Spectral Evidence: The Photography of Trauma

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9780262524476: Spectral Evidence: The Photography of Trauma

In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic "theme," Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experientially by the traumatized psyche -- moments that bypass normal cognition and memory. Taking as points of departure Charcot's images of hysteria and Freud's suggestion that the unconscious is structured like a camera, Baer shows how the invention of photography and the emergence of the modern category of "trauma" intersect. Drawing on recent work in the field of trauma studies, he shows how experiences that are inherently split between their occurrence and their remembrance might register in and as photographic images.In light of contemporary discussions of recovered memories and the limits of representing such catastrophes as the Holocaust, Baer examines photographs of artistic, medical, and historical subjects from the perspective of witnessing rather than merely viewing. He shows how historicist approaches to photography paradoxically overlook precisely those cataclysmic experiences that define our age. The photograph's apparent immunity to time is seen as a call for a future response--a response that is prompted by the ghostly afterlife of every photograph's subject. In a moving discussion of a rare collection of color slides taken by a Nazi official in the Lodz ghetto, Baer makes us aware that it is the viewer's responsibility to account for the spectral evidence embedded in every image.

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Ulrich Baer
Editore: MIT Press Ltd, United States (2005)
ISBN 10: 0262524473 ISBN 13: 9780262524476
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Descrizione libro MIT Press Ltd, United States, 2005. Paperback. Condizione libro: New. 221 x 173 mm. Language: English . Brand New Book. In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic theme, Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experientially by the traumatized psyche -- moments that bypass normal cognition and memory. Taking as points of departure Charcot s images of hysteria and Freud s suggestion that the unconscious is structured like a camera, Baer shows how the invention of photography and the emergence of the modern category of trauma intersect. Drawing on recent work in the field of trauma studies, he shows how experiences that are inherently split between their occurrence and their remembrance might register in and as photographic images. In light of contemporary discussions of recovered memories and the limits of representing such catastrophes as the Holocaust, Baer examines photographs of artistic, medical, and historical subjects from the perspective of witnessing rather than merely viewing. He shows how historicist approaches to photography paradoxically overlook precisely those cataclysmic experiences that define our age. The photograph s apparent immunity to time is seen as a call for a future response -- a response that is prompted by the ghostly afterlife of every photograph s subject. In a moving discussion of a rare collection of color slides taken by a Nazi official in the Lodz ghetto, Baer makes us aware that it is the viewer s responsibility to account for the spectral evidence embedded in every image. Codice libro della libreria AAS9780262524476

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Baer, Ulrich
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Descrizione libro The MIT Press. PAPERBACK. Condizione libro: New. 0262524473 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Codice libro della libreria 14764356

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Ulrich Baer
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Descrizione libro MIT Press Ltd, United States, 2005. Paperback. Condizione libro: New. 221 x 173 mm. Language: English . Brand New Book. In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic theme, Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experientially by the traumatized psyche -- moments that bypass normal cognition and memory. Taking as points of departure Charcot s images of hysteria and Freud s suggestion that the unconscious is structured like a camera, Baer shows how the invention of photography and the emergence of the modern category of trauma intersect. Drawing on recent work in the field of trauma studies, he shows how experiences that are inherently split between their occurrence and their remembrance might register in and as photographic images. In light of contemporary discussions of recovered memories and the limits of representing such catastrophes as the Holocaust, Baer examines photographs of artistic, medical, and historical subjects from the perspective of witnessing rather than merely viewing. He shows how historicist approaches to photography paradoxically overlook precisely those cataclysmic experiences that define our age. The photograph s apparent immunity to time is seen as a call for a future response -- a response that is prompted by the ghostly afterlife of every photograph s subject. In a moving discussion of a rare collection of color slides taken by a Nazi official in the Lodz ghetto, Baer makes us aware that it is the viewer s responsibility to account for the spectral evidence embedded in every image. Codice libro della libreria AAS9780262524476

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Descrizione libro MIT Press, 2005. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780262524476

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Descrizione libro MIT Press Ltd 2005-10-11, Cambridge, Mass., 2005. paperback. Condizione libro: New. Codice libro della libreria 9780262524476

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Descrizione libro Paperback. Condizione libro: New. 177mm x 11mm x 225mm. Paperback. In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the phot.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 210 pages. 0.426. Codice libro della libreria 9780262524476

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