Among the many practices in which musicians engage are several that may be viewed as modes of interpretation, a kind of interpretation that Paul Thom calls “performative” to contrast it with another kind he calls “critical.” The difference is that the latter discusses a musical work; the former presents or enacts it. This book aims at making the case for understanding these activities of transcribing, varying, and realizing music as all forms of interpretation and, indeed, for seeing performative interpretation overall as a paradigm of what interpretation is. Thom devotes a chapter to each of the three types and, to make his philosophical points musically concrete, provides a wealth of illustrations ranging from classical music to jazz and involving performers as diverse as Toscanini and Billie Holiday.
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Paul Thom is Professor of Philosophy and Executive Dean of Arts at Southern Cross University in New South Wales, Australia.
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Spese di spedizione:
EUR 5,14
In U.S.A.
Descrizione libro Paperback. Condizione: New. My shelf location 42-d-10. Codice articolo 210829007
Descrizione libro paperback. Condizione: New. New. book. Codice articolo ERICA79102710319996