Drawing in Early Renaissance Italy: Revised Edition

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9780300079814: Drawing in Early Renaissance Italy: Revised Edition

During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century―Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo―in order to discuss the new types of drawing that evolved.

 

“Ames-Lewis’s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students.”―Keith Andrews, Times Literary Supplement

 

“An important statement of theory about the drawing’s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field.”―Godfrey Baker, The Connoisseur

 

“This pioneering book . . . makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art.”―Eve King, Art Book Review

 

 

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

About the Author:

Francis Ames-Lewis is lecturer in the history of art at Birkbeck College, University of London.

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

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Descrizione libro Yale University Press, United States, 2000. Paperback. Condizione libro: New. 2nd Rev ed.. Language: English . Brand New Book. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century-Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo-in order to discuss the new types of drawing that evolved. Ames-Lewis s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students. -Keith Andrews, Times Literary Supplement An important statement of theory about the drawing s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field. -Godfrey Baker, The Connoisseur This pioneering book .makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art. -Eve King, Art Book Review. Codice libro della libreria AAH9780300079814

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Descrizione libro Yale University Press, United States, 2000. Paperback. Condizione libro: New. 2nd Rev ed.. Language: English . Brand New Book. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century-Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo-in order to discuss the new types of drawing that evolved. Ames-Lewis s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students. -Keith Andrews, Times Literary Supplement An important statement of theory about the drawing s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field. -Godfrey Baker, The Connoisseur This pioneering book . . . makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art. -Eve King, Art Book Review. Codice libro della libreria AAH9780300079814

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Descrizione libro 2000. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria TY-9780300079814

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Descrizione libro Yale University Press. Paperback. Condizione libro: new. BRAND NEW, Drawing in Early Renaissance Italy (Revised edition), Francis Ames-Lewis, During the 15th century, drawing evolved into an art form in its own right. This manual examines the work of major draughtsmen of the century - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo - in order to discuss the new types of drawing that evolved. Codice libro della libreria B9780300079814

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Francis Ames-Lewis
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Descrizione libro Yale University Press, United States, 2000. Paperback. Condizione libro: New. 2nd Rev ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. During the fifteenth century drawing developed from a subsidiary role in the production of finished paintings to an art form in its own right. In this beautiful book, Francis Ames-Lewis examines the works of the major draughtsmen of the century-Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio, and Leonardo-in order to discuss the new types of drawing that evolved. Ames-Lewis s insight into his chosen subject-matters is impressive; so is his simple and lucid presentation. His enthusiasm and real feeling for these early draughtsmen are very infectious and will no doubt commend this book as a kind of primer for students. -Keith Andrews, Times Literary Supplement An important statement of theory about the drawing s emergence as a finished and autonomous work of art; it also offers succinct and enlightening description of the purposes, technique and limitations of drawings in silverpoint, pen and ink, chalk and brush, and as such it will assist and educate every collector concerned with this field. -Godfrey Baker, The Connoisseur This pioneering book .makes a persuasive case for the study of drawing as vital to a fuller understanding of Early Renaissance art. -Eve King, Art Book Review. Codice libro della libreria BTE9780300079814

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Descrizione libro Yale Univ Pr, 2000. Paperback. Condizione libro: Brand New. 208 pages. 10.00x7.75x0.75 inches. In Stock. Codice libro della libreria __0300079818

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