Musical Improvisation: Art, Education, and Society

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9780252076541: Musical Improvisation: Art, Education, and Society

A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not "precomposed" has constituted an artful expression of the performer's individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

About the Author:

Gabriel Solis is an associate professor of music and African American studies at the University of Illinois at Urbana-Champaign and the author of Monk's Music: Thelonious Monk and Jazz History in the Making.Bruno Nettl is a professor emeritus of music and anthropology at the University of Illinois at Urbana-Champaign and the author of The Study of Ethnomusicology: Thirty-one Issues and Concepts and other works.

Review:

"Valuable not only to researchers but also to performers, who will find their minds opened to how music different from their own can help them improvise better in their chosen genre. . . . Recommended."--Choice

"A goldmine of information ... that is relevant to the amateur and scholar alike."--Ethnomusicology

"An impressive and often sophisticated collection of essays. . . . it certainly constitutes a welcome addition to the field."--The World of Music

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Editore: University of Illinois Press, United States (2009)
ISBN 10: 0252076540 ISBN 13: 9780252076541
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Descrizione libro University of Illinois Press, United States, 2009. Paperback. Condizione libro: New. Language: English . Brand New Book. LI Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name: Table Normal ; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent: ; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family: Times New Roman ; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not u0022precomposed u0022 has constituted an artful expression of the performer s individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon. Codice libro della libreria AAJ9780252076541

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Editore: University of Illinois Press, United States (2009)
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Descrizione libro University of Illinois Press, United States, 2009. Paperback. Condizione libro: New. Language: English . Brand New Book. LI Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name: Table Normal ; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent: ; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family: Times New Roman ; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not u0022precomposed u0022 has constituted an artful expression of the performer s individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon. Codice libro della libreria AAJ9780252076541

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Gabriel Solis,Bruno Nettl
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Descrizione libro University of Illinois Press 2009-11-02, 2009. Paperback. Condizione libro: New. Codice libro della libreria NU-MAR-00063972

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Descrizione libro University of Illinois Press. Paperback. Condizione libro: new. BRAND NEW, Musical Improvisation: Art, Education, and Society, Gabriel Solis, Bruno Nettl, A musical practice used for centuries the world over, improvisation too often has been dismissed as either technically undissectible or inexplicably mysterious. Approaching musical improvisation from the fields of ethnomusicology, education, performance, historical musicology, and music theory, the contributors to this volume delve into diverse topics such as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon. Codice libro della libreria B9780252076541

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Gabriel Solis (editor), Bruno Nettl (editor)
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Descrizione libro University of Illinois Press 2009-07-24, Urbana, Ill. :|Chesham, 2009. paperback. Condizione libro: New. Codice libro della libreria 9780252076541

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Descrizione libro University of Illinois Press, 2009. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CA-9780252076541

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Descrizione libro University of Illinois Press. Condizione libro: New. Codice libro della libreria 8205410

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Descrizione libro University of Illinois Press, 2009. Condizione libro: New. 2009. 1st Edition. Paperback. Covers topics such as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon. Editor(s): Solis, Gabriel; Nettl, Bruno. Num Pages: 392 pages, 3 photographs; 6 tables; 3 line drawings. BIC Classification: AVA. Category: (P) Professional & Vocational; (UF) Further/Higher Education. Dimension: 228 x 154 x 23. Weight in Grams: 516. . . . . . . Codice libro della libreria V9780252076541

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Editore: University of Illinois Press, United States (2009)
ISBN 10: 0252076540 ISBN 13: 9780252076541
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Descrizione libro University of Illinois Press, United States, 2009. Paperback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. LI Normal 0 false false false MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name: Table Normal ; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent: ; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family: Times New Roman ; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} A musical practice used for centuries the world over, improvisation too often has been neglected by scholars who dismiss it as either technically undissectible or inexplicably mysterious. At different times and in different cultures, performing music that is not u0022precomposed u0022 has constituted an artful expression of the performer s individuality (the Baroque); a wild, unthinking form of expression (jazz antagonists); and the best method to train inexperienced musicians to use their instruments (the Middle East). This wide-ranging collection of essays considers musical improvisation from a variety of approaches, including ethnomusicology, education, performance, historical musicology, and music theory. Laying the groundwork for even further research into improvisation, the contributors of this volume delve into topics as diverse as the creative minds of Mozart and Beethoven, the place of improvised musics in Western and non-Western societies, and the development of jazz as a musical and cultural phenomenon. Codice libro della libreria BTE9780252076541

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