Camera Historica: The Century in Cinema (European Perspectives: A Series in Social Thought and Cultural Criticism)

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9780231156516: Camera Historica: The Century in Cinema (European Perspectives: A Series in Social Thought and Cultural Criticism)

Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmakers used a particular mise-en-scène to give form to history, becoming in the process historians themselves. Historical events, in turn, irrupted into cinema. This double movement, which de Baecque terms the "cinematographic form of history," disrupts the very material of film, much like historical events disturb the narrative of human progress.

De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the "de-modern" works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m'était conté (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque's introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

About the Author:

Antoine de Baecque is a historian and film critic and professor of cinema studies at the University of Paris X Nanterre. His books in English include Truffaut: A Biography; The Body Politic: Corporeal Metaphor in Revolutionary France, 1770–1800; Glory and Terror; and A History of Democracy in Europe. He has served as culture editor for the newspaper Liberation and as editor in chief of Cahiers du cinéma.

Ninon Vinsonneau teaches American culture and cinema at École Centrale Paris.

Jonathan Magidoff teaches history at Sciences Po Paris.

Review:

De Baecque is one of our most meticulous and enterprising film historians, and in Camera Historica, he finds a new way of looking at the two sides of his interest, film and history, making each a clarifying reflection of the other. As a particular bonus, he's especially good on important filmmakers who emerged during the 1960s, such as the Nouvelle Vague and Peter Watkins. (Jonathan Rosenbaum, film critic)

Camera Historica marks a new stage in thinking about the relationship between cinema (as art) and history (as both real and narrative). Going beyond the classic 'histories of cinema,' this book reveals what cinema makes of history, its way of making history visible, and of allowing us to judge it. (Alain Badiou)

Thanks to this book I now understand precisely why and how I am goth. (Tim Burton)

Those in search of superb academic writing need look no further. De Baecque renders a beguiling mix of auteurism, rigorous methodology, and historical analysis in an evenhanded, engaging tone. (Jonathan Robbins Film Comment)

Cinema and history are in lively dialogue here, which creates much more exciting reading...highly recommended. (Choice)

Politics, social insights and film art blend in a scholarly international probe perfect for film analysts studying the art and culture of cinema. (Midwest Book Review)

presents an intelligent, opinionated, emotionally engaging, intermittently flawed meditation on cinema's ongoing negotiations with history... (David Sterritt Cineaste)

Camera Historica is a refreshing and stimulating read, ultimately offering a vital contribution to the ongoing need for serious discussions of the intersections between film and history. (Paula Amad American Historical Review)

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

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Antoine De Baecque
Editore: The University Press Group Ltd, United States (2012)
ISBN 10: 0231156510 ISBN 13: 9780231156516
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Descrizione libro The University Press Group Ltd, United States, 2012. Paperback. Condizione libro: New. Language: English . Brand New Book. Antoine de Baecque proposes a new historiography of cinema, investigating how cinematic representation changes the very nature of history and our understanding of it. Whether portraying events that occurred in the past or stories that were unfolding before their eyes, certain twentieth-century filmmakers have used a particular mise-en-scene to give form to history. This phenomenon, which de Baecque terms the `cinematographic form of history,` disrupts the very material of film, much like historical events themselves disturb the progress of human narrative. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the `de-modern` works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m etait conte (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque s introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate. Codice libro della libreria LIB9780231156516

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Antoine De Baecque
Editore: The University Press Group Ltd, United States (2012)
ISBN 10: 0231156510 ISBN 13: 9780231156516
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Descrizione libro The University Press Group Ltd, United States, 2012. Paperback. Condizione libro: New. Language: English . Brand New Book. Antoine de Baecque proposes a new historiography of cinema, investigating how cinematic representation changes the very nature of history and our understanding of it. Whether portraying events that occurred in the past or stories that were unfolding before their eyes, certain twentieth-century filmmakers have used a particular mise-en-scene to give form to history. This phenomenon, which de Baecque terms the `cinematographic form of history,` disrupts the very material of film, much like historical events themselves disturb the progress of human narrative. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the `de-modern` works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m etait conte (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque s introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate. Codice libro della libreria LIB9780231156516

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Antoine De Baecque, Jonathan Magidoff, Ninon Vinsonneau
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Descrizione libro Columbia University Press 2012-03-09, New York |Chichester, 2012. paperback. Condizione libro: New. Codice libro della libreria 9780231156516

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Descrizione libro Columbia Univers. Press Mrz 2012, 2012. Taschenbuch. Condizione libro: Neu. Neuware - Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmakers used a particular mise-en-scene to give form to history, becoming in the process historians themselves. Historical events, in turn, irrupted into cinema. This double movement, which de Baecque terms the 'cinematographic form of history,' disrupts the very material of film, much like historical events disturb the narrative of human progress. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the 'de-modern' works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m'etait conte (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque's introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate. 388 pp. Englisch. Codice libro della libreria 9780231156516

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Descrizione libro Columbia University Press, 2012. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WI-9780231156516

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Descrizione libro Columbia University Press, 2012. Condizione libro: New. 2012. Paperback. Translator(s): Vinsonneau, Ninon; Magidoff, Jonathan. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 424 pages, black & white illustrations. BIC Classification: 3JJ; APF; HBA. Category: (P) Professional & Vocational. Dimension: 229 x 180 x 22. Weight in Grams: 934. The Century in Cinema. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 424 pages, illustrations. Cateogry: (P) Professional & Vocational. BIC Classification: 3JJ; APF; HBA. Dimension: 229 x 180 x 22. Weight: 928. Translator(s): Vinsonneau, Ninon; Magidoff, Jonathan. . . . . . . Codice libro della libreria V9780231156516

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Descrizione libro Columbia University Press. Paperback. Condizione libro: new. BRAND NEW, Camera Historica: The Century in Cinema, Antoine de Baecque, Ninon Vinsonneau, Jonathan Magidoff, Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmakers used a particular mise-en-sc ne to give form to history, becoming in the process historians themselves. Historical events, in turn, irrupted into cinema. This double movement, which de Baecque terms the "cinematographic form of history," disrupts the very material of film, much like historical events disturb the narrative of human progress. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the "de-modern" works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m' tait cont (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque's introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate. Codice libro della libreria B9780231156516

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Descrizione libro Columbia University Press. Condizione libro: New. 2012. Paperback. Translator(s): Vinsonneau, Ninon; Magidoff, Jonathan. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 424 pages, black & white illustrations. BIC Classification: 3JJ; APF; HBA. Category: (P) Professional & Vocational. Dimension: 229 x 180 x 22. Weight in Grams: 934. The Century in Cinema. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 424 pages, illustrations. Cateogry: (P) Professional & Vocational. BIC Classification: 3JJ; APF; HBA. Dimension: 229 x 180 x 22. Weight: 928. Translator(s): Vinsonneau, Ninon; Magidoff, Jonathan. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780231156516

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Descrizione libro Columbia Univers. Press, 2012. Condizione libro: New. Codice libro della libreria L9780231156516

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