All the Art That's Fit to Print (And Some That Wasn't): Inside the New York Times Op-Ed Page

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9780231138253: All the Art That's Fit to Print (And Some That Wasn't): Inside the New York Times Op-Ed Page

All the Art That's Fit to Print reveals the true story of the world's first Op-Ed page, a public platform that--in 1970--prefigured the Internet blogosphere. Not only did the New York Times's nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury's Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie The Killing Fields--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse. Op-Ed's subject is the world, and its illustrations are created by the world's finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists' common drive to communicate their creative visions and to stir our vibrant cultural-political pot.

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Jerelle Kraus
Editore: Columbia University Press (2012)
ISBN 10: 0231138253 ISBN 13: 9780231138253
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Descrizione libro Columbia University Press, 2012. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780231138253

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Descrizione libro Columbia University Press. PAPERBACK. Condizione libro: New. 0231138253 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 16059018

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Descrizione libro Columbia University Press, United States, 2012. Paperback. Condizione libro: New. Reprint. 277 x 226 mm. Language: English . Brand New Book. All the Art That s Fit to Print reveals the true story of the world s first Op-Ed page, a public platform that-in 1970-prefigured the Internet blogosphere. Not only did the New York Times s nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration s very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury s Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie The Killing Fields--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus s tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse. Op-Ed s subject is the world, and its illustrations are created by the world s finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists common drive to communicate their creative visions and to stir our vibrant cultural-political pot. Codice libro della libreria AAC9780231138253

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Descrizione libro Paperback. Condizione libro: New. 229mm x 20mm x 282mm. Paperback. "All the Art That's Fit to Print" reveals the true story of the world's first Op-Ed page, a public platform that?in 1970?prefigured the Internet blogosphere.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 260 pages. 1.057. Codice libro della libreria 9780231138253

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Jerelle Kraus
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Descrizione libro Columbia University Press, United States, 2012. Paperback. Condizione libro: New. Reprint. 277 x 226 mm. Language: English . Brand New Book. All the Art That s Fit to Print reveals the true story of the world s first Op-Ed page, a public platform that-in 1970-prefigured the Internet blogosphere. Not only did the New York Times s nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration s very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury s Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie The Killing Fields--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus s tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse. Op-Ed s subject is the world, and its illustrations are created by the world s finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists common drive to communicate their creative visions and to stir our vibrant cultural-political pot. Codice libro della libreria AAC9780231138253

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Descrizione libro Columbia University Press, 2012. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WI-9780231138253

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Descrizione libro Columbia University Press. Paperback. Condizione libro: new. BRAND NEW, All the Art That's Fit to Print (and Some That Wasn't): Inside the New York Times Op-Ed Page, Jerelle Kraus, All the Art That's Fit to Print reveals the true story of the world's first Op-Ed page, a public platform that--in 1970--prefigured the Internet blogosphere. Not only did the New York Times's nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury's Garry Trudeau, and why reporter Syd Schanburg--whose story was told in the movie The Killing Fields--stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse. Op-Ed's subject is the world, and its illustrations are created by the world's finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists' common drive to communicate their creative visions and to stir our vibrant cultural-political pot. Codice libro della libreria B9780231138253

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Descrizione libro Columbia University Press, 2012. Paperback. Condizione libro: New. book. Codice libro della libreria 0231138253

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Descrizione libro Columbia University Press. PAPERBACK. Condizione libro: New. 0231138253 Special order direct from the distributor. Codice libro della libreria ING9780231138253

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