The Sound of Innovation: Stanford and the Computer Music Revolution

Valutazione media 4
( su 2 valutazioni fornite da GoodReads )
 
9780262028769: The Sound of Innovation: Stanford and the Computer Music Revolution

In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced "karma") helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

I migliori risultati di ricerca su AbeBooks

1.

Andrew J. Nelson
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Quantità: 3
Da
book-net
(Sugarland, TX, U.S.A.)
Valutazione libreria
[?]

Descrizione libro Condizione libro: New. New Book. Codice libro della libreria 026202876XSBK

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 27,74
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
In U.S.A.
Destinazione, tempi e costi

2.

Andrew J. Nelson
Editore: MIT Press Ltd, United States (2015)
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Rilegato Quantità: 1
Da
The Book Depository
(London, Regno Unito)
Valutazione libreria
[?]

Descrizione libro MIT Press Ltd, United States, 2015. Hardback. Condizione libro: New. 236 x 155 mm. Language: English . Brand New Book. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced karma ) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford s Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA s interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford s outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book s website provides access to original historic documents and other material. Codice libro della libreria AAZ9780262028769

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 27,85
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

3.

Andrew J. Nelson
Editore: MIT Press Ltd, United States (2015)
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Rilegato Quantità: 1
Da
The Book Depository US
(London, Regno Unito)
Valutazione libreria
[?]

Descrizione libro MIT Press Ltd, United States, 2015. Hardback. Condizione libro: New. 236 x 155 mm. Language: English . Brand New Book. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced karma ) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford s Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA s interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford s outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book s website provides access to original historic documents and other material. Codice libro della libreria AAZ9780262028769

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 27,87
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

4.

Nelson, Andrew J.
Editore: MIT Press
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Quantità: > 20
Da
INDOO
(Avenel, NJ, U.S.A.)
Valutazione libreria
[?]

Descrizione libro MIT Press. Condizione libro: New. Brand New. Codice libro della libreria 026202876X

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 25,26
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,22
In U.S.A.
Destinazione, tempi e costi

5.

Nelson, Andrew J.
Editore: The MIT Press (2015)
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Rilegato Quantità: 1
Da
Irish Booksellers
(Rumford, ME, U.S.A.)
Valutazione libreria
[?]

Descrizione libro The MIT Press, 2015. Hardcover. Condizione libro: New. book. Codice libro della libreria 026202876X

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 29,94
Convertire valuta

Aggiungere al carrello

Spese di spedizione: GRATIS
In U.S.A.
Destinazione, tempi e costi

6.

Andrew J. Nelson
Editore: MIT Press Ltd 2015-04-17, Cambridge, Mass. (2015)
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Rilegato Quantità: 1
Da
Blackwell's
(Oxford, OX, Regno Unito)
Valutazione libreria
[?]

Descrizione libro MIT Press Ltd 2015-04-17, Cambridge, Mass., 2015. hardback. Condizione libro: New. Codice libro della libreria 9780262028769

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 26,93
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 5,20
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

7.

Andrew J. Nelson
Editore: MIT Press (2015)
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Quantità: 13
Da
Books2Anywhere
(Fairford, GLOS, Regno Unito)
Valutazione libreria
[?]

Descrizione libro MIT Press, 2015. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WM-9780262028769

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 22,14
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 10,41
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

8.

Andrew J. Nelson
Editore: MIT Press Ltd
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Rilegato Quantità: 2
Da
THE SAINT BOOKSTORE
(Southport, Regno Unito)
Valutazione libreria
[?]

Descrizione libro MIT Press Ltd. Hardback. Condizione libro: new. BRAND NEW, The Sound of Innovation: Stanford and the Computer Music Revolution, Andrew J. Nelson, In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced "karma") helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material. Codice libro della libreria B9780262028769

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 25,92
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 6,87
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

9.

Andrew J. Nelson
Editore: MIT Press (2015)
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Quantità: 1
Da
PBShop
(Wood Dale, IL, U.S.A.)
Valutazione libreria
[?]

Descrizione libro MIT Press, 2015. HRD. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780262028769

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 30,71
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,67
In U.S.A.
Destinazione, tempi e costi

10.

Andrew J. Nelson
ISBN 10: 026202876X ISBN 13: 9780262028769
Nuovi Rilegato Quantità: 1
Da
Ria Christie Collections
(Uxbridge, Regno Unito)
Valutazione libreria
[?]

Descrizione libro Hardback. Condizione libro: New. Not Signed; In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Compute. book. Codice libro della libreria ria9780262028769_rkm

Maggiori informazioni su questa libreria | Fare una domanda alla libreria

Compra nuovo
EUR 31,53
Convertire valuta

Aggiungere al carrello

Spese di spedizione: EUR 3,86
Da: Regno Unito a: U.S.A.
Destinazione, tempi e costi

Vedi altre copie di questo libro

Vedi tutti i risultati per questo libro