Most histories of 20th century design cite Peter Behrens's seminal influence on three of his former proteges - Gropius, Mies, and Le Corbusier - and mention the turbine factory and arc-lamp he designed for the German electric company, the AEG. Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs. Illustrated with 600 halftones, 31 line drawings, and 53 fourcolor plates, and augmented by substantial essays, it is one of the most complete documentations of any designers contribution to industry that has been assembled in the modern period. During the years that Behrens worked as artistic director for the AEG, he exercised complete control over the company's image. The resulting "industriekultur" was expressed in everything from factory buildings and worker housing to electric appliances and railroad cars, from graphic communications like signatge and trademarks to letterheads and mailing labels. Behrens's idea that. a company can promote its identity through a consistent design program had repercussions far beyond Germany. Many of today's corporate giants consider design an integral part of their management policies; in Behrens's time, it was still considered a bold and controversial experiment. In addition to the vast array of visual material from the AEG's archives, the book contains essays by Tilmann Buddensieg, Henning Rogge, Fritz Neumeyer, Karin Wilhelm, Gabriele Heidecker, and Sabine Bohle on Behrens's relationship with the AEG's management, his predecessors and successors, the AEG's rise to dominance in the electric industry, and Behrens's design ofexhibitions, graphics, and public utilities. There are also pieces by several of Behrens's contemporaries and a selection of Behrens's own writings appearing for the first time in English. A fully-illustrated appendix with biographical details of the AEG principals, and a comprehensive bibliography and index conclude this rich account. Tilmann Buddensieg is Director of the Art History Program at the University of Bonn, and has been Visiting Professor at Harvard, Stanford, and the University of California, Berkeley.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Spese di spedizione:
EUR 5,28
In U.S.A.
Da: TotalitarianMedia, Los Angeles, CA, U.S.A.
Soft cover. Condizione: Very Good. No Jacket. Industriekultur : Peter Behrens and the AEG 1907 - 1914. Buddensieg, Tilmann; Rogge, Henning. MIT Press. 1984. 520p. Oblong Trade paperback, covers bumped/scuffed, binding solid, text clean/unmarked35.00. Codice articolo ABE-1733089155888
Quantità: 1 disponibili
Da: Tiber Books, Cockeysville, MD, U.S.A.
Soft cover. Condizione: Very Good. . . . . 4to, paperback. Vg condition. Covers a bit edgeworn; gift inscription on half-title page. Contents clean, no marking or writing. Binding square and tight. 520 pp., illus. Architecture, Buildings, Design, European, German, History, Industrial, Modern, Public, Codice articolo 1211217.21
Quantità: 1 disponibili
Da: HPB-Red, Dallas, TX, U.S.A.
paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!. Codice articolo S_371880411
Quantità: 1 disponibili
Da: DeckleEdge LLC, Albuquerque, NM, U.S.A.
Condizione: Good. Codice articolo AO30
Quantità: 1 disponibili
Da: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
paperback. Condizione: good. First English edition. Octavo. Softcover. 21cm x 24cm. 520pp. Some creasing to front cover. Codice articolo 63527
Quantità: 1 disponibili
Da: Lectioz Books, Gloucester, NSW, Australia
Soft cover. Condizione: Good. First English Language Edition. Covers have moderate general wear plus sunning to spine. Internally clean. Binding good. 520pp Size: 245mm x 215mm. Book. Codice articolo 019383
Quantità: 1 disponibili
Da: Moe's Books, Berkeley, CA, U.S.A.
Softcover. Condizione: Very good. No jacket. Covers worn, with fading along spine. Codice articolo 92314
Quantità: 1 disponibili
Da: BYTOWN BOOKERY, Vars, ON, Canada
Paperback. Condizione: Near Fine. An oversize Paperback in Near Fine condition. A bright, unmarked text, a solid binding, light cover edgewear. "The full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs. Illustrated with 600 halftones, 31 line drawings, and 53 fourcolor plates, and augmented by substantial essays, it is one of the most complete documentations of any designers contribution to industry that has been assembled in the modern period. During the years that Behrens worked as artistic director for the AEG, he exercised complete control over the company's image. The resulting "industriekultur" was expressed in everything from factory buildings and worker housing to electric appliances and railroad cars, from graphic communications like signage and trademarks to letterheads and mailing labels. Behrens's idea that. A company can promote its identity through a consistent design program had repercussions far beyond Germany," ; 9.7 X 8.4 X 1.1 inches; 534 pages; Box 45. Codice articolo 23533
Quantità: 1 disponibili
Da: Hennessey + Ingalls, Los Angeles, CA, U.S.A.
Trade Paperback. Condizione: Used - Very Good. Most histories of 20th century design cite Peter Behrens's seminal influence on three of his former proteges - Gropius, Mies, and Le Corbusier - and mention the turbine factory and arc-lamp he designed for the German electric company, the AEG. Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs. Illustrated with 600 halftones, 31 line drawings, and 53 fourcolor plates, and augmented by substantial essays, it is one of the most complete documentations of any designers contribution to industry that has been assembled in the modern period. During the years that Behrens worked as artistic director for the AEG, he exercised complete control over the company's image. The resulting 'industriekultur' was expressed in everything from factory buildings and worker housing to electric appliances and railroad cars, from graphic communications like signatge and trademarks to letterheads and mailing labels. Behrens's idea that. a company can promote its identity through a consistent design program had repercussions far beyond Germany. Many of today's corporate giants consider design an integral part of their management policies; in Behrens's time, it was still considered a bold and controversial experiment. In addition to the vast array of visual material from the AEG's archives, the book contains essays by Tilmann Buddensieg, Henning Rogge, Fritz Neumeyer, Karin Wilhelm, Gabriele Heidecker, and Sabine Bohle on Behrens's relationship with the AEG's management, his predecessors and successors, the AEG's rise to dominance in the electric industry, and Behrens's design ofexhibitions, graphics, and public utilities. There are also pieces by several of Behrens's contemporaries and a selection of Behrens's own writings appearing for the first time in English. A fully-illustrated appendix with biographical details of the AEG principals, and a comprehensive bibliography and index conclude this rich account. Tilmann Buddensieg is Director of the Art History Program at the University of Bonn, and has been Visiting Professor at Harvard, Stanford, and the University of California, Berkeley. Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs. Very nice clean, tight copy free of any marks. Paper edition. BEAUTIFUL COPY!!!. Codice articolo 242428
Quantità: 1 disponibili
Da: Modern First Editions Boston, Boston, MA, U.S.A.
Soft cover. Condizione: Fine. 1st Edition. Fine copy of first US paperback edition. Pages are crisp intact and unmarked. Some light wear to front and back cover in area next to book spine. 520 pages including bibliography and index. Illustrated with 600 halftones, 31 line drawings, and 53 fourcolor plates, and augmented by substantial essays. Unusual , short landscape size of 9 3/4 x 8 1/2 inches. Most histories of 20th century design cite Peter Behrens's seminal influence on three of his former protégés-Gropius, Mies, and Le Corbusier-and mention the turbine factory and arc-lamp he designed for the German electric company, the AEG. Now the full story of the extraordinary collaboration between Peter Behrens and the AEG is disclosed in this extensive account of his industrial, graphic, and architectural designs. Codice articolo 001090
Quantità: 1 disponibili