The Symbolist Prints of Edvard Munch: The Vivian and David Campbell Collection

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9780300069525: The Symbolist Prints of Edvard Munch: The Vivian and David Campbell Collection

Edvard Munch is one of the twentieth century's greatest printmakers, and his works—particularly The Scream and Madonna—have made their way into the popular culture of our time. This handsome book considers Munch's graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch's Symbolist prints and demonstrates the great themes of love and death that characterize his fin de siècle imagery.

Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch's art in America, tracing a reputation that continues to grow a half century after the artist's death. Peter Schjeldahl poetically evokes Munch's work and accounts for the artist's rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations.

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Review:

The artwork in The Symbolist Prints of Edvard Munch is so beautifully reproduced that one might be tempted to tear out pages, frame them and hang them on the wall. Munch's work, which constitutes some of the 20th century's greatest printmaking, is presented through the lens of an extraordinary private collection that includes almost every one of his prints along with alternate versions and early sketches. Elizabeth Prelinger's essays provide background on Munch's life, printmaking techniques, and the development of his symbolist aesthetic. An exciting element of the book is an evocative essay by renowned critic, Peter Schjeldahl, who, in inimitable style, likens Munch's effect on the viewer to that of listening to the early work of a favorite rock-star. Published on the occasion of an exhibit at the Art Gallery of Ontario in early 1997, this book provides excellent documentation of an artist whose work remains vital more than fifty years after his death.

About the Author:

Elizabeth Prelinger is associate professor and chair of the Art, Music, & Theatre Department at Georgetown University. She is the author of Käthe Kollwitz, published by Yale University Press. Michael Parke-Taylor is associate curator of European art at the Art Gallery of Ontario. Peter Schjeldahl is art critic for the Village Voice and contributing editor for Art in America.

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Prelinger, Elizabeth;Schjeldahl, Peter;Parke-Taylor, Michael
Editore: Yale University Press (1996)
ISBN 10: 0300069529 ISBN 13: 9780300069525
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Descrizione libro Yale University Press, 1996. Hard Cover. Condizione libro: New. Condizione sovraccoperta: New. NEW. An unopened hardcover copy still in the publisher's shrinkwrap. Size: 4to - over 9¾" - 12" tall. Codice libro della libreria 38750

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Elizabeth Prelinger, Michael Parke-Taylo
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Descrizione libro Yale University Press, 1996. Hardcover. Condizione libro: New. Codice libro della libreria P110300069529

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Elizabeth Prelinger; Michael Parke-Taylor
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Descrizione libro Yale University Press, 1996. Hardcover. Condizione libro: New. book. Codice libro della libreria 0300069529

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Descrizione libro Yale University Press. Hardcover. Condizione libro: New. 0300069529 New Condition. Codice libro della libreria NEW6.0121485

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Prelinger, Elizabeth; Schjeldahl, Peter; Parke-Taylor, Michael; Munch, Edvard (artist)
Editore: Yale Univ Pr, New Haven (1996)
ISBN 10: 0300069529 ISBN 13: 9780300069525
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Descrizione libro Yale Univ Pr, New Haven, 1996. Cloth Hardcover. Condizione libro: New. Condizione sovraccoperta: New. 236 pp. Ours is a NEW book in PRISTINE condition, as is the DJ now protected with a Mylar covering and slightly 'sunned' on the spine. Tip top, top notch, top drawer, great buy. Codice libro della libreria 100597

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Elizabeth Prelinger, Michael Parke-Taylor, Peter Schjeldahl (Contributor)
Editore: Yale University Press (1996)
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Descrizione libro Yale University Press, 1996. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0300069529

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Descrizione libro Yale University Press, 1997. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WY-9780300069525

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Elizabeth Prelinger, Michael Parke-Taylor
Editore: Yale University Press, United States (1997)
ISBN 10: 0300069529 ISBN 13: 9780300069525
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Descrizione libro Yale University Press, United States, 1997. Hardback. Condizione libro: New. New.. Language: English . Brand New Book. Edvard Munch is one of the twentieth century s greatest printmakers, and his works-particularly The Scream and Madonna-have made their way into the popular culture of our time. This handsome book considers Munch s graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch s Symbolist prints and demonstrates the great themes of love and death that characterize his fin de siecle imagery. Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch s art in America, tracing a reputation that continues to grow a half century after the artist s death. Peter Schjeldahl poetically evokes Munch s work and accounts for the artist s rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience.These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations. Codice libro della libreria AAH9780300069525

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9.

Elizabeth Prelinger, Michael Parke-Taylor
Editore: Yale University Press, United States (1997)
ISBN 10: 0300069529 ISBN 13: 9780300069525
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Descrizione libro Yale University Press, United States, 1997. Hardback. Condizione libro: New. New.. Language: English . Brand New Book. Edvard Munch is one of the twentieth century s greatest printmakers, and his works-particularly The Scream and Madonna-have made their way into the popular culture of our time. This handsome book considers Munch s graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch s Symbolist prints and demonstrates the great themes of love and death that characterize his fin de siecle imagery. Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch s art in America, tracing a reputation that continues to grow a half century after the artist s death. Peter Schjeldahl poetically evokes Munch s work and accounts for the artist s rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations. Codice libro della libreria AAH9780300069525

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10.

Elizabeth Prelinger, Michael Park-Taylor, Edvard Munch, Art Gallery of Ontario, Peter Schjeldahl, Michael Parke-Taylor,
Editore: Yale University Press September 1996 (1996)
ISBN 10: 0300069529 ISBN 13: 9780300069525
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Descrizione libro Yale University Press September 1996, 1996. Hardcover. Condizione libro: New. Edvard Munch is famous for his prints, particularly The Scream and Madonna. This work considers Munch's graphic work through the lens of a private collection, which includes impressions of virtually all of his major prints, along with alternative versions and early states. Codice libro della libreria 190258

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