The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d’Este, marchioness of Mantua (1474–1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio.
These paintings encapsulated the principles of an emerging Renaissance artistic genre—the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors.
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Stephen J. Campbell is professor of history of art at Johns Hopkins University and author of Cosmè Tura of Ferrara: Style, Politics and the Renaissance City, 1450-1495, published by Yale University Press. Clifford Malcolm Brown, now retired, was professor of history of art at Carleton University, Ottawa.
Stephen J. Campbell is professor of history of art at Johns Hopkins University and author ofCosmè Tura of Ferrara: Style, Politics and the Renaissance City, 1450-1495, published by Yale University Press.Clifford Malcolm Brown, now retired, was professor of history of art at Carleton University, Ottawa.
Book by Campbell Mr Stephen
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Da: Acadia Art & Rare Books. Est. 1931, Toronto, ON, Canada
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Hardcover with complete DJ. Illustrated throughout in b/w and colour. Lightly used copy. Overall clean, unmarked, and square. Codice articolo 032436
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Hard cover. Condizione: Very good. Condizione sovraccoperta: Very good. Jacket is lightly rubbed, with minimal shelving wear along edges. Cover of book itself is in excellent condition, with no visible flaws apart from some light handling wear. Top edge of spine is very lightly sunned. Binding is tight. Small slip of paper with publishing date erratum included inside book. Inside is clean and unmarked. Codice articolo 1147973
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Da: Art&Libri Firenze, FIRENZE, FI, Italia
Rilegato. Condizione: come nuovo. Condizione sovraccoperta: come nuovo. New Haven and London, 2004, Yale University Press. Cm. 28x20, pp. 402, ill. 135 a colori n.t., ril. con sovrac. Codice articolo 005317
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Hardcover. black boards w/ gilt spine printing. book viii, 402 pages w/ bw & color illustrations. glossy pictorial & blue dustjacket w/ white printing. Remains a nice, bright and sharp copy. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genreâ"the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors."--Amazon. VG/VG- (sunning to upper board edges & spine. light wear to boards. dustjacket has coffee-like staining to lower internal & external edges; edge-wear.). Codice articolo 193032
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Hard Cover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. A clean, unmarked book with a tight binding. Full black cloth boards show slightly bumped corners. Slight wear to dust jacket. 404 pages. "The Renaissance studiolo was a space devoted in theory to private reading and contemplation, but at the Italian courts of the fifteenth century, it had become a space of luxury, as much devoted to displaying the taste and culture of its occupant as to studious withdrawal. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua (1474-1539). A chief component of its decoration was a series of seven paintings by some of the most noteworthy artists of the time, including Andrea Mantegna, Pietro Perugino, Lorenzo Costa, and Correggio. These paintings encapsulated the principles of an emerging Renaissance artistic genreâ "the mythological image. Using these paintings as an exemplary case, and drawing on other important examples made by Giorgione in Venice and by Titian and Michelangelo for the Duke of Ferrara, Stephen Campbell explores the function of the mythological image within a Renaissance culture of readers and collectors." [blurb]. Codice articolo 155021
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Condizione: Very Good. Very Good condition. Shows only minor signs of wear, and very minimal markings inside (if any). 3.5. Codice articolo 353-0300117531-vrg
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