Art Richard Serra Drawing: A Retrospective

ISBN 13: 9780300169379

Richard Serra Drawing: A Retrospective

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9780300169379: Richard Serra Drawing: A Retrospective

As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice.

First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.

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About the Author:

Lizzie Borden is a filmmaker and writer based in Los Angeles. Magdalena Dabrowski is a Special Consultant for Modern and Contemporary Art at The Metropolitan Museum of Art in New York. Gary Garrels is the Elise S. Haas Senior Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. Bernice Rose is the Chief Curator of the Menil Drawing Institute and Study Center. Richard Shiff is the Effie Marie Cain Regents Chair in Art and directs the Center for the Study of Modernism at the University of Texas at Austin. Michelle White is Associate Curator at the Menil Collection.

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White, Michelle
ISBN 10: 030016937X ISBN 13: 9780300169379
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Michelle White (editor), Bernice Rose (editor), Gary Garrels (editor), Magdalena Dabrowski (contributions), Richard Shiff (contributions)
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Descrizione libro Yale University Press, United States, 2011. Hardback. Condizione libro: New. Language: English . Brand New Book. As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra s intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra s drawn work, considering the artist s investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Codice libro della libreria BZV9780300169379

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Michelle White (Editor), Bernice Rose (Editor), Gary Garrels (Editor), Magdalena Dabrowski (Contributor), Richard Shiff (Contributor)
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ISBN 10: 030016937X ISBN 13: 9780300169379
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Descrizione libro The Menil Collection, 2011. Hardcover. Condizione libro: New. Codice libro della libreria DADAX030016937X

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Descrizione libro Yale University Press, United States, 2011. Hardback. Condizione libro: New. Language: English . Brand New Book. As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra s intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra s drawn work, considering the artist s investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Codice libro della libreria AAH9780300169379

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Descrizione libro Yale University Press, United States, 2011. Hardback. Condizione libro: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra s intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra s drawn work, considering the artist s investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Codice libro della libreria BTE9780300169379

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