An anthology of writings and projects by artists who developed and extended the genre of institutional critique.
"Institutional critique” is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. This anthology traces the development of institutional critique as an artistic concern from the 1960s to the present by gathering writings and representative art projects of artists from across Europe and throughout the Americas who developed and extended the genre. The texts and artworks included are notable for the range of perspectives and positions they reflect and for their influence in pushing the boundaries of what is meant by institutional critique. Like Alberro and Stimson's Conceptual Art: A Critical Anthology this volume will shed new light on its subject through its critical and historical framing. Even readers already familiar with institutional critique will come away from this book with a greater and often redirected understanding of its significance.
Artists represented include
Wieslaw Borowski, Daniel Buren, Marcel Broodthaers, Groupe de Recherche d'Art Visuel, Hans Haacke, Robert Smithson, John Knight, Graciela Carnevale, Osvaldo Mateo Boglione, Guerilla Art Action Group, Art Workers' Coalition, Mierle Laderman Ukeles, Michael Asher, Mel Ramsden, Adrian Piper, The Guerrilla Girls, Laibach, Silvia Kolbowski, Andrea Fraser, Fred Wilson, Mark Dion, Maria Eichhorn, Critical Art Ensemble, Bureau d'Études, WochenKlausur, The Yes Men, Hito Steyerl, Andreas Siekmann.
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Alexander Alberro is Virginia Bloedel Wright '51 Associate Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity (2000). Blake Stimson is Professor of Art History at the University of California, Davis. He is the author of The Pivot of the World: Photography and Its Nation (2004). Alberro and Stimson are coeditors of Conceptual Art: A Critical Anthology (2006), all published by the MIT Press.
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Descrizione libro Condizione: New. 2011. Reprint. Paperback. An anthology of writings and projects by artists who developed and extended the genre of institutional critique. Editor(s): Alberro, Alexander; Stimson, Blake. Num Pages: 512 pages, 60 b&w illus. BIC Classification: AC; GM. Category: (P) Professional & Vocational. Dimension: 221 x 172 x 24. Weight in Grams: 914. . . . . . Codice articolo V9780262516648
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Descrizione libro Condizione: New. 2011. Reprint. Paperback. An anthology of writings and projects by artists who developed and extended the genre of institutional critique. Editor(s): Alberro, Alexander; Stimson, Blake. Num Pages: 512 pages, 60 b&w illus. BIC Classification: AC; GM. Category: (P) Professional & Vocational. Dimension: 221 x 172 x 24. Weight in Grams: 914. . . . . . Books ship from the US and Ireland. Codice articolo V9780262516648
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