Edvard Munch is one of the twentieth century's greatest printmakers, and his works?particularly The Scream and Madonna?have made their way into the popular culture of our time. This handsome book considers Munch's graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch's Symbolist prints and demonstrates the great themes of love and death that characterize his fin de siècle imagery.
Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch's art in America, tracing a reputation that continues to grow a half century after the artist's death. Peter Schjeldahl poetically evokes Munch's work and accounts for the artist's rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations.
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Elizabeth Prelinger is associate professor and chair of the Art, Music, & Theatre Department at Georgetown University. She is the author of Käthe Kollwitz, published by Yale University Press. Michael Parke-Taylor is associate curator of European art at the Art Gallery of Ontario. Peter Schjeldahl is art critic for the Village Voice and contributing editor for Art in America.
Physical description; 236 p : ill. ; 26 cm. Notes; Catalog of an exhibition to be held at the Art Gallery of Ontario, Toronto, 28 Feb.-25 May 1997 and at the Cincinnati Art Museum at a later date. Includes bibliographical references and index. Summary; Edvard Munch is famous for his prints, particularly "The Scream" and "Madonna". This work considers Munch's graphic work through the lens of a private collection, which includes impressions of virtually all of his major prints, along with alternative versions and early states. Subjects; Munch, Edvard (1863-1944) - Exhibitions. Campbell, David M. - Art collections - Exhibitions. Campbell, Vivian - Art Collections - Exhibitions. Munch, Edvard - Exhibitions. Munch, Edvard (1863-1944) - Criticism and interpretation. Campbell (Vivian and David) Collection. Symbolism (Art movement) - Norway - Exhibitions. Prints - Private collections - Ontario - Toronto - Exhibitions. Prints - Private collections - Canada - Exhibitions. Printmakers - Norway. Prints, Norwegian. Symbolism. Individual artists ; Prints & printmaking ; History of art & design styles: (c 1800 to c 1900) ; Bibliographies, catalogues, discographies. Sweden. Crafts & Hobbies / Printmaking. Art / Individual Artists / General. Printmakers ; Norway ; Prints, Norwegian. Genres; Bibliography. Catalogue. Illustrated.
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Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Codice articolo 4812395-6
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Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 3.25. Codice articolo G0300069529I5N00
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Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.25. Codice articolo G0300069529I4N00
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hardcover. Condizione: Very Good. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. DJ slightly sunned. Codice articolo 2304070036
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Codice articolo M0300069529Z3
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Da: Mahler Books, PFLUGERVILLE, TX, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear and edgewear; small closed edge tear to side of front jacket. Inside pages are clean. ; 10.20 X 10 X 1.20 inches; 236 pages. Codice articolo 030215-696-071
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Da: Ergodebooks, Houston, TX, U.S.A.
Hardcover. Condizione: Good. First Edition. Edvard Munch is one of the twentieth century's greatest printmakers, and his works-particularly The Scream and Madonna-have made their way into the popular culture of our time. This handsome book considers Munch's graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch's Symbolist prints and demonstrates the great themes of love and death that characterize his fin de sicle imagery.Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch's art in America, tracing a reputation that continues to grow a half century after the artist's death. Peter Schjeldahl poetically evokes Munch's work and accounts for the artist's rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations.Published in association with the Art Gallery of Ontario, Toronto. Codice articolo SONG0300069529
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Da: Magus Books Seattle, Seattle, WA, U.S.A.
Hardcover. Condizione: VG. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Codice articolo 1242625
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. tan cloth boards w/ gilt spine printing. 236 pgs w/ bw & color plates. tan, pictorial dustjacket. content as follows: Illustrated with black and white and colored prints from Edvard Munch. Original pictorial wrappers and color illustrated frontispiece. Published alongside the exhibition of the same name. "This exhibition considers Munch's relevance to a modern world through three interpretive paths." (From the forward) These paths are the technical methods Munch used as a Symbolist printmaker, his reception and exhibitions in North American, and Munch's influence in popular culture. With several essays and a chronology. Good+. smudges & scuffs to cloth covers. shelf wear to lower covers & lower text-block edges. pgs clean. dustjacket scuffed w/ coffee-like staining & spotting; edge-wear; corner chipped; spine sunned; interior foxed. Codice articolo 177351
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condizione: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized. Codice articolo mon0000151786
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