A central tenet of Catholic religious practice, confession relies upon the use of language between the penitent and his or her confessor. In the sixteenth and seventeenth centuries, as Spain colonized the Quechua-speaking Andean world, the communication of religious beliefs and practices—especially the practice of confession—to the native population became a primary concern, and as a result, expansive bodies of Spanish ecclesiastic literature were translated into Quechua. In this fascinating study of the semantic changes evident in translations of Catholic catechisms, sermons, and manuals, Regina Harrison demonstrates how the translated texts often retained traces of ancient Andean modes of thought, despite the didactic lessons they contained.
In Sin and Confession in Colonial Peru, Harrison draws directly from confession manuals to demonstrate how sin was newly defined in Quechua lexemes, how the role of women was circumscribed to fit Old World patterns, and how new monetized perspectives on labor and trade were taught to the subjugated indigenous peoples of the Andes by means of the Ten Commandments. Although outwardly confession appears to be an instrument of oppression, the reformer Bartolomé de Las Casas influenced priests working in the Andes; through their agency, confessional practice ultimately became a political weapon to compel Spanish restitution of Incan lands and wealth. Bringing together an unprecedented study (and translation) of Quechua religious texts with an expansive history of Andean and Spanish transculturation, Harrison uses the lens of confession to understand the vast and telling ways in which language changed at the intersection of culture and religion.
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Regina Harrison is Professor of Spanish, School of Languages, Literatures, and Cultures; Professor of Comparative Literature, Department of English; and Affiliate Professor of Anthropology at the University of Maryland, College Park. She is the author of the award-winning Signs, Songs, and Memory in the Andes: Translating Quechua Language and Culture and Entre el tronar épico y el llanto elegíaco: simbología indígena en la poesía ecuatoriana siglos XIX y XX.Review:
"What sets this book apart from other works on Andean conversion is its blend of European and Andean source material. The author and publisher should be congratulated also for the inclusion of original quotes. This will go a long way toward helping future scholars." (Sixteenth Century Journal)
". . . an informed and highly informative accounting and analysis of concepts of sin . . . and of the long-term ‘encounter’ between these traditions as Europeans first conquered the Inka Empire and then struggled to gain control over Andean people’s bodies, minds, and souls during early to mid-colonial times in the Andes. It is a book with a large and ambitious scope that demonstrates extraordinarily deep learning and close engagement with a range of highly esoteric texts from the period." (Gary Urton, Dumbarton Oaks Professor of Pre-Columbian Studies in the Archaeology Program in the Department of Anthropology at Harvard University and author of Signs of the Inka Khipu: Binary Coding in the Andean Knotted-String Records, The Social Life of Numbers: A Quechua Ontology of Numbers and Philosophy of Arithmetic, The History of a Myth: Pacariqtambo and the Origin of the Inkas, and At the Crossroads of the Earth and the Sky: An Andean Cosmology)
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Descrizione libro University of Texas Press, 2014. Hardcover. Condizione libro: New. Never used!. Codice libro della libreria P110292728484
Descrizione libro Univ of Texas Pr, 2014. Hardcover. Condizione libro: Brand New. 324 pages. 9.00x6.25x1.25 inches. In Stock. Codice libro della libreria zk0292728484