Reviewing Fascism: Italian Cinema, 1922-1943

ISBN 10: 0253340454 ISBN 13: 9780253340450

Casa editrice: Indiana Univ Pr, 2002

Riassunto

When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.

Su questo libro

L'autore:

Jacqueline Reich is Assistant Professor of Italian and Comparative Literature at the State University of New York at Stony Brook.

Piero Garofalo is Assistant Professor of Italian at the University of New Hampshire.

Product Description:

Book by None

Su questa edizione

• Editore: Indiana Univ Pr
• Data di pubblicazione: 2002
• ISBN 10: 0253340454
• ISBN 13: 9780253340450
• Rilegatura: Rilegatura all'americana
• Numero di pagine: 384
• Redattore: Reich Jacqueline, Garofalo Piero