All the Art That's Fit to Print (And Some That Wasn't): Inside the New York Times Op-Ed Page

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9780231138253: All the Art That's Fit to Print (And Some That Wasn't): Inside the New York Times Op-Ed Page

All the Art That's Fit to Print reveals the true story of the world's first Op-Ed page, a public platform that--in 1970--prefigured the Internet blogosphere. Not only did the New York Times's nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury's Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie The Killing Fields--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse. Op-Ed's subject is the world, and its illustrations are created by the world's finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists' common drive to communicate their creative visions and to stir our vibrant cultural-political pot.

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Kraus, Jerelle
ISBN 10: 0231138253 ISBN 13: 9780231138253
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Descrizione libro Columbia University Press, United States, 2012. Paperback. Condizione libro: New. Reprint. 277 x 226 mm. Language: English . Brand New Book. All the Art That s Fit to Print reveals the true story of the world s first Op-Ed page, a public platform that-in 1970-prefigured the Internet blogosphere. Not only did the New York Times s nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration s very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury s Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie The Killing Fields--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus s tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse. Op-Ed s subject is the world, and its illustrations are created by the world s finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists common drive to communicate their creative visions and to stir our vibrant cultural-political pot. Codice libro della libreria AAH9780231138253

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Kraus, Jerelle
Editore: Columbia University Press, United States (2012)
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Descrizione libro Columbia University Press, United States, 2012. Paperback. Condizione libro: New. Reprint. 277 x 226 mm. Language: English . Brand New Book. All the Art That s Fit to Print reveals the true story of the world s first Op-Ed page, a public platform that-in 1970-prefigured the Internet blogosphere. Not only did the New York Times s nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration s very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury s Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie The Killing Fields--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus s tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse. Op-Ed s subject is the world, and its illustrations are created by the world s finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists common drive to communicate their creative visions and to stir our vibrant cultural-political pot. Codice libro della libreria AAH9780231138253

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Descrizione libro Columbia University Press, 2012. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WI-9780231138253

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Descrizione libro Columbia University Press, 2012. Condizione libro: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: To discover what really goes on inside the belly of the media beast, read All the Art That's Fit to Print . The "Some That Wasn't" are never-published illustrations censored by Times poobahs and revealed here for the first time. Jerelle Kraus's juicy tales include clashes with tyrannical editor Howell Raines over imagery he erroneously viewed as politically incorrect or sexual and a hilarious story of meeting Richard Nixon-behind an unmarked door after a secret knock-who wanted the original of her drawing of him and Brezhnev. In today's world of thought crimes, All the Art is must reading. Codice libro della libreria ABE_book_new_0231138253

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Descrizione libro 2012. Paperback. Condizione libro: NEW. 9780231138253 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Codice libro della libreria HTANDREE01139449

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Descrizione libro Columbia Univ Pr, 2012. Paperback. Condizione libro: Brand New. reprint edition. 260 pages. 11.00x9.00x1.25 inches. In Stock. Codice libro della libreria __0231138253

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Descrizione libro Columbia University Press, 2012. Paperback. Condizione libro: New. book. Codice libro della libreria 0231138253

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Descrizione libro 2012. Paperback. Condizione libro: New. 229mm x 20mm x 282mm. Paperback. "All the Art That's Fit to Print" reveals the true story of the world's first Op-Ed page, a public platform that?in 1970?prefigured the Internet blogosphere.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 260 pages. 1.057. Codice libro della libreria 9780231138253

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Descrizione libro 2012. Paperback. Condizione libro: New. 1. 15.88 x 23.5 cm. Reveals the story of the world's first Op-Ed page, sharing an insider's view of the editorial and political processes of the newspaper and includes several images that were never published in the Times. Paperback. Codice libro della libreria MM-48009793

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