From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world.
Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Stefano Carboni is Curator and Administrator in the Department of Islamic Art at The Metropolitan Museum of Art.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Descrizione libro Metropolitan Museum of Art / Yale University Press / Gallimard, New York / New Haven / Paris, 2007. Soft cover. Condizione libro: New. NEW in publisher's shrink wrap. Catalog of a major exhibition at the Metropolitan Museum of Art, March 27 to July 8, 2007. Heavily illustrated, in full color. The exhibition was a thorough examination of the relationship of Venice and the Venetian Republic with the Islamic world both before and after the fall of Constantinople. Highly relevant to the current world. Foreword by Philippe de Montebello. Extensive articles on the culture, history, technology, decorative arts, and culture of Venice. Items displayed and illustrated include carpets, textiles, metalwork, painting, lacquerwork, bookbinding, and, of course, glass. Extensive bibliography and a chronology of the period. A large and heavy book; US orders will be sent with NO ADDITIONAL POSTAGE CHARGES. Codice libro della libreria HS14505
Descrizione libro 2007. Brossura. Condizione libro: nuovo. New with original shrink wrap. Codice libro della libreria 1003
Descrizione libro Metropolitan Museum of Art, 2007. Hardcover. Condizione libro: New. Codice libro della libreria P110300124309
Descrizione libro Metropolitan Museum of Art, 2007. Hardcover. Condizione libro: New. book. Codice libro della libreria 0300124309
Descrizione libro Metropolitan Museum of Art, 2007. Hardcover. Condizione libro: New. English Ed. Codice libro della libreria DADAX0300124309