Tapestry in the Baroque: Threads of Splendor

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9780300124071: Tapestry in the Baroque: Threads of Splendor

Conceived as a sequel to the critically acclaimed Tapestry in the Renaissance: Art and Magnificence (2002), this lavishly illustrated volume is the first comprehensive survey of 17th-century European tapestry available in English. From the Middle Ages until the late 18th century, European courts expended vast sums on tapestries, which were made with precious materials after designs by the leading artists of the day. Yet, this spectacular medium is still often presented as a decorative art of lesser importance. Tapestry in the Baroque challenges this notion, demonstrating that tapestry remained among the most prestigious figurative mediums throughout the 17th and early 18th centuries, prized by the rich for its artistry and as a propaganda tool. The book features forty-five of the finest surviving examples from collections in more than fifteen countries, as well as a number of related designs and oil sketches. Through these it examines the stylistic developments of tapestry between 1590 and 1720, when such masters as Peter Paul Rubens, Jacob Jordaens, Simon Vouet, Charles Le Brun, Pietro da Cortona, and Giovanni Romanelli responded to the challenges and opportunities of the medium in the context of contemporary artistic developments.

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James G. Harper, Thomas P. Campbell
Editore: Yale University Press, United States (2007)
ISBN 10: 0300124074 ISBN 13: 9780300124071
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Descrizione libro Yale University Press, United States, 2007. Hardback. Condizione libro: New. 312 x 257 mm. Language: English . Brand New Book. Conceived as a sequel to the critically acclaimed Tapestry in the Renaissance: Art and Magnificence (2002), this lavishly illustrated volume is the first comprehensive survey of 17th-century European tapestry available in English. From the Middle Ages until the late 18th century, European courts expended vast sums on tapestries, which were made with precious materials after designs by the leading artists of the day. Yet, this spectacular medium is still often presented as a decorative art of lesser importance. Tapestry in the Baroque challenges this notion, demonstrating that tapestry remained among the most prestigious figurative mediums throughout the 17th and early 18th centuries, prized by the rich for its artistry and as a propaganda tool. The book features forty-five of the finest surviving examples from collections in more than fifteen countries, as well as a number of related designs and oil sketches. Through these it examines the stylistic developments of tapestry between 1590 and 1720, when such masters as Peter Paul Rubens, Jacob Jordaens, Simon Vouet, Charles Le Brun, Pietro da Cortona, and Giovanni Romanelli responded to the challenges and opportunities of the medium in the context of contemporary artistic developments. Codice libro della libreria AAH9780300124071

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James G. Harper, Thomas P. Campbell
Editore: Yale University Press, United States (2007)
ISBN 10: 0300124074 ISBN 13: 9780300124071
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Descrizione libro Yale University Press, United States, 2007. Hardback. Condizione libro: New. 312 x 257 mm. Language: English . Brand New Book. Conceived as a sequel to the critically acclaimed Tapestry in the Renaissance: Art and Magnificence (2002), this lavishly illustrated volume is the first comprehensive survey of 17th-century European tapestry available in English. From the Middle Ages until the late 18th century, European courts expended vast sums on tapestries, which were made with precious materials after designs by the leading artists of the day. Yet, this spectacular medium is still often presented as a decorative art of lesser importance. Tapestry in the Baroque challenges this notion, demonstrating that tapestry remained among the most prestigious figurative mediums throughout the 17th and early 18th centuries, prized by the rich for its artistry and as a propaganda tool. The book features forty-five of the finest surviving examples from collections in more than fifteen countries, as well as a number of related designs and oil sketches. Through these it examines the stylistic developments of tapestry between 1590 and 1720, when such masters as Peter Paul Rubens, Jacob Jordaens, Simon Vouet, Charles Le Brun, Pietro da Cortona, and Giovanni Romanelli responded to the challenges and opportunities of the medium in the context of contemporary artistic developments. Codice libro della libreria AAH9780300124071

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James G. Harper, Thomas P. Campbell
Editore: Metropolitan Museum of Art (2007)
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Descrizione libro Metropolitan Museum of Art, 2007. Hardcover. Condizione libro: New. book. Codice libro della libreria 0300124074

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Descrizione libro Yale University Press, 2007. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WY-9780300124071

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Descrizione libro YALE University Press. Condizione libro: New. Brand New. Codice libro della libreria 0300124074

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Descrizione libro Metropolitan Museum of Art, 2007. Hardcover. Condizione libro: Brand New. 563 pages. 12.25x10.25x1.50 inches. In Stock. Codice libro della libreria __0300124074

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Campbell, Thomas P.
Editore: Metropolitan Museum of Art, Middle Village, New York, U.S.A. (2007)
ISBN 10: 0300124074 ISBN 13: 9780300124071
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Descrizione libro Metropolitan Museum of Art, Middle Village, New York, U.S.A., 2007. Hardcover. Condizione libro: New. Condizione sovraccoperta: New. hardcover in publisher's original shrink wrap, thus brand new. . Shipped in a secure box and packaged in bubble wrap. Codice libro della libreria 010014

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Thomas P Campbell, Bruce White, Pascal-Francois Bertrand, Charissa Bremer-David, Koenraad Brosens, Guy Delmarcel,
Editore: Metropolitan Museum of Art New York November 2007 (2007)
ISBN 10: 0300124074 ISBN 13: 9780300124071
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Descrizione libro Metropolitan Museum of Art New York November 2007, 2007. Hardcover. Condizione libro: New. Conceived as a sequel to the critically acclaimed 'Tapestry in the Renaissance: Art and Magnificence (2002),' this lavishly illustrated volume is the first comprehensive survey of 17th-century European tapestry available in English. From the Middle Ages until the late 18th century, European courts expended vast sums on tapestries, which were made with precious materials after designs by the leading artists of the day. Yet, this spectacular medium is still often presented as a decorative art of lesser importance. 'Tapestry in the Baroque' challenges this notion, demonstrating that tapestry remained among the most prestigious figurative mediums throughout the 17th and early 18th centuries, prized by the rich for its artistry and as a propaganda tool.The book features forty-five of the finest surviving examples from collections in more than fifteen countries, as well as a number of related designs and oil sketches. Through these it examines the stylistic developments of tapestry between 1590 and 1720, when such masters as Peter Paul Rubens, Jacob Jordaens, Simon Vouet, Charles Le Brun, Pietro da Cortona, and Giovanni Romanelli responded to the challenges and opportunities of the medium in the context of contemporary artistic developments. Book has minor shelf wear. Codice libro della libreria 20101221115808

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Thomas P. Campbell
ISBN 10: 0300124074 ISBN 13: 9780300124071
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Descrizione libro 2007. Hardcover. Condizione libro: New. 255mm x 44mm x 312mm. Hardcover. Conceived as a sequel to the critically acclaimed Tapestry in the Renaissance: Art and Magnificence (2002), this lavishly illustrated volume is the first comprehensive survey of 17th-centu.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 563 pages. 3.411. Codice libro della libreria 9780300124071

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P. Campbell Thomas
ISBN 10: 0300124074 ISBN 13: 9780300124071
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Descrizione libro 2007. Hardback. Condizione libro: New. 1. Hardback. Codice libro della libreria MM-48020456

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