Camera Historica: The Century in Cinema

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9780231156516: Camera Historica: The Century in Cinema

Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmakers used a particular mise-en-sc ne to give form to history, becoming in the process historians themselves. Historical events, in turn, irrupted into cinema. This double movement, which de Baecque terms the "cinematographic form of history," disrupts the very material of film, much like historical events disturb the narrative of human progress. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the "de-modern" works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m' tait cont (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque's introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate.

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De Baecque, Antoine
Editore: Columbia University Press
ISBN 10: 0231156510 ISBN 13: 9780231156516
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De Baecque, Antoine
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Descrizione libro The University Press Group Ltd, United States, 2012. Paperback. Condizione libro: New. 229 x 178 mm. Language: English . Brand New Book. Antoine de Baecque proposes a new historiography of cinema, investigating how cinematic representation changes the very nature of history and our understanding of it. Whether portraying events that occurred in the past or stories that were unfolding before their eyes, certain twentieth-century filmmakers have used a particular mise-en-scene to give form to history. This phenomenon, which de Baecque terms the `cinematographic form of history,` disrupts the very material of film, much like historical events themselves disturb the progress of human narrative. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the `de-modern` works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m etait conte (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque s introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate. Codice libro della libreria POW9780231156516

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De Baecque, Antoine
Editore: The University Press Group Ltd, United States (2012)
ISBN 10: 0231156510 ISBN 13: 9780231156516
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Descrizione libro The University Press Group Ltd, United States, 2012. Paperback. Condizione libro: New. 229 x 178 mm. Language: English . Brand New Book. Antoine de Baecque proposes a new historiography of cinema, investigating how cinematic representation changes the very nature of history and our understanding of it. Whether portraying events that occurred in the past or stories that were unfolding before their eyes, certain twentieth-century filmmakers have used a particular mise-en-scene to give form to history. This phenomenon, which de Baecque terms the `cinematographic form of history,` disrupts the very material of film, much like historical events themselves disturb the progress of human narrative. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the `de-modern` works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m etait conte (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque s introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate. Codice libro della libreria POW9780231156516

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Descrizione libro Columbia University Press, 2012. Paperback. Condizione libro: New. book. Codice libro della libreria 0231156510

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Descrizione libro Columbia University Press, 2012. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WI-9780231156516

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Descrizione libro Columbia University Press. Paperback. Condizione libro: new. BRAND NEW, Camera Historica: The Century in Cinema, Antoine de Baecque, Ninon Vinsonneau, Jonathan Magidoff, Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmakers used a particular mise-en-sc ne to give form to history, becoming in the process historians themselves. Historical events, in turn, irrupted into cinema. This double movement, which de Baecque terms the "cinematographic form of history," disrupts the very material of film, much like historical events disturb the narrative of human progress. De Baecque defines, locates, and interprets cinematographic forms in seven distinct bodies of cinema: 1950s modern cinema and its conjuring of the morbid trauma of war; French New Wave and its style, which became the negative imprint of the malaise felt by young contemporaries of the Algerian War; post-Communist Russian films, or the "de-modern" works of catastroika; contemporary Hollywood films that attach themselves to the master fiction of 9/11; the characteristic mise en forme of filmmaker Sacha Guitry, who, in Si Versailles m' tait cont (1954), filmed French history from inside its chateau; the work of Jean-Luc Godard, who evoked history through his own museum memory of the twentieth century; and the achievements of Peter Watkins, the British filmmaker who reported on history like a war correspondent. De Baecque's introduction clearly lays out his theoretical framework, a profoundly brilliant conceptualization of the many ways cinema and history relate. Codice libro della libreria B9780231156516

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Descrizione libro Paperback. Condizione libro: New. Not Signed; Antoine de Baecque proposes a new historiography of cinema, exploring film as a visual archive of the twentieth century, as well as history's imprint on the cinematic image. Whether portraying events that occurred in the past or stories unfolding before their eyes, certain twentieth-century filmmake. book. Codice libro della libreria ria9780231156516_rkm

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De Baecque, Antoine
Editore: Columbia University Press 2011-06-10, New York (2011)
ISBN 10: 0231156510 ISBN 13: 9780231156516
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Descrizione libro Columbia University Press 2011-06-10, New York, 2011. paperback. Condizione libro: New. Codice libro della libreria 9780231156516

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