Maya Deren: Incomplete Control (Film and Culture Series)

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9780231162210: Maya Deren: Incomplete Control (Film and Culture Series)

Maya Deren (1917–1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films.

Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.

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Book Description:

Maya Deren (1917–1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative, and provocative imagery. This book assesses the filmmaker's completed work alongside her incomplete projects, arguing that Deren's overarching aesthetic is founded on principles of contingency and openness, which give her work singular depth but also complicate its making. Combining documentary, experimental, and creative approaches to filmmaking, Deren created a wholly original experience for film audiences, and this critical retrospective illuminates these productive tensions, which continue to energize film.

About the Author:

Sarah Keller is assistant professor of Art and cinema studies at the University of Massachusetts–Boston. She is coeditor, with Jason Paul, of Jean Epstein: Critical Essays and New Translations.

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Descrizione libro Columbia University Press, United States, 2015. Paperback. Condizione libro: New. Language: English . Brand New Book. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century s groundbreaking aesthetic movements and films.Maya Deren assesses both the filmmaker s completed work and her numerous unfinished projects, arguing Deren s overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren s career and the productive tensions she initiated that continue to energize film. Codice libro della libreria AAS9780231162210

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Descrizione libro Columbia University Press, United States, 2015. Paperback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century s groundbreaking aesthetic movements and films.Maya Deren assesses both the filmmaker s completed work and her numerous unfinished projects, arguing Deren s overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren s career and the productive tensions she initiated that continue to energize film. Codice libro della libreria BTE9780231162210

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Descrizione libro Columbia University Press, United States, 2015. Paperback. Condizione libro: New. Language: English . Brand New Book. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century s groundbreaking aesthetic movements and films.Maya Deren assesses both the filmmaker s completed work and her numerous unfinished projects, arguing Deren s overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren s career and the productive tensions she initiated that continue to energize film. Codice libro della libreria AAS9780231162210

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Descrizione libro 2014. Paperback. Condizione libro: New. Paperback. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Je.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 296 pages. 0.392. Codice libro della libreria 9780231162210

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Descrizione libro 2014. Paperback. Condizione libro: New. Paperback. Maya Deren (1917-1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Inf.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 296 pages. 0.392. Codice libro della libreria 9780231162210

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