Art Krauss, Rosalind E. Bachelors

ISBN 13: 9780262611657

Bachelors

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9780262611657: Bachelors

Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media.These essays on nine women artists--gathered as Bachelors--are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as criture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand.

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Rosalind E. Krauss
Editore: MIT Press Ltd, United States (2000)
ISBN 10: 0262611651 ISBN 13: 9780262611657
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Descrizione libro MIT Press Ltd, United States, 2000. Paperback. Condizione libro: New. Revised ed.. 226 x 170 mm. Language: English . Brand New Book. Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, What evaluative criteria can be applied to women s art? In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement s misogyny. Krauss resists that claim, for these bachelors are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the part object (Louise Bourgeois) or the formless (Cindy Sherman) could be said to find its power in strategies associated with such concepts as ecriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand. Codice libro della libreria AAU9780262611657

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Rosalind E. Krauss
Editore: MIT Press Ltd, United States (2000)
ISBN 10: 0262611651 ISBN 13: 9780262611657
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Descrizione libro MIT Press Ltd, United States, 2000. Paperback. Condizione libro: New. Revised ed.. 226 x 170 mm. Language: English . Brand New Book. Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, What evaluative criteria can be applied to women s art? In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement s misogyny. Krauss resists that claim, for these bachelors are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the part object (Louise Bourgeois) or the formless (Cindy Sherman) could be said to find its power in strategies associated with such concepts as ecriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand. Codice libro della libreria AAU9780262611657

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Rosalind E. Krauss
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Descrizione libro MIT Press Ltd. Paperback. Condizione libro: new. BRAND NEW, Bachelors, Rosalind E. Krauss, Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as ecriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand. Codice libro della libreria B9780262611657

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Krauss, Rosalind E.
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Rosalind E. Krauss
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Descrizione libro MIT Press Ltd 2000-10-11, Cambridge, Mass., 2000. paperback. Condizione libro: New. Codice libro della libreria 9780262611657

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Descrizione libro MIT Press, 2000. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria BB-9780262611657

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Descrizione libro MIT Press, 2000. PAP. Condizione libro: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria IB-9780262611657

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Rosalind Krauss
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Descrizione libro Paperback. Condizione libro: New. Not Signed; Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstrac. book. Codice libro della libreria ria9780262611657_rkm

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