Event-cities 3: Concept Vs. Context Vs. Content

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9780262701105: Event-cities 3: Concept Vs. Context Vs. Content

In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings -- but that the decision should always be strategic.Through documentation of recent projects -- including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept -- a simple and precise museum with the clarity of ancient Greek buildings -- with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts.

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Tschumi, Bernard
ISBN 10: 0262701103 ISBN 13: 9780262701105
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Descrizione libro MIT Press Ltd, 2005. Condizione libro: New. 2005. Paperback. How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi. Num Pages: 640 pages, 530 b/w illustrations & 103 colour. BIC Classification: AMA. Category: (P) Professional & Vocational. Dimension: 226 x 173 x 50. Weight in Grams: 1502. . . . . . . Codice libro della libreria V9780262701105

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Bernard Tschumi
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Descrizione libro MIT Press Ltd, United States, 2005. Paperback. Condizione libro: New. 226 x 168 mm. Language: English . Brand New Book. In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings -- but that the decision should always be strategic. Through documentation of recent projects -- including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept -- a simple and precise museum with the clarity of ancient Greek buildings -- with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts. Codice libro della libreria AAU9780262701105

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Descrizione libro MIT Press Ltd. Condizione libro: New. 2005. Paperback. How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi. Num Pages: 640 pages, 530 b/w illustrations & 103 colour. BIC Classification: AMA. Category: (P) Professional & Vocational. Dimension: 226 x 173 x 50. Weight in Grams: 1502. . . . . . Books ship from the US and Ireland. Codice libro della libreria V9780262701105

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Bernard Tschumi
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Descrizione libro MIT Press Ltd, United States, 2005. Paperback. Condizione libro: New. 226 x 168 mm. Language: English . Brand New Book. In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings -- but that the decision should always be strategic. Through documentation of recent projects -- including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept -- a simple and precise museum with the clarity of ancient Greek buildings -- with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts. Codice libro della libreria AAU9780262701105

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Bernard Tschumi
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Descrizione libro MIT Press, 2005. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WM-9780262701105

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Descrizione libro MIT Press Ltd 2005-03-01, Cambridge, Mass., 2005. paperback. Condizione libro: New. Codice libro della libreria 9780262701105

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Descrizione libro MIT Press (MA) April 2005, 2005. Trade Paperback. Condizione libro: New. In Event-Cities 3, Bernard Tschumi explores the complex and productivetriangulation of architectural concept, context, and content. There is noarchitecture without a concept, an overriding idea that gives coherence and identityto a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, andcontent may be in unison or purposely discordant. Against the contextualist movementof the 1980s and 1990s, which called for architecture to blend in with itssurroundings, Tschumi argues that buildings may or may not conform to their settings-- but that the decision should always be strategic.Through documentation of recentprojects -- including the new Acropolis Museum in Athens, a campus athletic centerin Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways thatconcept, context, and content relate to each other in his work. In the new AcropolisMuseum, for example, Tschumi looks at the interaction of the concept -- a simple andprecise museum with the clarity of ancient Greek buildings -- with the context (itslocation at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabricof the museum. Through provocative examples, Tschumi demonstrates that therelationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architecturalapproaches. Above all, he suggests that the activity of architecture is less aboutthe making of forms than the investigation and materialization ofconcepts. How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi. Codice libro della libreria 109107

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Bernard Tschumi
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Descrizione libro MIT Press Ltd. Paperback. Condizione libro: new. BRAND NEW, Event-Cities 3: Concept vs. Context vs. Content, Bernard Tschumi, In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings -- but that the decision should always be strategic. Through documentation of recent projects -- including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept -- a simple and precise museum with the clarity of ancient Greek buildings -- with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts. Codice libro della libreria B9780262701105

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