Art Theory Krauss, Rosalind E. Under Blue Cup

ISBN 13: 9780262016131

Under Blue Cup

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9780262016131: Under Blue Cup

In Under Blue Cup, Rosalind Krauss explores the relation of aesthetic mediums to memory--her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the "post-medium" condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by "knights of the medium"--contemporary artists who extend the life of the specific medium. These artists--including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman--reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The "technical support" is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha's fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice. The work of the post-medium condition--conceptual art, installation, and relational aesthetics--advances the idea that the "white cube" of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art.

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Krauss, Rosalind E.
Editore: MIT Press
ISBN 10: 0262016133 ISBN 13: 9780262016131
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Rosalind E. Krauss
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Descrizione libro MIT Press, 2011. HRD. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780262016131

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Rosalind E. Krauss
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Descrizione libro MIT Press Ltd, United States, 2011. Hardback. Condizione libro: New. 234 x 186 mm. Language: English . Brand New Book. In Under Blue Cup, Rosalind Krauss explores the relation of aesthetic mediums to memory -- her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the post-medium condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by knights of the medium -- contemporary artists who extend the life of the specific medium. These artists -- including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman -- reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The technical support is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha s fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice. The work of the post-medium condition -- conceptual art, installation, and relational aesthetics -- advances the idea that the white cube of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art. Codice libro della libreria AAU9780262016131

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Rosalind E. Krauss
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ISBN 10: 0262016133 ISBN 13: 9780262016131
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Descrizione libro MIT Press Ltd, United States, 2011. Hardback. Condizione libro: New. 234 x 186 mm. Language: English . Brand New Book. In Under Blue Cup, Rosalind Krauss explores the relation of aesthetic mediums to memory -- her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the post-medium condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by knights of the medium -- contemporary artists who extend the life of the specific medium. These artists -- including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman -- reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The technical support is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha s fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice. The work of the post-medium condition -- conceptual art, installation, and relational aesthetics -- advances the idea that the white cube of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art. Codice libro della libreria AAU9780262016131

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Rosalind E. Krauss
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Descrizione libro MIT Press Ltd. Hardback. Condizione libro: new. BRAND NEW, Under Blue Cup, Rosalind E. Krauss, In Under Blue Cup, Rosalind Krauss explores the relation of aesthetic mediums to memory -- her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the "post-medium" condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by "knights of the medium" -- contemporary artists who extend the life of the specific medium. These artists -- including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman -- reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The "technical support" is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha's fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice. The work of the post-medium condition -- conceptual art, installation, and relational aesthetics -- advances the idea that the "white cube" of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art. Codice libro della libreria B9780262016131

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Krauss, Rosalind E.
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Descrizione libro MIT Press Ltd, 2011. Condizione libro: New. Num Pages: 152 pages, 60 color illus. BIC Classification: ABA; ACXJ. Category: (P) Professional & Vocational. Dimension: 229 x 186 x 19. Weight in Grams: 558. . 2011. Hardcover. . . . . . Codice libro della libreria V9780262016131

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Descrizione libro The MIT Press. Hardcover. Condizione libro: New. 0262016133 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 14746992

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Descrizione libro MIT Press Ltd. Condizione libro: New. Num Pages: 152 pages, 60 color illus. BIC Classification: ABA; ACXJ. Category: (P) Professional & Vocational. Dimension: 229 x 186 x 19. Weight in Grams: 558. . 2011. Hardcover. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780262016131

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Descrizione libro Condizione libro: New. Depending on your location, this item may ship from the US or UK. Codice libro della libreria 97802620161310000000

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