Settling the Score: Music and the Classical Hollywood Film

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9780299133641: Settling the Score: Music and the Classical Hollywood Film

"Settling the Score" situates the classical Hollywwod film score and its practice in historical, theoretical and musical context. Kathryn Kalinak examines the conventions and strategies underpinning film scoring in Hollywood, investigating what has been considered the most influential and powerful relationship to have evolved between music and film, the classical Hollywood model. Beginning with the earliest experiments in musical accompaniment carried out in the Edison laboratories. Kalinak uses archival material to outline the history of music and film in America. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's "Captain Blood", Max Steiner's "The Informer", Bernard Herrmann's "The Magnificent Ambersons", and David Raskin's "Laura", Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams "The Empire Strikes Back" and Basil Poledouris "Robocop" demonstrate how the traditions of the classical era continue to influence scoring practices today. Underlying the author's historical investigation is an inquiry into the nature of film music itself. Exposing the visual bias in western culture in general and in film studies in particular. Kalinak argues that music is a fundamental part of the filmic exerience. She constructs a model for the perception of film that takes into account the shared power of image and sound in shaping response. Using contemporary theoy, "Settling the Score" makes the case that music should be an integral part of film analysis.

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Kalinak, Kathryn
Editore: University of Wisconsin Press, United States (1992)
ISBN 10: 0299133648 ISBN 13: 9780299133641
Nuovi Paperback Quantità: 10
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Descrizione libro University of Wisconsin Press, United States, 1992. Paperback. Condizione libro: New. New.. 230 x 152 mm. Language: English . Brand New Book. Settling the Score situates the classical Hollywwod film score and its practice in historical, theoretical and musical context. Kathryn Kalinak examines the conventions and strategies underpinning film scoring in Hollywood, investigating what has been considered the most influential and powerful relationship to have evolved between music and film, the classical Hollywood model. Beginning with the earliest experiments in musical accompaniment carried out in the Edison laboratories. Kalinak uses archival material to outline the history of music and film in America. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold s Captain Blood , Max Steiner s The Informer , Bernard Herrmann s The Magnificent Ambersons , and David Raskin s Laura , Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams The Empire Strikes Back and Basil Poledouris Robocop demonstrate how the traditions of the classical era continue to influence scoring practices today. Underlying the author s historical investigation is an inquiry into the nature of film music itself. Exposing the visual bias in western culture in general and in film studies in particular. Kalinak argues that music is a fundamental part of the filmic exerience. She constructs a model for the perception of film that takes into account the shared power of image and sound in shaping response. Using contemporary theoy, Settling the Score makes the case that music should be an integral part of film analysis. Codice libro della libreria AAN9780299133641

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2.

Kalinak, Kathryn
Editore: University of Wisconsin Press, United States (1992)
ISBN 10: 0299133648 ISBN 13: 9780299133641
Nuovi Paperback Quantità: 10
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Descrizione libro University of Wisconsin Press, United States, 1992. Paperback. Condizione libro: New. New.. 230 x 152 mm. Language: English . Brand New Book. Settling the Score situates the classical Hollywwod film score and its practice in historical, theoretical and musical context. Kathryn Kalinak examines the conventions and strategies underpinning film scoring in Hollywood, investigating what has been considered the most influential and powerful relationship to have evolved between music and film, the classical Hollywood model. Beginning with the earliest experiments in musical accompaniment carried out in the Edison laboratories. Kalinak uses archival material to outline the history of music and film in America. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold s Captain Blood , Max Steiner s The Informer , Bernard Herrmann s The Magnificent Ambersons , and David Raskin s Laura , Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams The Empire Strikes Back and Basil Poledouris Robocop demonstrate how the traditions of the classical era continue to influence scoring practices today. Underlying the author s historical investigation is an inquiry into the nature of film music itself. Exposing the visual bias in western culture in general and in film studies in particular. Kalinak argues that music is a fundamental part of the filmic exerience. She constructs a model for the perception of film that takes into account the shared power of image and sound in shaping response. Using contemporary theoy, Settling the Score makes the case that music should be an integral part of film analysis. Codice libro della libreria AAN9780299133641

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Kalinak, Kathryn
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ISBN 10: 0299133648 ISBN 13: 9780299133641
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Descrizione libro University of Wisconsin Press. Paperback. Condizione libro: new. BRAND NEW, Settling the Score: Music and the Classical Hollywood Film, Kathryn Kalinak, "Settling the Score" situates the classical Hollywwod film score and its practice in historical, theoretical and musical context. Kathryn Kalinak examines the conventions and strategies underpinning film scoring in Hollywood, investigating what has been considered the most influential and powerful relationship to have evolved between music and film, the classical Hollywood model. Beginning with the earliest experiments in musical accompaniment carried out in the Edison laboratories. Kalinak uses archival material to outline the history of music and film in America. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's "Captain Blood", Max Steiner's "The Informer", Bernard Herrmann's "The Magnificent Ambersons", and David Raskin's "Laura", Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams "The Empire Strikes Back" and Basil Poledouris "Robocop" demonstrate how the traditions of the classical era continue to influence scoring practices today. Underlying the author's historical investigation is an inquiry into the nature of film music itself. Exposing the visual bias in western culture in general and in film studies in particular. Kalinak argues that music is a fundamental part of the filmic exerience. She constructs a model for the perception of film that takes into account the shared power of image and sound in shaping response. Using contemporary theoy, "Settling the Score" makes the case that music should be an integral part of film analysis. Codice libro della libreria B9780299133641

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Descrizione libro University of Wisconsin Press, 1992. Paperback. Condizione libro: New. book. Codice libro della libreria 0299133648

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Descrizione libro University of Wisconsin Press, 1992. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria CE-9780299133641

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Descrizione libro University of Chicago press. Condizione libro: New. Brand New. Codice libro della libreria 0299133648

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Kalinak, Kathryn
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Descrizione libro University of Wisconsin Press, 1992. Paperback. Condizione libro: New. /NEW/SAME AS PICTURED/. Codice libro della libreria SKU0017693

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Descrizione libro University of Wisconsin Press, 1992. Paperback. Condizione libro: NEW. 9780299133641 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Codice libro della libreria HTANDREE0695858

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Descrizione libro University of Wisconsin Press, 1992. Paperback. Condizione libro: New. 1. Codice libro della libreria DADAX0299133648

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Descrizione libro Univ of Wisconsin. Condizione libro: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Codice libro della libreria 2191022

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