Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales (The Paul Mellon Centre for Studies in British Art)

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9780300162790: Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales (The Paul Mellon Centre for Studies in British Art)

For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility—not just for themselves as individuals, but for their entire class or industry.

In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art.

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About the Author:

Tarnya Cooper is chief curator at the National Portrait Gallery, London.

Review:

Selected as a Choice Outstanding Academic Title for 2013 in the Fine Arts Category. (Outstanding Academic Title Choice 2014-01-21)

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Tarnya Cooper
Editore: Yale University Press, United States (2012)
ISBN 10: 0300162790 ISBN 13: 9780300162790
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Descrizione libro Yale University Press, United States, 2012. Hardback. Condizione libro: New. Language: English . Brand New Book. For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility-not just for themselves as individuals, but for their entire class or industry. In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art. Codice libro della libreria AAH9780300162790

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Cooper, tarnya
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Descrizione libro Paul Mellon Centerr for Studies in British Art & Yale University Press, New haven and London, 2012. Hardcover. Condizione libro: New. Condizione sovraccoperta: New. A New copy in the shrink wrap as issued. 240 pages, illustrated in both colour and black and white. Codice libro della libreria 075472

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Tarnya Cooper
Editore: Yale University Press, United States (2012)
ISBN 10: 0300162790 ISBN 13: 9780300162790
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Descrizione libro Yale University Press, United States, 2012. Hardback. Condizione libro: New. Language: English . Brand New Book. For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility-not just for themselves as individuals, but for their entire class or industry. In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art. Codice libro della libreria AAH9780300162790

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Descrizione libro Yale University Press, 2012. HRD. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WY-9780300162790

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Descrizione libro Yale University Press, 2012. Condizione libro: New. For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elites and royalty had the money and power to commission such an endeavour. This book examines the patronage and production of portraits in Tudor and Jacobean England. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 240 pages, 40 colour images + 80 black-&-white illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN; ACQ; AFC; AGHF. Category: (G) General (US: Trade). Dimension: 253 x 292 x 23. Weight in Grams: 1540. . 2012. Hardcover. . . . . . Codice libro della libreria V9780300162790

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Descrizione libro Yale University Press. Hardback. Condizione libro: new. BRAND NEW, Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales, Tarnya Cooper, For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elite and royalty had the money and power to commission such an endeavor. But in the second half of the 16th century, access began to widen to the urban middle class, including merchants, lawyers, physicians, clergy, writers, and musicians. As portraiture proliferated in English cities and towns, the middle class gained social visibility-not just for themselves as individuals, but for their entire class or industry. In Citizen Portrait, Tarnya Cooper examines the patronage and production of portraits in Tudor and Jacobean England, focusing on the motivations of those who chose to be painted and the impact of the resulting images. Highlighting the opposing, yet common, themes of piety and self-promotion, Cooper has revealed a fresh area of interest for scholars of early modern British art. Codice libro della libreria B9780300162790

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Descrizione libro YALE University Press. Condizione libro: New. Brand New. Codice libro della libreria 0300162790

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Descrizione libro Yale University Press. Condizione libro: New. For much of early modern history, the opportunity to be immortalized in a portrait was explicitly tied to social class: only landed elites and royalty had the money and power to commission such an endeavour. This book examines the patronage and production of portraits in Tudor and Jacobean England. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 240 pages, 40 colour images + 80 black-&-white illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN; ACQ; AFC; AGHF. Category: (G) General (US: Trade). Dimension: 253 x 292 x 23. Weight in Grams: 1540. . 2012. Hardcover. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780300162790

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Descrizione libro Yale University Press, 2012. Condizione libro: New. book. Codice libro della libreria ria9780300162790_rkm

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Descrizione libro 2012. HRD. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Codice libro della libreria TY-9780300162790

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