The Cultural Space of the Arts and the Infelicities of Reductionism

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9780231147286: The Cultural Space of the Arts and the Infelicities of Reductionism

Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture? How do these realms relate? The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century's best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, No l Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves. Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture--particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life--all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis's work reestablishes what is essential to a productive encounter with art.

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Descrizione libro Columbia University Press, 2010. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0231147287

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Descrizione libro Columbia University Press, United States, 2010. Hardback. Condizione libro: New. 211 x 147 mm. Language: English . Brand New Book ***** Print on Demand *****.Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture? How do these realms relate? The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century s best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Noel Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves. Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture--particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life--all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis s work reestablishes what is essential to a productive encounter with art. Codice libro della libreria APC9780231147286

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Joseph Margolis
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ISBN 10: 0231147287 ISBN 13: 9780231147286
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Descrizione libro Columbia University Press, United States, 2010. Hardback. Condizione libro: New. 211 x 147 mm. Language: English . Brand New Book ***** Print on Demand *****. Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture? How do these realms relate? The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth century s best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Noel Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves. Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human culture--particularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human life--all to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margolis s work reestablishes what is essential to a productive encounter with art. Codice libro della libreria APC9780231147286

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Joseph Margolis
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ISBN 10: 0231147287 ISBN 13: 9780231147286
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Descrizione libro Columbia University Press. Hardcover. Condizione libro: New. Hardcover. 232 pages. Dimensions: 8.3in. x 5.8in. x 1.0in.Joseph Margolis, known for his considerable contributions to the philosophy of art and aesthetics, pragmatism, and American philosophy, has focused primarily on the troublesome concepts of culture, history, language, agency, art, interpretation, and the human person or self. For Margolis, the signal problem has always been the same: how can we distinguish between physical nature and human culture How do these realms relate The Cultural Space of the Arts and the Infelicities of Reductionism identifies a conceptual tendency that can be drawn from the work of the twentieth centurys best-known analytic philosophers of art: Arthur Danto, Richard Wollheim, Kendall Walton, Nelson Goodman, Monroe Beardsley, Nol Carroll, and Jerrold Levinson, among others. This trend threatens to impoverish our grasp and appreciation of the arts by failing to do justice to the culturally informed nature of the arts themselves. Through his analysis, Margolis sets out to retrieve an adequate picture of the essential differences between physical nature and human cultureparticularly through language, history, meaning, significance, the emergence of the human self or person, and the essential features of human lifeall to explain how such difference bears on our perception of paintings and literature. Clearly argued and provocatively engaging, Margoliss work reestablishes what is essential to a productive encounter with art. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Codice libro della libreria 9780231147286

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