first half of Film, A Sound Art considers developments in technology, aesthetic trends, and individual artistic style that recast the history of film as the evolution of a truly audiovisual language. The second half explores the intersection of auditory and visual realms. With restless inventiveness, Chion develops a rhetoric that describes the effects of audio-visual combinations, forcing us to rethink sound film. He claims, for example, that the silent era (which he terms "deaf cinema") did not end with the advent of sound technology but continues to function underneath and within later films. Expanding our appreciation of cinematic experiences ranging from Dolby multitrack in action films and the eerie tricycle of Stanley Kubrick's The Shining to the way actors from different nations use their voices and words, Film, A Sound Art showcases the vast knowledge and innovative thinking of a major theorist. Codice libro della libreria B9780231137768

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CHION
ISBN 10: 0231137761 ISBN 13: 9780231137768
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Descrizione libro 2009. Hardback. Condizione libro: NEW. 9780231137768 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Codice libro della libreria HTANDREE01138489

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Chion, Michel/ Gorbman, Claudia (Translator)
Editore: Columbia University Press (2009)
ISBN 10: 0231137761 ISBN 13: 9780231137768
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Descrizione libro Columbia University Press, 2009. Hardcover. Condizione libro: Brand New. 528 pages. 9.30x6.30x1.20 inches. In Stock. Codice libro della libreria __0231137761

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